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Method of pairing compatible chords and scales
The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales. The system has been widely used since the 1970s
Chord-scale_system
Harmonic grouping of notes
figured bass, Roman numerals, the Nashville Number System, and alphabetical chord notation. A chord is the sound of two or more notes being played at the
Chord_(music)
Scale in jazz terminology
make it an eight tone scale. Having eight notes enables the primary chord tones to continuously fall on the on-beats when the scale is played sequentially
Bebop_scale
Musical chord
in the C major scale, G is the fifth note of the scale, and the seventh chord built on G is the dominant seventh chord of this scale, G7 (shown above)
Dominant_seventh_chord
Musical scale
diminished scale or symmetric diminished scale because it can be conceived as a combination of two interlocking diminished seventh chords, just as the
Octatonic_scale
musical scales and modes. Degrees are relative to the major scale. Bebop scale Chord-scale system Flamenco mode Heptatonic scale Hexany Jazz scale List of
List of musical scales and modes
List_of_musical_scales_and_modes
System for naming chords
improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and
Chord_notation
Ascending form of the melodic minor scale
It is used over a minor major seventh chord. See: chord-scale system. The scale also easily allows diatonic chord progressions, for example a I−vi−ii−V
Jazz_minor_scale
Sixth mode of the melodic minor scale
the half-diminished scale built on C is associated with Cm7♭5, which functions as a iiø7 chord in minor (see chord-scale system). Arnold, Bruce (January
Half_diminished_scale
Type of musical scale
circle. The scale may be used with minor or m+7 chords. See: chord-scale system. Chords that may be derived from the B Hungarian minor scale are Bm(maj7)
Hungarian_minor_scale
Class of music scales with seven notes
classical and 20th-century music, and jazz (see chord-scale system). Of Glarean's six natural scales, three have a major third/first triad: Ionian, Lydian
Diatonic_scale
Method of chord notation
The Nashville Number System is a method of transcribing music by using numbered scale degrees instead of chord names. Its utility is that, for any given
Nashville_Number_System
Chord
The augmented major seventh chord is associated with the augmented scale (see jazz scale and chord-scale system). This chord also comes from the third mode
Augmented_major_seventh_chord
Chordal accompaniment to a line or melody
chordal accompaniment to a line or melody: "Using chords and melodies together, making harmony by stacking scale tones as triads". A harmonized scale
Harmonization
Musical chord
The augmented seventh chord, or seventh augmented fifth chord, or seventh sharp five chord is a seventh chord composed of a root, major third, augmented
Augmented_seventh_chord
Type of chord in music theory
seventh chord occurs naturally on the seventh scale degree of any major scale (for example, Bø7 in C major) and is thus a leading-tone seventh chord in the
Half-diminished_seventh_chord
Harmonic music theory as it applies to Jazz
chord progressions and the incorporation of the major and minor scales as a basis for chordal construction, other characteristics such as modality, syntax
Jazz_harmony
Non-traditional, custom-built chord
[inconsistent] such as the triad or seventh chord. This title is applied to a group of notes, usually a scale-like succession of pitches, with a fixed progression
Synthetic_chord
Six-note synthetic chord that appears in compositions by Alexander Scriabin
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection, that loosely serves as the
Mystic_chord
Musical chord
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a
Seventh_chord
Use of Roman Numeral symbols in the musical analysis of chords
VI chords are always minor chords and the VII always diminished, a further distinguishment is thought unneeded, see table for Major Diatonic scale below)
Roman_numeral_analysis
Musical terminology
An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale. By the broadest
Altered_chord
Succession of musical chords
composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions
Chord_progression
Musical chord
played against a dominant seventh chord. The third of the dominant chord is the seventh degree of the scale. The chord was used in popular music as far
Dominant seventh sharp ninth chord
Dominant_seventh_sharp_ninth_chord
American publisher, music educator, and saxophonist
His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned
Jamey_Aebersold
Fourth mode of the melodic minor scale
progressions which invite use of the melodic minor. Chord-scale system Jazz scale Mystic chord Scale of harmonics Vachaspati (raga) These may be approximated
Acoustic_scale
Musical term
Look up predominant chord in Wiktionary, the free dictionary. In music theory, a predominant chord (also pre-dominant) is any chord with predominant (subdominant)
Predominant_chord
Type of musical chord
flattened fifth. The diminished seventh chord occurs as a leading-tone seventh chord in the harmonic minor scale. It typically has dominant function and
Diminished_seventh_chord
Tonal center of a diatonic scale
In music, "tonic" refers to the originating note or chord of a particular key. Scales are based on their tonic pitch, or tonic note, which is why they
Tonic_(music)
Technique of using a chord in place of another in a progression of chords
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of
Chord_substitution
Scale degree that is musically unpleasant
because it can imply a dominant chord. Eleventh chord Thirteenth chord Tritone Chord-scale system Terefenko, Dariusz. Jazz Theory: From Basic to Advanced Study
Avoid_note
1953 jazz music theory book by George Russell
Chromatic scales: C Lydian, A♭ Lydian, and E Lydian. Additionally, many conservatories teach Russell's theory to varying degrees. Chord-scale system Russell
Lydian Chromatic Concept of Tonal Organization
Lydian_Chromatic_Concept_of_Tonal_Organization
Compositional technique in music
technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave, diatonic music
Chromaticism
Tonal degree of the diatonic scale
seventh scale degree in a major key (viio in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale degree
Leading_tone
Form of sheet music
notation or Nashville number system is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the
Chord_chart
Set of notes played on a guitar
In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in
Guitar_chord
Tonal degree of the diatonic scale
movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. The chord is said to have
Dominant_(music)
Improvisational approach
describes approaches where one plays over a scale, mode or chord that is harmonically distant from the given chord. There are several common techniques to
Outside_(jazz)
Tuning scale
Phrygian chord (7sus♭9). Other chords compatible with insen scale include M7♯11 when the scale is played half steps lower (for example B in sen scale for CM7♯11
Insen_scale
Tonal degree of the diatonic scale
chords. The supertonic chord normally functions as a predominant chord, a chord that resolves to a chord with dominant function. The supertonic chord
Supertonic
System of music analysis
common-practice systems of harmony, certain chord substitutions are recognised and are commonly made use of by composers and arrangers: "certain chords have been
Axis_system
Buttonboard layout on accordions
chord button sounds three individual pitches. Early accordions sounded four pitches for the seventh and diminished chords. Modern Stradella systems omit
Stradella_bass_system
Major chord in music theory
music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered (flat) second (supertonic) scale degree. In Schenkerian
Neapolitan_chord
Musical scale
scale's minor subdominant chord, the triad built on the sixth scale degree is an augmented chord. Like Ionian (or major) scale, harmonic major scale has
Harmonic_major_scale
Triad of scale patterns in music theory
quite different from the major scale. The tonic chord (A–C–E) is minor, as are the subdominant (D–F–A) and dominant chords (E–G–B). The absence of the leading
Minor_scale
Chord that contains the interval of an augmented sixth
between the sixth degree of the minor scale, ♭, and the raised fourth degree, ♯. With standard voice leading, the chord is followed directly or indirectly
Augmented_sixth_chord
Musical interval
either an interval or a chord. A thirteenth interval is between two notes that are thirteen scale degrees from the root of a chord and also the interval
Thirteenth_(interval)
Musical scale
diatonic scale A just BP scale may be constructed from four overlapping 3:5:7 chords, for example, V, II, VI, and IV, though different chords may be chosen
Bohlen–Pierce_scale
Musical tuning system
is a musical temperament (tuning system) that divides the octave into 12 identical parts. It is a logarithmic scale with a ratio equal to the 12th root
Equal_temperament
Music theory of harmony
type of chord formed depends on the scale system being used. Recent research has shown that African music has chord progressions. Gerhard Kubik states
Traditional sub-Saharan African harmony
Traditional_sub-Saharan_African_harmony
Musical concepts
Western music, the adjectives major and minor may describe an interval, chord, scale, or key. A composition, movement, section, or phrase may also be referred
Major_and_minor
Terms in music theory to characterize scales
theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of
Diatonic_and_chromatic
Bitonal chord
Bridge chord is a bitonal chord named after its use in the music of composer Frank Bridge (1879–1941). It consists of a minor chord with the major chord a
Bridge_chord
Position of a musical note on a scale relative to the tonic
and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually
Degree_(music)
Difference in pitch between two notes
a chord. In Western music, intervals are most commonly differencing between notes of a diatonic scale. Intervals between successive notes of a scale are
Interval_(music)
Type of musical chord
Since the triad is built on the seventh scale degree, it is also called the leading-tone triad. This chord has a dominant function. Unlike the dominant
Diminished_triad
Notes in a chord played in sequence
instruments may be called rolled chords. Arpeggios may include all notes of a scale or a partial set of notes from a scale, but must contain notes of at
Arpeggio
Type of musical scale and characteristic behaviors
major scale, which is a semitone tone lower than the tonic (leading-tone). Tonic triad: G Tonic seventh chord: G7 (the dominant seventh chord in this
Mode_(music)
Combination of three or more notes
A minor chord is a triad with a minor third and a perfect fifth above the root. The minor triad built on C is spelled C–E♭–G. The primary intervals in
Minor_chord
Scale with six pitches
The tritone scale, C D♭ E G♭ G(♮) B♭,[unreliable source?] is enharmonically equivalent to the Petrushka chord; it means a C major chord ( C E G(♮) )
Hexatonic_scale
Term in voice leading and harmony
successive chords is a common tone. Chords written upon two consecutive degrees of the [diatonic] scale can have no tones in common. All other chords [in the
Common_tone_(chord)
Musical interval
Containing tritones, these scales are referred to as tritonic. A scale without tritones is called atritonic. Dominant seventh chords contain a diminished fifth
Tritone
possibility that the resultant scale be at least ancohemitonic itself. The main use of chordioids is to form "legitimate" chords enharmonically in 12TET by
Chordioid
Musical term
harmonic function or tonal function) denotes the relationship of a chord or scale degree to a tonal centre. Two main theories of tonal functions exist
Function_(music)
partita Chord Chord chart Chord substitution Chording Chordioid Chord progression Chord-scale system Chordal space Chroma feature Chromatic chord Chromatic
Index_of_music_articles
Guitar performance technique
In music, a bar chord (also spelled barre chord) is a type of chord on a guitar or other stringed instrument played by using one finger to press down
Bar_chord
Chords used in jazz music
Jazz chords are chords, chord voicings and chord symbols that jazz musicians commonly use in composition, improvisation, and harmony. In jazz chords and
Jazz_chord
Chord that is shared by two keys
a common chord is a chord that is shared by (diatonic to) more than one key. A "common chord" may also be defined simply as a triadic chord (e.g., C–E–G)
Common_chord_(music)
Relationship among tones of the chromatic scale
therefore, scale degree II is closer to the dominant than scale degree IV)". In this view the tonic or tonal center is considered the end point of a chord progression
Circle_of_fifths
Tonal degree of the diatonic scale
fifth, as does the ii° chord itself; it may nevertheless be used in VI–ii°–V–I by analogy with the major. Similarly, a scale's full counterclockwise circle
Submediant
progression Bar-line shift Bebop scale Bird changes Block chord Blue note Cadenza Call and response Chord-scale system Chordioid Coltrane changes Comping
List of free improvising musicians and groups
List_of_free_improvising_musicians_and_groups
Music theory concept
The tritone substitution is a common chord substitution found in both jazz and classical music. Where jazz is concerned, it was the precursor to more
Tritone_substitution
Tonal degree of the diatonic scale
tP. In Roman numeral analysis, the mediant chord can take several forms. In major scales, the mediant chord is a minor triad and is symbolized with the
Mediant
Tonal degree of the diatonic scale
movable do solfège system, the subdominant note is sung as fa. The triad built on the subdominant note is called the subdominant chord. In Roman numeral
Subdominant
Heptatonic music scale
Concerto (1971). As a chord scale, Hungarian Major is both a dominant and a diminished scale, with a fully diminished seventh chord composed of C, D♯, F♯
Hungarian_major_scale
Probability theory paradox
In other words: the solution must be both scale and translation invariant. To illustrate: assume that chords are laid at random onto a circle with a diameter
Bertrand paradox (probability)
Bertrand_paradox_(probability)
Musical tuning system with 15 pitches equally-spaced on a logarithmic scale
In note names, the arrows come first, to facilitate chord naming. This yields this chromatic scale: B/C, ^C/^D♭, vC♯/vD, D, ^D/^E♭, vD♯/vE, E/F, ^F/^G♭
15_equal_temperament
Authentic Gregorian mode
an E Phrygian over an Esus4(♭9) chord (E–A–B–D–F). A Phrygian dominant scale is produced by raising the third scale degree of the mode: The Phrygian
Phrygian_mode
Musical mode
uses an E Dorian scale in the first half of the song. "Maiden Voyage" by Herbie Hancock – The composition takes an AABA form with chords in the "A" sections
Dorian_mode
In a chord, the third factor is the note three scale degrees above the root (including the root itself in the count). For instance, in a C major triad
Third_(chord)
Musical scale and mode
Dorian scale (Dorian ♯4 scale) or the Lydian ♭3 ♭7 scale is a scale that is the same as the Dorian mode of Western music, except with a raised 4th scale degree
Ukrainian_Dorian_scale
Concept in music
complement of one set of notes from the chromatic scale contains all the other notes of the scale. For example, A-B-C-D-E-F-G is complemented by B♭-C♯-E♭-F♯-A♭
Complement_(music)
American jazz guitarist (1923–1997)
invented a system of playing jazz guitar that emulated the style of Charlie Parker. His system included consecutive-alternate picking, chords, scales, and arpeggios
Chuck_Wayne
Ascending or descending sequence of musical tones
scale has 15, a 7-note scale has 21, an 8-note scale has 28, a scale with n notes has n(n-1)/2. Though the scale is not a chord, and might never be heard
Scale_(music)
Regular tuning among guitars
and dominant chords; recommended gauges for strings. Ralph Patt for 6-, 7-, and 8-string guitars: Charts of scales, chords, and chord-progressions; string
Major_thirds_tuning
Musical mode or scale
mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing
Flamenco_mode
Harmonic structures constructed from intervals of thirds
producing a chord with distinct quality. A musical scale may also be analyzed as a succession of thirds. The meantone temperament, a system of tuning that
Tertian
avoid confusion, the original Forte numbering system is retained here for both. Interval vector List of chords Z-relation Forte and Rahn both list prime forms
List_of_set_classes
Degree of a musical scale
major keys, the subtonic sometimes appears in borrowed chords. In the movable do solfège system, the subtonic note is sung as te (or ta). The subtonic
Subtonic
Musical tone series
In music, an all-interval twelve-tone row, series, or chord, is a twelve-tone tone row arranged so that it contains one instance of each interval within
All-interval_twelve-tone_row
Type of musical scale
(E) of the chord. It is for this reason commonly avoided. Using the major pentatonic scale is an easy way out of this problem. The scale tones 1, 2,
Pentatonic_scale
Aspect of music
borrowed chord within the scale. Therefore, the combination of notes with their specific intervals—a chord—creates harmony. For example, in a C chord, there
Harmony
Types of harmonic structures in music
familiar elements: the chords that make up major and minor scales, all in turn built from major and minor thirds. Regarding chords built from perfect fourths
Quartal_and_quintal_harmony
Musical direction and notation
Portamento Slide Trill Portato Slur Staccato Tenuto Tie Tonguing Chords Chord chart Chord diagram Figured bass Lead sheet Sheet music History of music publishing
Tenuto
Topics referred to by the same term
Tonal system can refer to Arab tone system, the modern Arabic system of musical tuning Chromatic scale or twelve-tone scale, a set of twelve pitches used
Tonal_system
Musical mode
(natural minor scale). However, Aeolian harmony may be used with mode mixture. For example, ♭VII is a major chord built on the seventh scale degree, indicated
Aeolian_mode
Romanian–American computer scientist
Morris, R.; Karger, D.; Kaashoek, M. F.; Balakrishnan, H. (2001). "Chord: A scalable peer-to-peer lookup service for internet applications" (PDF). ACM
Ion_Stoica
Use in music of microtones (intervals smaller than a semitone)
"Modes and Chord Progressions in Equal Tunings". Perspectives of New Music 29, no. 2 (Summer): 166–200. Burns, Edward M. 1999. "Intervals, Scales, and Tuning
Microtonality
Musical nomenclature with letters to indicate pitch
notation is a system of representing a set of pitches, for example, the notes of a scale, by letters. For the complete Western diatonic scale, for example
Letter_notation
Major key signature
in the example with the scale above, starting with the C♯ and ending at the F (C♯, G♯, D♯, A♯, E♯, B♯, F). In tuning systems where the number of notes
G-sharp_major
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