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An incomposite interval (Ancient Greek: διάστημα ἀσύνθετον; German: ungeteilte Intervall, einfache Intervall) is a concept in the Ancient Greek theory
Incomposite_interval
Musical interval
In music theory, a tritone is a musical interval spanning three whole tones. For instance, the interval from F to the B above it (in short, F–B) is a
Tritone
Difference in pitch between two notes
In music theory, an interval is a difference in pitch between two sounds. An interval may be described as horizontal, linear, or melodic if it refers
Interval_(music)
Dissonant musical interval
A wolf interval is audibly out of tune within a particular musical tuning system. A common example is the abnormally small fifth that results from the
Wolf_interval
Musical interval
is the musical interval between two notes separated by seven semitones, usually three whole tones and a semitone; it is the interval from the first to
Perfect_fifth
Musical interval unit
intervals. Twelve-tone equal temperament divides the octave into 12 semitones of 100 cents each. Typically, cents are used to express small intervals
Cent_(music)
Musical parts sounding at the same pitch
musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. Rhythmic unison is another
Unison
Classification of musical key or scale in ancient Greek music theory
change in the arrangement of incomposite [intervals] making up a compound magnitude while the number and size of the intervals remains the same". Cleonides
Octave_species
Musical interval
In musical tuning theory, a Pythagorean interval is a musical interval with a frequency ratio equal to a power of two divided by a power of three, or vice
Pythagorean_interval
Basic musical interval
are the smallest intervals commonly harmonically and melodically used in Western music, and are among the most dissonant intervals when sounded harmonically
Semitone
Below is a list of intervals expressible in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions
List_of_pitch_intervals
Musical interval
In music theory, a third is a musical interval encompassing three staff positions (see Interval number for more details), and the major third (Play) is
Major_third
Interval between one musical pitch and another with double its frequency
the diapason) is an interval between two tones, one having twice the frequency of vibration of the other. For instance, the interval between C4 and C5 (in
Octave
Type of chord in Ancient Greek music
tetrachord in which a composite of two smaller intervals is less than the remaining (incomposite) interval. The makeup of the pyknon serves to identify
Pyknon
Musical interval
an interval or a chord. A thirteenth interval is between two notes that are thirteen scale degrees from the root of a chord and also the interval between
Thirteenth_(interval)
Musical interval
second is a musical interval encompassing two adjacent staff positions (see Interval number for more details). For example, the interval from C to D is a
Major_second
Musical interval
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth (Play) is the fourth spanning
Perfect_fourth
Musical interval encompassing three half steps
In music theory, a minor third is a musical interval that encompasses three half steps, or semitones. Staff notation represents the minor third as encompassing
Minor_third
Musical compound interval
a tenth (or compound third) is a musical interval encompassing ten scale degrees. It is a compound interval, composed of an octave plus a third. Like
Tenth_(interval)
Musical interval
interval in 24 TET (including extensions), (but also known as a submajor interval, or as a superminor interval, in Just Intonation), is an interval that
Neutral_interval
American composer (1943–2020)
(233.4 cents Play) approximate an 8:7 interval (231.17 cents), a septimal whole tone. Three of these 8:7 intervals (693.51 cents), or 6 secors (700.2 cents
George_Secor
In music, ratio of pitch frequencies
In music, an interval ratio is a ratio of the frequencies of the pitches in a musical interval. For example, a just perfect fifth (for example C to G)
Interval_ratio
music, a subminor interval is an interval that is noticeably wider than a diminished interval but noticeably narrower than a minor interval. It is found in
Subminor_and_supermajor
Small interval between musical notes
after the ancient mathematician and philosopher Pythagoras, is the small interval (or comma) existing in Pythagorean tuning between two enharmonically equivalent
Pythagorean_comma
Musical interval
In music theory, a minor seventh is one of two musical intervals that span seven staff positions. It is minor because it is the smaller of the two sevenths
Minor_seventh
Musical interval
is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (aurally, or logarithmically) as a semitone, which itself
Quarter_tone
Musical interval of ten diatonic steps
In music theory, an eleventh is a compound interval consisting of an octave plus a fourth. A perfect eleventh spans 17 and the augmented eleventh 18 semitones
Eleventh_(interval)
Musical interval
In music theory, a minor sixth is a musical interval encompassing six staff positions (see Interval number for more details), and is one of two commonly
Minor_sixth
Musical interval
In music, a ninth is a compound interval consisting of an octave plus a second. Like the second, the interval of a ninth is classified as a dissonance
Ninth_(interval)
Musical interval
subminor third (e.g., by Ellis) or septimal subminor third, is the musical interval exactly or approximately equal to a 7/6 frequency ratio. In terms of
Septimal_minor_third
the septimal kleisma or marvel comma (play). It is a minute comma type interval of approximately 7.7 cents. Factoring it into primes gives 2−5 32 52 7−1
Septimal_kleisma
Musical interval
from Western culture, a seventh is a musical interval encompassing seven staff positions (see Interval number for more details), and the major seventh
Major_seventh
Series of four notes separated by three intervals
composite of the two smaller intervals is less than the remaining (incomposite) interval, the three-note group is called the pyknón (from pyknós, meaning
Tetrachord
Very small interval arising from discrepancies in tuning
In music theory, a comma is a very small interval, the difference resulting from tuning one note two different ways. Traditionally, there are two most
Comma_(music)
Musical interval of 9 semitones
In music theory, a sixth is a musical interval encompassing six note letter names or staff positions (see Interval number for more details), and the major
Major_sixth
Musical interval
type interval between two musical notes, equal to the frequency ratio 81/80 (= 1.0125) (around 21.51 cents). Two notes that differ by this interval would
Syntonic_comma
Classification in ancient Greek music theory
tones. When the composite of the two smaller intervals is less than the remaining (incomposite) interval, the three-note group is called pyknon (meaning
Genus_(music)
Musical interval
diminished fourth (Play) is an interval produced by narrowing a perfect fourth by a chromatic semitone. For example, the interval from C to F is a perfect fourth
Diminished_fourth
tegula Imbrius Imbrus Immaradus Impluvium Inachorium Inachus Inatus Incomposite interval Indica (Arrian) Indica (Ctesias) Indo-Greek Kingdom Infinitive Ino
Index of ancient Greece-related articles
Index_of_ancient_Greece-related_articles
Musical interval
In music, a fifteenth or double octave, abbreviated 15ma, is the interval between one musical note and another with one-quarter the wavelength or quadruple
Fifteenth_(interval)
Musical interval
minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by Ivan Wyschnegradsky to describe
Major_fourth_and_minor_fifth
these files? See media help. A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor
Septimal_quarter_tone
Musical interval
In Western classical music, an augmented second is an interval created by widening a major second by a chromatic semitone, spanning three semitones and
Augmented_second
Musical interval
In music, the schisma (also spelled skhisma) is the interval between the syntonic comma (81:80) and the Pythagorean comma ( 531 441 : 524 288 ), which
Schisma
Interval in music
ditone (Latin: ditonus, from Ancient Greek: δίτονος, "of two tones") is the interval of a major third. The size of a ditone varies according to the sizes of
Ditone
Musical interval
third (Play) is the musical interval produced by narrowing a minor third by a chromatic semitone. For instance, the interval from A to C is a minor third
Diminished_third
Musical interval
an interval produced by narrowing a minor seventh by a chromatic semitone, and its inversion is the augmented second. For instance, the interval from
Diminished_seventh
Musical interval
augmented fifth (Play) is an interval produced by widening a perfect fifth by a chromatic semitone. For instance, the interval from C to G is a perfect fifth
Augmented_fifth
Musical interval
The harmonic seventh interval (also known as the septimal minor seventh, or subminor seventh) is one with an exact 7:4 ratio (about 969 cents). This is
Harmonic_seventh
Musical interval
(also known as a submajor third, or a superminor third), is a musical interval wider than a minor third play but narrower than a major third play. It
Neutral_third
In music, a breedsma is an interval between pitches with the ratio of 2401:2400, which is the difference between the septimal diesis (49:48, also known
Breedsma
Interval in classical music
"escape" is either an accidental (see sharp), or a very small musical interval, usually defined as the difference between an octave (in the ratio 2:1)
Diesis
Musical interval
augmented sixth (Play), A6, is an interval produced by widening a major sixth by a chromatic semitone. For instance, the interval from C to A is a major sixth
Augmented_sixth
Interval 21:20, about 84.47 cents
is the interval 21:20 (Play). It is about 84.47 cents. The septimal chromatic semitone may be derived from the harmonic series as the interval between
Septimal_chromatic_semitone
Musical interval
is the interval 15:14 Play. It is about 119.44 cents. The septimal diatonic semitone may be derived from the harmonic series as the interval between
Septimal_diatonic_semitone
Musical interval
In music from Western culture, a diminished octave (Play) is an interval produced by narrowing a perfect octave by a chromatic semitone. As such, the two
Diminished_octave
Musical interval
perfect octave and an augmented unison or chromatic semitone. It is the interval between two notes, with the same note letter on staff positions an octave
Augmented_octave
Musical interval
A sixth tone is a musical interval approximately one-third of a half-step (33.3 cents), thus producing 36 pitches per octave. Septimal sixth tone 36 equal
Sixth_tone
tritone) is the musical interval with ratio 7:5 (582.51 cents). The greater septimal tritone (also Euler's tritone), is an interval with ratio 10:7 (617
Septimal_tritone
In music and tuning, the ragisma is an interval with the ratio of 4375:4374, ≈0.396 cents (a superparticular ratio). It is usually defined as the difference
Ragisma
Musical interval
septimal supermajor third, and sometimes Bohlen–Pierce third is the musical interval exactly or approximately equal to a just 9:7 ratio of frequencies, or alternately
Septimal_major_third
In music, a major limma is an interval with the ratio of 135:128, which is the difference between two major tones (a ditone) and a minor third. It is equal
Major_limma
Musical interval
The diaschisma (or diacisma) is a small musical interval defined as the difference between three octaves and four perfect fifths plus two major thirds
Diaschisma
In music, septimal diesis (or slendro diesis) is an interval with the ratio of 49:48 [citation needed] play, which is the difference between the septimal
Septimal_diesis
Musical interval
supermajor second, or septimal supermajor second play is the musical interval exactly or approximately equal to an 8/7 ratio of frequencies. It is about
Septimal_whole_tone
Improvisation In scale Incidental music Incipit Incomplete repetition Incomposite interval Indefinite pitch Indeterminacy (music) Indian Classical Music Industrial
Index_of_music_articles
A septimal 1/3-tone (in music) is an interval with the ratio of 28:27, which is the difference between the perfect fourth and the supermajor third. It
Septimal_third_tone
∗ 3 2 ∗ 5 − 3 ∗ 7 {\displaystyle 2*3^{2}*5^{-3}*7} Or as simple just intervals: ( 6 / 5 ) 3 ∗ ( 7 / 6 ) ∗ ( 2 / 1 ) − 1 {\displaystyle (6/5)^{3}*(7/6)*(2/1)^{-1}}
Septimal_semicomma
Small musical interval
comma (after 31-TET pioneer Adriaan Fokker), is type of small musical interval, or comma, in microtonal music equivalent to 2109375:2097152, or 33×57 :
Semicomma
small musical interval in just intonation that contains the number seven in its prime factorization. There is more than one such interval, so the term
Septimal_comma
Musical interval
In modern Western tonal music theory, a diminished second is the interval produced by narrowing a minor second by one chromatic semitone. In twelve-tone
Diminished_second
Unit of measurement for musical intervals
The millioctave (moct) is a unit of measurement for musical intervals. As is expected from the prefix milli-, a millioctave is defined as 1/1000 of an
Millioctave
Mathematical idealization of the trace left by a moving point
various schemes. For example: Composite lines (lines forming an angle) Incomposite lines Determinate (lines that do not extend indefinitely, such as the
Curve
Musical interval
κλείσμα), or semicomma majeur, is a minute and barely perceptible comma type interval important to musical temperaments. It is the difference between six justly
Kleisma
Musical interval
neutral sixth is a musical interval wider than a minor sixth play but narrower than a major sixth play. Three distinct intervals may be termed neutral sixths:
Neutral_sixth
Musical interval
an augmented seventh is an interval produced by widening a major seventh by a chromatic semitone. For instance, the interval from C up to B is a major
Augmented_seventh
cents) Ragisma (0.4 cents) Measurement Cent Centitone Millioctave Savart Others Wolf Ditone Semiditone Secor Incomposite interval List of pitch intervals
Third_(chord)
Musical interval which is not a perfect harmonic
music theory, a pseudo-octave, pseudooctave, or paradoxical octave is an interval whose ratio of frequencies is not exactly the 2:1 = octave:tonic expected
Pseudo-octave
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
Surname or Lastname
English
English : variant spelling of Cotton.Possibly an altered spelling of German Kotten, a habitational name from any of several places so named in Rhineland, Westphalia, Silesia, etc., or an Americanized shortened form of composite German surnames such as Kottenhagen, Kottenhoff, Kottenkamp (see Koth).
Surname or Lastname
English
English : nickname from Old English corn, a metathesized form of cran ‘crane’ (see Crane).English : from Middle English corn ‘grain’, applied as a metonymic occupational name for a grain merchant or grower, or possibly a miller.English : metonymic occupational name for a maker or user of hand mills, Old English cweorn.Altered spelling of German Korn or a shortened form of any of the composite names formed with this element.
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
INCOMPOSITE INTERVAL
a.
Having a solitary head; -- said of unbranched composite plants.
a.
Resembling the pappus of composite plants.
n.
A composite plant (Erigeron Canadensis), which is a common weed.
n.
A decomposite.
n.
One of the tubular florets in composite flowers.
a.
Belonging to the Compositae; composite.
n.
A genus of yellow-flowered composite perennial herbs; golden-rod.
a.
Not composite; uncompounded; simple.
a.
Several times compounded or divided, as a leaf or stem; decomposite.
n.
Anything decompounded.
n.
Chamomile; a genus of composite, herbaceous plants.
n.
That which is made up of parts or compounded of several elements; composition; combination; compound.
n.
A coarse American composite weed (Polymnia Uvedalia).
a.
Compounded more than once; compounded with things already composite.
n.
The involucre which surrounds the common receptacle in composite flowers.
v. t.
Made up of distinct parts or elements; compounded; as, a composite language.
a.
See Decompound, a., 2.
n.
A genus of composite plants (Buphthalmum) with large yellow flowers.
v. t.
Belonging to a certain order which is composed of the Ionic order grafted upon the Corinthian. It is called also the Roman or the Italic order, and is one of the five orders recognized by the Italian writers of the sixteenth century. See Capital.
v. t.
Belonging to the order Compositae; bearing involucrate heads of many small florets, as the daisy, thistle, and dandelion.