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In music, a major limma is an interval with the ratio of 135:128, which is the difference between two major tones (a ditone) and a minor third. It is
Major_limma
Basic musical interval
7\ {\hbox{cents}}} Larger chromatic semitone or major chromatic semitone, or larger limma, or major chroma, e.g. between C and an accute C♯ (C♯ raised
Semitone
Musical interval
In Western music theory, a major second (sometimes also called whole tone or a whole step) is a second spanning two semitones (Play). A second is a musical
Major_second
Index of articles associated with the same name
which three just major thirds fall short of an octave (play). The major limma, 135/ 128 , which is the difference between two major whole tones and a
Limma
Musical interval
details), and the major third (Play) is a third spanning four half steps or two whole steps. Along with the minor third, the major third is one of two
Major_third
Small interval between musical notes
and Pythagorean limma. Difference between 12 just perfect fifths and seven octaves. Difference between three Pythagorean ditones (major thirds) and one
Pythagorean_comma
Musical interval
semitones, (e.g., in C major, C to G); other fifths in diatonic music are the diminished fifth, of six semitones, (e.g., in C major, B to F); and the augmented
Perfect_fifth
Musical interval
details), and the major seventh is one of two commonly occurring sevenths. It is qualified as major because it is the larger of the two. The major seventh spans
Major_seventh
Musical interval
or limma of 256/243. The difference between the tone and the limma is the major semitone or apotome ("part cut off") of 2187/2048. Although the limma and
Pythagorean_interval
Musical interval of 9 semitones
details), and the major sixth is one of two commonly occurring sixths. It is qualified as major because it is the larger of the two. The major sixth spans nine
Major_sixth
Musical interval
tuned perfect fifths plus a justly tuned major third and 5 octaves; the ratio of major limma to the Pythagorean limma; the ratio of the syntonic comma and
Schisma
Interval in music
ditonus, from Ancient Greek: δίτονος, "of two tones") is the interval of a major third. The size of a ditone varies according to the sizes of the two tones
Ditone
Musical interval
In music, the septimal major third play, also called the supermajor third (by Hermann von Helmholtz among others), septimal supermajor third, and sometimes
Septimal_major_third
Musical interval
In music, a septimal diatonic semitone (or major diatonic semitone) is the interval 15:14 Play. It is about 119.44 cents. The septimal diatonic semitone
Septimal_diatonic_semitone
Musical parts sounding at the same pitch
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Unison
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Septimal_semicomma
Interval in classical music
50 cents. Philolaus used it to describe the interval now usually called a limma, that of a justly tuned perfect fourth (4:3) minus two whole tones (9:8)
Diesis
Musical interval
belonging to the group of perfect intervals, so called because they are neither major nor minor. Perfect fourth (equal temperament) The file plays middle C, followed
Perfect_fourth
Interval between one musical pitch and another with double its frequency
they begin and end on notes that are an octave apart. For example, the C major scale is typically written C D E F G A B C (shown below), the initial and
Octave
Difference in pitch between two notes
is a major added tone chord (e.g., C6 = CM6 = Cadd6) and contains, together with the implied major triad, an extra major 2nd, perfect 4th, or major 6th
Interval_(music)
Musical compound interval
third, a tenth is typically major or minor but can also have other chord qualities, like being augmented or diminished. A major tenth is a compound interval
Tenth_(interval)
Musical interval
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Sixth_tone
Musical interval
enharmonic genus of the Greek tetrachord consisted of a ditone or an approximate major third, and a semitone, which was divided into two microtones. Aristoxenos
Quarter_tone
Dissonant musical interval
tuned: In the example tuning above, music that modulates from C major into both A major (which needs G♯ for the seventh note) and C minor (which needs
Wolf_interval
Musical interval
within a diatonic scale (such as a major scale) there is only one tritone per octave. For instance, in the C major scale, the augmented fourth F–B is
Tritone
Musical interval unit
2 c 1200 . {\displaystyle f_{2}=f_{1}\times 2^{\frac {c}{1200}}\,.} The major third in just intonation has a frequency ratio 5:4 or ~386 cents, but in
Cent_(music)
Musical interval
because it is the smaller of the two sevenths, spanning ten semitones. The major seventh spans eleven. For example, the interval from A3 to G4 (in scientific
Minor_seventh
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Septimal_quarter_tone
Musical interval
one being the major sixth). It is qualified as minor because it is the smaller of the two: the minor sixth spans eight semitones, the major sixth nine.
Minor_sixth
Musical interval
as the difference between three octaves and four perfect fifths plus two major thirds (in just intonation). It can be represented by the ratio 2048:2025
Diaschisma
two major thirds of 5/4 and a septimal major third, or supermajor third, of 9/7 exceeds the octave. In marvel temperaments, stacking two 5/4 major thirds
Septimal_kleisma
is noticeably wider than a major interval but noticeably narrower than an augmented interval. It is found in between a major and augmented interval, thus
Subminor_and_supermajor
Musical interval encompassing three half steps
occurring thirds. It is called minor because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to
Minor_third
American composer (1943–2020)
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
George_Secor
Musical interval
which Didymus corrected the Pythagorean major third (81/64, around 407.82 cents) to a justly intoned major third (5/4, around 386.31 cents). The word
Syntonic_comma
Musical interval
scientific pitch notation) is a major ninth. If transposed into a single octave, it becomes a major second or minor seventh. The major ninth is somewhat dissonant
Ninth_(interval)
Musical interval
cents), also known as the schismatic major third, is closer to the just major third than the Pythagorean major third. In just intonation the usual diminished
Diminished_fourth
Musical interval
In music, the septimal whole tone, septimal major second, supermajor second, or septimal supermajor second play is the musical interval exactly or approximately
Septimal_whole_tone
Musical interval
classical music, an augmented second is an interval created by widening a major second by a chromatic semitone, spanning three semitones and enharmonically
Augmented_second
15:14 semitone, the 21:20 semitone and 28:27 semitone produce the 9:8 tone (major tone) and 10:9 tone (minor tone), respectively. It is the difference between
Septimal_third_tone
Musical interval
thirteenth is most commonly major or minor. For instance, the interval between C4 and A5 (in scientific pitch notation) is a major thirteenth, while the interval
Thirteenth_(interval)
Musical interval
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Diminished_second
Musical interval
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Fifteenth_(interval)
Musical interval which is not a perfect harmonic
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Pseudo-octave
Musical interval
In music, the major fourth and minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by
Major_fourth_and_minor_fifth
Musical interval
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Augmented_octave
Musical interval
interval produced by widening a major sixth by a chromatic semitone. For instance, the interval from C to A is a major sixth, nine semitones wide in 12
Augmented_sixth
(augmented fourth) is equal to a 5:4 major third plus an 8:7 supermajor second, or a 9:7 supermajor third plus a 10:9 major second. The difference between these
Septimal_tritone
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Ragisma
triads (I, IV, V and i, iv, v) being either major or minor. The third in both major and augmented chords is major (E♮ in C) and the third in both minor and
Third_(chord)
Musical interval
dissonant interval. The diminished octave is enharmonically equivalent to the major seventh. Benward & Saker (2003). Music: In Theory and Practice, Vol. I,
Diminished_octave
refers to meantone temperament, where the whole tone is the mean of the major third. In general, a meantone is constructed in the same way as Pythagorean
List_of_pitch_intervals
Very small interval arising from discrepancies in tuning
common commata; the syntonic comma (80:81), "the difference between a just major 3rd and four just perfect 5ths less two octaves", and the Pythagorean comma
Comma_(music)
Musical interval of ten diatonic steps
function as minor eleventh chord on the second degree (supertonic) of the major scale. The quarter tone scale offers an alternative eleventh of 1650 cents
Eleventh_(interval)
Musical interval
n 12-tone equal temperament a diminished third is enharmonic with the major second, both having a value of 200 cents. However, in meantone tunings with
Diminished_third
In music, ratio of pitch frequencies
(unison), 2:1 (octave), 3:2 (perfect fifth), 4:3 (perfect fourth), 5:4 (major third), 6:5 (minor third). Intervals with small-integer ratios are often
Interval_ratio
Small musical interval
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Semicomma
Musical interval
is a musical interval wider than a minor third play but narrower than a major third play. It is called the neutral third in 24-Tone Equal Temperament
Neutral_third
Musical interval
is a musical interval wider than a minor sixth play but narrower than a major sixth play. Three distinct intervals may be termed neutral sixths: The undecimal
Neutral_sixth
Musical interval
most notable) have an almost perfect match to this interval. The septimal major sixth, 12/7, is the inverse of this interval. The septimal minor third
Septimal_minor_third
Musical interval
interval produced by widening a major seventh by a chromatic semitone. For instance, the interval from C up to B is a major seventh, eleven semitones wide
Augmented_seventh
Magic chord Major chord Major fourth and minor fifth Major limma Major Locrian scale Major second Major scale Major seventh Major sixth Major third Mandola
Index_of_music_articles
Musical interval
5, 6, and 7 constitute the four notes (in order) of a purely consonant major chord (root position) with an added minor seventh (or augmented sixth, depending
Harmonic_seventh
diminished seventh and four septimal major seconds, or four septimal minor thirds and one kind of classic major seventh. The equal temperaments with 27
Breedsma
Musical interval
to a major sixth. There is no standard just tuning of this interval, but one possibility, assuming the flat submediant is a perfect (5:4) major third
Diminished_seventh
Musical interval
superminor interval, in Just Intonation), is an interval that is neither major nor minor, but is, instead, in-between them. In 12 TET, these intervals
Neutral_interval
7/6 septimal minor third, the 7/5 septimal tritone and the 8/7 septimal major second. Composers who made extensive use of these intervals include Harry
Septimal_comma
Musical tuning system of 53 pitches
adds additional problems. Specifically, the Pythagorean major third (ditone) and just major third are distinguished, as are the Pythagorean minor third
53_equal_temperament
Interval 21:20, about 84.47 cents
15:14 semitone, the 21:20 semitone and 28:27 semitone produce the 9:8 tone (major tone) and 10:9 tone (minor tone), respectively. Haluska, Jan (2003). The
Septimal_chromatic_semitone
Musical interval
subtonic) to match that of the unstable seventh degree (or leading tone) of the major mode (an increasingly widespread practice that led to the creation of a
Augmented_fifth
λιχανός) to mesē (Ancient Greek: μέση) is a ditone—a gap equivalent to the major-third interval between F and A in the modern scale. In such a case the function
Incomposite_interval
kleismas; a lagu (25/24) = 10 kleismas; a limma (256/243 or 135/128) = 13 kleismas. In total 10 commas + 5 lagus + 7 limmas = 30 + 50 + 91 = 171 kleismas After
Semantic_system
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Septimal_diesis
Musical interval
justly tuned minor thirds and one justly tuned major tenth (of size 5/2, formed by a 2/1 octave plus a 5/4 major third) or as the difference between a chromatic
Kleisma
Unit of measurement for musical intervals
interval Subminor and supermajor Semitones Pythagorean limma Pythagorean apotome Major limma Quarter tones Quarter tone Septimal quarter tone Undecimal
Millioctave
Method of tuning a musical instrument
but some consider other intervals, particularly the major third, to be so badly out of tune that major chords [may be considered] a dissonance." The Pythagorean
Pythagorean_tuning
Musical scale set of twelve pitches
rounded to one decimal): where 256⁄243 is a diatonic semitone (Pythagorean limma) and 2187⁄2048 is a chromatic semitone (Pythagorean apotome). In 5-limit
Chromatic_scale
Musical tuning system
The system derives its name from the geometric mean used to split the major third into two equal tones. The technique includes a wide variety of tuning
Meantone_temperament
Classification in ancient Greek music theory
diatonic, has two identical 9:8 tones (see major tone) in succession, making the other interval a Pythagorean limma (256:243): hypate parhypate lichanos mese
Genus_(music)
seats in Tobago only. Significant differences in the programs of the two major parties UNC and PNM cannot be identified. The UNC is traditionally more
2020 Trinidad and Tobago general election
2020_Trinidad_and_Tobago_general_election
Term used in the music of India
all 22 shrutis are calculated, three ratios exist: 256/243 (Pythagorean limma, Pythagorean diatonic semitone, or Pythagorean minor semitone), 25/24 (a
Shruti_(music)
Musical scale
12 equal steps reduces both 81:80 (syntonic comma) and 128:125 (5-limit limma) to a unison. A 7-limit linear temperament tempers out both of these intervals;
Bohlen–Pierce_scale
Indian politician and veteran (1893–1973)
Dadhibaman; R. Behera, Puspita; Singh, Brijesh Kumar; Rath, Rabi Sankar; Limma, Dr. Samuel; Jena, Chitta Ranjan (2019). "Tribal Freedom Fighters of Odisha"
Nirmal_Munda
Hurrian goddess
a seal which might have belonged to a son of another local ruler, Indi-Limma. It is presumed that Ḫepat continued to be worshiped in Aleppo through the
Ḫepat
Ancient Greek musical scale
sharpened by multiplying its frequency ratio by 256 / 243 (called a limma), and a natural note is flattened by multiplying its ratio by 243 / 256
Enharmonic_scale
Type of chord in Ancient Greek music
equivalent to two 9:8 epogdoa, or major seconds), together an interval of 81:64, thus leaving a pyknon of 256:243—a limma (minor Pythagorean semitone), but
Pyknon
Companion (disciple) of Muhammad
cavalry trooper, it is recorded by al-Waqidi that his horse was named Dhu al-Limma. Muhammad is said to have noted that Ibn Maslamah shared a similar character
Muhammad_ibn_Maslamah
Musical tuning system
72 EDO are distinct from the closest matches under 12 EDO. For example, the major third of 12 EDO, which is sharp, exists as the 24 step interval within 72 EDO
72_equal_temperament
Study of RNA transcripts
Ritchie ME, Phipson B, Wu D, Hu Y, Law CW, Shi W, Smyth GK (April 2015). "limma powers differential expression analyses for RNA-sequencing and microarray
Transcriptomics_technologies
differentially spliced exons. IsoDOT – Differential RNA-isoform Expression. Limma Limma powers differential expression analyses for RNA-sequencing and microarray
List of RNA-Seq bioinformatics tools
List_of_RNA-Seq_bioinformatics_tools
article. Cross-referenced to FLAT, Equal Temperament, FINGer-key Intervals, Limma, and Sharp. Flute - 5.9 Burney. See Burney's History, Mercer's ed. Cross-referenced
List of general music articles in Rees's Cyclopaedia
List_of_general_music_articles_in_Rees's_Cyclopaedia
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