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Opera by Gaspare Spontini
La vestale (The Vestal Virgin) is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a tragédie lyrique
La_vestale_(Spontini)
Topics referred to by the same term
composer Saverio Mercadante La vestale (Spontini), an 1807 French-language opera by Italian composer Gaspare Spontini La vestale, an 1810 opera by Vincenzo
Vestale
Italian composer and conductor
the tragédie lyrique La Vestale, which has remained his best-known work. Its premiere at the Opéra in Paris established Spontini as one of the greatest
Gaspare_Spontini
La vestale (The Vestal Virgin) is an opera by Italian composer Saverio Mercadante. It takes the form of a tragedia lirica in three acts. The libretto,
La_vestale_(Mercadante)
Italian opera singer (1921–2003)
internationally. He made his first appearance at La Scala in Milan in 1954, as Licinio in Spontini's La vestale opposite Callas's Giulia for the opening of
Franco_Corelli
he wrote: La petite maison Milton Julie, ou Le pot de fleurs La vestale Fernand Cortez, ou La conquête du Mexique Pélage, ou Le roi et la paix Les dieux
List of operas by Gaspare Spontini
List_of_operas_by_Gaspare_Spontini
Solare, 1992 Verbum nobile, Moniuszko, 1861 La vestale, Spontini, 1807 Il viaggio a Reims, Rossini, 1825 La vida breve, de Falla, 1913 Le Villi, Puccini
List_of_operas_by_title
Italian operatic soprano (born 1978)
Since then she has also sung at La Scala in Milan and other important opera houses such as the Teatro dell'Opera di Roma, La Fenice in Venice, the Bayerischen
Maria_Agresta
1809 opera by Gaspare Spontini
Fernand Cortez, ou La conquête du Mexique (Hernán Cortés, or The Conquest of Mexico) is a tragédie en musique in three acts by Gaspare Spontini with a French
Fernand_Cortez
French opera soprano (1780–1850)
performances in the title role of Gaspare Spontini's most important opera, La vestale (1807). She also performed in Spontini's Fernand Cortez (1809) and Olympie
Alexandrine-Caroline_Branchu
1969 La Clemenza di Tito (Mozart) Teatro dell’Opera di Roma 1969 El Retablo de maese Pedro (De Falla) Festival dei Due Mondi di Spoleto 1969 La Vestale (Spontini)
Pierluigi_Samaritani
American dramatic coloratura soprano
–Bizet, La vestale – Spontini, Les vêpres siciliennes – Verdi), conducted by Michel Plasson (1989) (EMI – CDC 754005 2) Fromental Halévy, La Juive, w/
June_Anderson
Opera by Gaspare Spontini
on a live elephant. Thus, like La vestale and Fernand Cortez, the work prefigures later French Grand Opera. Spontini revised the opera a second time
Olimpie
La fuga in maschera is a comic opera by Gaspare Spontini premiered in the Carnival season in Naples in 1800 at the Teatro Nuovo. The work was thought lost
La_fuga_in_maschera
American and Greek soprano (1923–1977)
live performance, La Scala, Milan, May 28, 1955 Callas at La Scala (excerpts from Cherubini's Médée, Spontini's La vestale, Bellini's La sonnambula), conducted
Maria_Callas
Opera by Gaspare Spontini
opera by Gaspare Spontini on a libretto by Giuseppe Foppa, which premiered at the Teatro San Moisè, Venice in 1802. The opera was Spontini's last work for
Le_metamorfosi_di_Pasquale
Turkish operatic soprano (1928–2008)
Verdi: La Forza del Destino 1957/Serafin, Gencer, Di Stefano Verdi: La Forza del Destino 1965/Molinari Pradelli, Gencer, Bergonzi Spontini: La Vestale 1969/Previtali
Leyla_Gencer
French dramatist (1764–1846)
music by Spontini La Vestale (1807), opera, music by Spontini Fernand Cortez (1809), opera, in collaboration with J.-A. Esménard, music by Spontini Les amazones
Victor-Joseph_Étienne_de_Jouy
List of the operas performed by Wexford Festival Opera since its inception in 1951
Bonaventura Bottone 1979 La vestale Spontini Italian 1807 Matthias Bamert Julian Hope Roger Butlin/ Sue Blane 1979 Crispino e la comare F & L Ricci Italian
List of operas performed at the Wexford Festival
List_of_operas_performed_at_the_Wexford_Festival
Theatre of the Paris Opera from 1794 to 1820
1803), Luigi Cherubini's Anacreon (4 October 1803), and Gaspare Spontini's La vestale (16 December 1807) and Fernand Cortez (28 November 1809). Following
Théâtre National (rue de la Loi)
Théâtre_National_(rue_de_la_Loi)
1798 opera by Gaspare Spontini
Teseo riconosciuto (1798) is the first opera seria by Gaspare Spontini to a libretto by Cosimo Giotti. It was premiered at the Teatro della Pallacorda
Teseo_riconosciuto
Opera by Gaspare Spontini
Milton is an opéra comique in one act by Gaspare Spontini. The French libretto, by Victor-Joseph Étienne de Jouy and Armand-Michel Dieulafoy, is based
Milton_(opera)
almost 70 translations from French and Italian, including those of La vestale by Spontini, of Alceste by Gluck and of Giulietta e Romeo by Zingarelli. Der
Karl_Alexander_Herklots
German-language opera by Gaspare Spontini
Rosenfest von Kaschmir is an 1822 German-language opera in two acts by Gaspare Spontini, to a libretto by Carl Alexander Herklots after Thomas Moore's Lalla Rookh
Nurmahal_(opera)
French composer Rodolphe Kreutzer
overshadowed by the immense contemporary popularity of two works by Gaspare Spontini, La vestale (1807) and Fernand Cortez (1809). Hoffman, the librettist, also blamed
La_mort_d'Abel
Bulgarian opera singer (born 1934)
Lecouvreur, Francesca in Zandonai's Francesca da Rimini, Julia in Spontini's La Vestale, Emilia Marty in Janáček's The Makropulos Case, Lisa and the Countess
Raina_Kabaivanska
American dancer
lasted three seasons. He made his debut as soloist in 1926, in “La Vestale” by Gaspare Spontini. Paris 1928–29, Mahoney studied with Bronislava Nijinska and
Arthur_Mahoney
French singer (1933–2021)
Gilbert Py on Discogs Charles Gounod: La Reine de Saba on AllMusic Gilbert Py-Samson et Dalila-Camille Saint Saëns-La Meule on YouTube Portals: opera classical
Gilbert_Py
French operatic tenor
Piccinni's Didon, Narcisse in Gluck's Echo et Narcisse, and Licinius in Spontini's La vestale. Lainez was born in Vaugirard in Paris, and died in Paris as well
Étienne_Lainez
Opera by Gaspare Spontini
a German-language opera in three acts by the Italian composer Gaspare Spontini, the last opera he composed. The German libretto is by Ernst Benjamin Salomo
Agnes_von_Hohenstaufen
1805 comic opera
Julie, ou Le pot de fleurs is an 1805 comic opera in one act by Gaspare Spontini to a libretto by the metallurgist Antoine-Gabriel Jars (1774–1857). Mondors
Julie,_ou_Le_pot_de_fleurs
puntigli delle donne is a 1796 opera, a farsetta for six voices, by Gaspare Spontini first performed at Teatro della Pallacorda of the Accademia degli Intrepidi
Li_puntigli_delle_donne
French opera singer
Conservatory and made his debut at the Paris Opéra in 1819 as Cinna in Spontini's La Vestale. He was to remain at the Opéra until 1836, creating roles specifically
Henri-Bernard_Dabadie
Italian theatre, opera, and cinema director (1906-1976)
were filmed at the Teatro La Fenice in Venice. Beginning when he directed a production at Milan's Teatro alla Scala of La vestale in December 1954, his career
Luchino_Visconti
French operatic soprano
Massenet's Esclarmonde, Donna Anna in Mozart's Don Giovanni, Julie in Spontini's La vestale. She was a voice double in the vocal parts played by Teri Polo in
Michèle_Lagrange
Opera genre
Grenade (1813) Ali Baba, ou Les quarante voleurs (1833) La vestale (1807) Fernand Cortez, ou La conquête du Mexique (1809) Olimpie (1819) Sapho (1822)
Tragédie_en_musique
Italian opera singer
Penno. Spontini: La Vestale, (conducted by Antonino Votto), recorded live 1954, in Italian, at Teatro alla Scala, Milan, (role of La Gran Vestale), with
Ebe_Stignani
next half-century or so. At the Opéra, Gaspare Spontini upheld the serious Gluckian tradition with La vestale (1807) and Fernand Cortez (1809). Nevertheless
French_opera
movement of Europe, Ludwig van Beethoven, Johann Nepomuk Hummel, Gaspare Spontini, Niccolò Paganini, Gioachino Rossini and Franz Schubert are often seen
List_of_Romantic_composers
Music festival
The first festival's success, which included two performances of Spontini's La Vestale with Rosa Ponselle, led to it becoming a biennial event in 1937
Maggio_Musicale_Fiorentino
French opera singer
Ariane. In 1910, at the Teatro Colón, he sang Licinio in a revival of Spontini La Vestale with Esther Mazzoleni, Alice Cucini, Francesco Maria Bonini and Giulio
Charles_Rousselière
Mexican tenor (born 1950)
Autonomous University of Mexico. In 2013, he appeared again as Cinna in Spontini's La vestale at the Semperoper of Dresden in a concert version. Araiza was married
Francisco_Araiza
English operatic baritone
by Mozart Figaro in The Barber of Seville by Rossini Licinius in La Vestale by Spontini Gérard in Andrea Chénier by Giordano Alfio in Cavalleria rusticana
Anthony_Michaels-Moore
German operatic soprano (1800–1885)
the role of the chief vestal in La vestale by Spontini, Constance in Cherubini's The Water Carrier, Marguerite in La dame blanche by Boieldieu and Mme
Karoline_Stern
Gaspare Spontini (1774–1851) Though Italian, Spontini is best known for his work in France during the Napoleonic era. His masterpiece La vestale influenced
List_of_major_opera_composers
Italian opera singer (1927–2008)
roles. He first won recognition when he sang the role of Cinna in Spontini's La vestale, opposite Maria Callas, in a production by Luchino Visconti. This
Enzo_Sordello
French baritone of the Paris Opera (born 1940)
34561. (1976). La vestale. G. Spontini. (complete opera-version). Conductor Roger Norrington. Orchestre Radio-lyrique et chœur de la RTF (live). Main
Claude_Méloni
French opera singer (1857–1930)
1885/January 1886, she performed airs from Der Freischütz by Weber and La vestale by Spontini; at the official concert of the Exposition Universelle on 20 June
Rose_Caron
Opera by Charles-Simon Catel
set to a libretto by Jouy, Spontini's La vestale (1807), the greatest operatic success of the Napoleonic era. Like La vestale, the heroine of Les bayadères
Les_bayadères
Italian opera singer
Giuseppe Farinelli's Calliroe in 1808 and at the Italian première of Spontini's La vestale in 1811, both in Naples, where his career was based. He created
Michele_Benedetti_(bass)
Italian composer (1760–1842)
Moorish kingdom of Granada, was Cherubini's attempt to compete with Spontini's La vestale; it received critical praise but few performances. Disappointed
Luigi_Cherubini
South African-born opera singer
(Così fan tutte) and Julia in Gasparo Spontini's La Vestale. Her Metropolitan Opera debut was in 1985, as Vitellia (La clemenza di Tito), and her Opéra de
Elizabeth_Connell
American operatic mezzo-soprano
Rossini L'italiana in Algeri – Isabella Semperoper Dresden Spontini La Vestale – Le Grand Vestale Strauss Elektra – Klytemnestra Strauss Salome – Herodias
Tichina_Vaughn
Italian conductor (born 1941)
early Romantic-era repertory such as Lodoiska by Cherubini and La vestale by Spontini. Muti received several honours from the Italian government: in 1980
Riccardo_Muti
1842 opera by Richard Wagner
political intervention of a reactionary clergy recall Spontini's La vestale (1807), Halévy's La Juive (1835), and Meyerbeer's Les Huguenots (1836). Each
Rienzi
French opera singer
appeared in the leading soprano roles of many others, including Julia in La Vestale, Amazily in Fernand Cortez, and Eurydice in Orphée et Eurydice. After
Augustine_Albert
Etienne-Nicolas Méhul – Joseph (Premiered December 15 in Paris) Gaspare Spontini – La Vestale (The Vestal Virgin) (first performed in Paris, Libretto by Etienne
1807_in_music
American opera tenor (1922–2015)
opera life. He began the year singing Licinius in Gaspare Spontini's rarely heard opera La Vestale for his debut with the American Opera Society at Carnegie
John_McCollum
Italian opera singer
she was particularly known during her career included Julia in Spontini's La vestale, Amenaide in Rossini's Tancredi, Donna Anna in Mozart's Don Giovanni
Anna_Maria_Sessi
Italian opera singer
Teatro Colón. That year she notably sang the title role in Gaspare Spontini's La Vestale and sang in the world premiere of Giocondo Fino's Il Battista along
Alice_Cucini
French opera singer
in 1825 and that same year made his stage debut as Licinius in Spontini's La vestale at the Paris Opera. He sang primarily secondary tenor roles until
Jean-Étienne-Auguste_Massol
French opera singer (1758–1831)
role of Anacréon (1803) by Cherubini, or the role of Cinna in La Vestale (1807) by Spontini. While there seems to have been no doubt about the great beauty
François_Lays
Italian opera singer
addition to Don Pasquale. In the 1926–27 season, he debuted in Spontini's La vestale, then appeared in Lucia di Lammermoor and Il barbiere alongside
Mario_Basiola
American opera house
Gioachino Rossini 1827: La vestale by Gaspare Spontini 1827: La dame blanche by Boieldieu 1828: La pie voleuse by Rossini 1829: La dame du lac by Rossini
Théâtre_d'Orléans
French opera singer (1795–1877)
success in a major role at the Opéra came in August 1825 as Julia in Spontini's La vestale. In June of that year she had sung the role of The Spirit of France
Zulmé_Dabadie
Italian opera singer (1780–1839)
He was much admired at the Vienna Hofoper as Licinio in Gaspare Spontini's La vestale and in several operas by Paer. In 1813 he performed as a guest artist
Giuseppe_Siboni
Empress of Russia from 1855 to 1880
and they needed some rest. Invited to a performance of Gaspare Spontini's La vestale by the Grand Duke, Alexander was introduced to 14-year-old Marie
Maria Alexandrovna (Marie of Hesse)
Maria_Alexandrovna_(Marie_of_Hesse)
19th-century opera genre
can be regarded as direct precursors to the genre. These include Spontini's La vestale (1807) and Fernand Cortez (1809), Cherubini's Les Abencérages (1813)
Grand_opera
French opera singer (1828–1886)
Asthon in Donizetti's Lucie de Lammermoor, Cinna in Spontini's La vestale, and Lusignan in Halévy's La reine de Chypre. In 1865 Bonnehée appeared with great
Marc_Bonnehée
Italian composer (1885–1975)
festival he conducted unusual operas such as Verdi's Luisa Miller, Spontini's La vestale, Cherubini's Médée and Gluck's Armide. In 1933 Bruno Walter invited
Vittorio_Gui
Italian tenor
Dircea (Ciro), Turin, 1817 Beniowski (Igor), Venice, 1831 Gaspare Spontini La Vestale (Cinna), Milan, 1824 Gustavo Carulli I tre mariti (Belmont), Milan
Claudio_Bonoldi
Aspect of musical history
Spontini moved to Paris in 1800, where he preferentially cultivated the tragic genre. His first success was Milton (1804), which was followed by La vestale
History_of_opera
French operatic bass (1780–1856)
leading bass roles and sang in many world premieres, including Spontini's La vestale and Rossini's Le siège de Corinthe. His last appearance there was
Henri-Étienne_Dérivis
Italian opera singer (1881–1962)
He also sang at the Paris Opéra, in 1909, as the High Priest in Spontini's La vestale. Other than singing at the Chicago Grand Opera Company during 1910-11
Nazzareno_De_Angelis
Percussion instrument
march composed at the death of Mirabeau in 1791. Gaspare Spontini used the tam-tam in La Vestale's (1807) Act II finale. Berlioz called for four tam-tams
Gong
(1817), and Semiramide (1823) Gaspare Spontini (1774–1851), composer and conductor. His most acclaimed work was La Vestale (1807) Giuseppe Verdi (1813–1901)
List_of_people_from_Italy
French ballet dancer (1776–1826)
February 1807. That year on the 15th of December, she danced in Spontini's La Vestale by Victor-Joseph Étienne de Jouy. Throughout 1811, the Journal de
Clotilde_Mafleuroy
Italian soprano (1883–1982)
Gaspare Spontini's La vestale in 1908, and the title role in Italy's first staging of Luigi Cherubini's Médée (1909). Other roles she sang at La Scala included
Ester_Mazzoleni
Italian composer
demonstrated in Hecuba a tragic sensibility comparable to that of Gaspare Spontini’s La vestale. Admirers viewed the work as a Neapolitan counterpart to the French
Nicola_Antonio_Manfroce
Italian opera singer (1861–1917)
sang Max in Weber's Der Freischütz and Licinius in Spontini's La Vestale during his final seasons at La Scala. He died in Milan at the age of 56. De Marchi
Emilio_De_Marchi_(tenor)
French opera singer
Philharmonie (Germany) 2019: La Vestale by Spontini, conductor Bertrand De Billy, stage Johannes Erath, Theater an der Wien (Austria) 2020: La Damnation de Faust
Sébastien_Guèze
Swedish opera soprano
with parts in light operettas, until her performance as Julia in La vestale by Spontini (1821) proved her capable of performing more demanding parts. Among
Henriette_Widerberg
by the composer's passion for political liberty. 1807 La vestale (Gaspare Spontini). Spontini's opera about a vestal virgin in love was a great influence
List_of_prominent_operas
Italian opera singer
Dir. Santini December 1929 - La Vestale (Gaspare Spontini) - Arangi-Lombardi (then Vera Amerighi Rutili) (La Gran Vestale) Molinari (Cinna), Scacciati
Bianca_Scacciati
French composer (1799–1862)
of Beethoven's Fidelio, Act III of Spontini's La Vestale, and Acts IV of Meyerbeer's Le Prophète, Donizetti's La Favorite, and Verdi's Don Carlos. The
Fromental_Halévy
Berlioz writes to the journal Le Corsaire defending Gaspare Spontini's opera La vestale. Gioachino Rossini arrives in London and is presented to King
1823_in_music
Opera festival in Ireland
Handel's Orlando, Floyd's Of Mice and Men and Mozart's Zaide. During Spontini's La vestale there was an incident in which the entire company slipping on a
Wexford_Festival_Opera
Italian operatic soprano
Jérusalem, Julia in Gaspare Spontini's La vestale, Lady Macbeth in Verdi's Macbeth, Leonora in Verdi's Il trovatore, Leonora in Verdi's La forza del destino, Madame
Maria_Dragoni
Italian opera singer (1892–1957)
needed] Pinza's Metropolitan Opera debut occurred in November 1926 in Spontini's La vestale, with famed American soprano Rosa Ponselle in the title role. In
Ezio_Pinza
Italian Gaspare Spontini, who became her official composer of both historical dramas and comedies. Spontini's first lyrical work, La vestale, had a considerable
History_of_music_in_Paris
Italian opera singer (1790–1873)
many roles there, including that of Cinna in a revival of Gaspare Spontini's La Vestale. He became well known in 1815 when Rossini wrote for him the role
Domenico_Donzelli
German operatic soprano
She appeared as Agathe in the Freischütz, as well as Julia in Spontini's La Vestale and Gluck roles. When Schechner returned to Munich, she had to replace
Nanette_Schechner
Genre of fiction that is set in the past
Gaspare Spontini, Luigi Cherubini, and Gioachino Rossini can be regarded as precursors to French grand opera. These include Spontini's La vestale (1807)
Historical_fiction
South African ballet dancer and choreographer
Henry Purcell; for Sadler's Wells Ballet, London. 1954. La Vestale, music by Gaspare Spontini, production by Luchino Visconti; for Teatro alla Scala,
Alfred_Rodrigues
Italian conductor and composer
relationship for twenty years) during a La Scala production of Spontini's La vestale in 1954. De Sabata conducted only twice more, once in a studio recording
Victor_de_Sabata
Symphony "Pastoral", Beethoven's 5th Symphony 1807 in music – La Vestale by Gaspare Spontini, Symphony No. 4 by Ludwig van Beethoven 1806 in music – Fourth
Timeline_of_musical_events
Zemire und Azor Gaspare Spontini (1774–1851): Agnes von Hohenstaufen, Alcidor, Fernand Cortez, Milton, Nurmahal, Olimpie, La vestale Lewis Spratlan (1940–2023):
List_of_operas_by_composer
Israeli musical artist
Dresden, combining Wagner's The Flying Dutchman with Gaspare Spontini's La Vestale and Halevy's La Juive. Opening up the Semperoper to the general public,
Eytan_Pessen
Guillaume Tell (with Hippolyte Bis) for Gaspare Spontini: Milton (with Armand-Michel Dieulafoy), La vestale, Fernand Cortez (with Joseph-Alphonse Esménard)
List_of_opera_librettists
French soprano (1814–1897)
received for Alice. On 3 May 1834, Falcon sang Julia in a revival of Spontini's La vestale which was a benefit performance for Adolphe Nourrit. The cast, besides
Cornélie_Falcon
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
Girl/Female
French
Born in the spring.
Surname or Lastname
English, of French (Huguenot) origin
English, of French (Huguenot) origin : altered form of French Vassal, status name for a medieval retainer (see Vassell).
Male
Italian
Italian form of Roman Latin Vitalis, VITALE means "of life; vital."
Girl/Female
French
Red haired.
Female
Czechoslovakian
, of noble descent or lineage.
Boy/Male
Norse
Son of Thorolf.
Girl/Female
American, Australian, Christian, Danish, Finnish, German, Greek, Latin, Swedish
Roman Goddess of the Hearth; Fireside
Male
Hungarian
Hungarian name BÉLA means "white."Â
Female
Icelandic
Feminine form of Icelandic Páll, PÃLA means "small."
Girl/Female
Australian, Indian, Irish, Tamil, Telugu
Sun
Girl/Female
Spanish
Queen.
Boy/Male
Latin Italian
Lively.
Boy/Male
Australian, German, Italian, Latin
Life; Alive; Vital; Lively
Female
Hungarian
Hungarian form of Greek Barbara, BORBÃLA means "foreign; strange."
Girl/Female
French
Born in the spring.
Surname or Lastname
English
English : variant spelling of Veal.Irish (Waterford) : from an unexplained Anglo-Norman name that is common in medieval records, le Veel, Gaelicized as de Bhial (see Veal 2).
Girl/Female
Assamese, Gujarati, Hindu, Indian, Kannada, Malayalam, Marathi, Sindhi, Telugu
Goddess Durga
Surname or Lastname
English
English : Black identifies this as a habitational name from the lands of Westhall in the parish of Oyne, Aberdeenshire. However, the surname now occurs predominantly in England, particularly Berkshire, which suggests that an additional or a different source may be involved.
Girl/Female
Latin American
Goddess of the hearth.
Boy/Male
French
Eric 'ever kingly.' Actor Eriq La Salle.
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
Boy/Male
Hindu, Indian, Punjabi, Sikh, Traditional
Sing God's Praises or Glory
Girl/Female
Tamil
Suhashini | ஸà¯à®¹à®¾à®·à¯€à®¨à¯€
Ever smiling
Girl/Female
American, Australian, British, English, Latin
Laurel Tree; Sweet Bay Tree; Sweet Bay Tree Symbolic of Honor and Victory; Diminutive of Laura
Girl/Female
Tamil
Sripada | à®·à¯à®°à¯€à®ªà®¤à®¾
Flower
Girl/Female
Hindu, Indian
Indian Goddess Name
Girl/Female
French
Loyal.
Boy/Male
British, English
From the Spring by the Ford
Biblical
height; elevation
Boy/Male
Hindu
Male
Irish
Variant spelling of Irish Gaelic Ailill, OILIOLL means "elf."
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
LA VESTALE-SPONTINI
n.
A syllable applied to the sixth tone of the scale in music in solmization.
n.
The leg and leg bone of an animal, especially of a pig; as, a pestle of pork.
pl.
of Interoperculum
a.
Having made and left a will; as, a person is said to die testate.
v. i.
Vapid or tasteless from age; having lost its life, spirit, and flavor, from being long kept; as, stale beer.
n.
The degree, quality, nature, and extent of one's interest in, or ownership of, lands, tenements, etc.; as, an estate for life, for years, at will, etc.
a.
A virgin consecrated to Vesta, and to the service of watching the sacred fire, which was to be perpetually kept burning upon her altar.
v. t.
To endow with an estate.
n.
One who leaves a valid will at death; a testate person.
interj.
An exclamation of surprise; -- commonly followed by me; as, La me!
n.
A cavity or sac, especially one filled with fluid; as, the umbilical vesicle.
a.
Of or pertaining to Vesta, the virgin goddess of the hearth; hence, pure; chaste.
v. t.
The corn, grass, underwood, stubble, etc., with which land was covered; as, the vesture of an acre.
interj.
Look; see; behold; -- sometimes followed by you.
n.
An alcoholic cordial, distilled from aromatic herbs; -- made at La Grande Chartreuse.
n. pl.
An extensive group of worms which have the body covered externally with vibrating cilia. It includes the Rhabdoc/la and Dendroc/la. Formerly, the nemerteans were also included in this group.
n.
The stock or handle of anything; as, the stale of a rake.
v. i.
That which is stale or worn out by long keeping, or by use.
v. t. & i.
To pound, pulverize, bray, or mix with a pestle, or as with a pestle; to use a pestle.
n.
The tone A; -- so called among the French and Italians.