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Fast-drying painting medium
Tempera (Italian: [ˈtɛmpera]) is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous
Tempera
Topics referred to by the same term
Tempera is a painting medium. Tempera may also refer to: MT Tempera, a Finnish oil tanker Tempera (horse), an American Thoroughbred racehorse Vince Tempera
Tempera_(disambiguation)
Italian musician, composer, record producer and conductor
Vince Tempera (born 18 September 1946) is an Italian musician, composer, arranger, record producer and conductor. Born in Milan as Vincenzo Tempera, he
Vince_Tempera
Tempera was founded in 1901 by Christiana Herringham (1852–1929) and a group of British painters who were interested in reviving the art of tempera painting
Society of Painters in Tempera
Society_of_Painters_in_Tempera
Floating production storage and offloading unit operated by Perenco
The vessel, converted from the former Finnish Aframax crude oil tanker Tempera by Keppel Corporation, will replace an older FPSO unit in the Yombo field
La_Noumbi
German artist and printmaker (1497–1543)
Amerbach, 1519. Oil and tempera on pine, Kunstmuseum Basel The Body of the Dead Christ in the Tomb, and a detail, 1521–22. Oil and tempera on limewood, Kunstmuseum
Hans_Holbein_the_Younger
Angel in a Garland 1465–1467 Tempera on panel 115.2 × 70 cm Ajaccio, Musée Fesch Virgin and Child with an Angel 1465–1467 Tempera on panel 87 × 60 cm Florence
List of paintings by Sandro Botticelli
List_of_paintings_by_Sandro_Botticelli
Mural painting by Leonardo da Vinci
revisions, it is painted with materials that allowed for regular alterations: tempera on gesso, pitch, and mastic. Due to the methods used, a variety of environmental
The_Last_Supper_(Leonardo)
Process of painting with pigments that are bound with a medium of drying oil
replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively
Oil_painting
American-bred Thoroughbred racehorse
Tempera (March 12, 1999 – April 28, 2002) was an American Thoroughbred racehorse. She was sired by U.S. Racing Hall of Fame inductee and two-time leading
Tempera_(horse)
Italian painter and illustrator of manuscripts (c.1403-1482)
from the Paradise (ca. 1438–44) Tempera & gold on wood (46.5 x 52 cm ) Metropolitan Museum of Art Paradise (1445) Tempera & gold on wood (44.5 x 38.4 cm)
Giovanni_di_Paolo
13th- and 14th-century Italian painter
painted in egg tempera and embellished with gold leaf. Differently from his contemporaries and artists before him, Duccio was a master of tempera and managed
Duccio
Italian painter (c. 1421–1497)
Angels (1447–1450) – Tempera on wood, 29.2 x 21.6 cm, National Gallery, London Madonna and Child Giving Blessings (1449) – Tempera on silk on a wooden
Benozzo_Gozzoli
English painter
painter, best known for his highly detailed still lifes executed either in tempera or oil. Curwen Eliot Hodgkin was born at Purley Lodge, Purley-on-Thames
Eliot_Hodgkin
Italian Renaissance painter (c. 1406–1469)
(Madonna of Tarquinia) (1437) – Tempera on panel, 151 × 66 cm, Galleria Nazionale d'Arte Antica, Rome Pietà (1437–1439) – Tempera on panel, 86 × 107 cm, Museo
Filippo_Lippi
Italian Renaissance painter (1431–1506)
1448–1451) - Tempera on wood, 48 × 36 cm, São Paulo Museum of Art, São Paulo, Brazil The Adoration of the Shepherds (c. 1451–1453) - Tempera on canvas transferred
Andrea_Mantegna
British painter (1861–1944)
figure in the nineteenth and early twentieth-century revival of painting in tempera, Southall was the leader of the Birmingham Group of Artist-Craftsmen—one
Joseph_Southall
Painting made on a flat panel made of wood
paintings which seem to be of the highest contemporary quality. Encaustic and tempera are the two techniques used in antiquity. Encaustic largely ceased to be
Panel_painting
Painting by Pieter Bruegel the Elder
The Misanthrope is a tempera painting on canvas by the Flemish Renaissance artist Pieter Bruegel the Elder, created in 1568. It is now in the National
The_Misanthrope_(Bruegel)
1948 painting by Andrew Wyeth
of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an inclined position
Christina's_World
author based in Massachusetts who specialized in the ancient medium of egg tempera. His paintings are surreal dreamlike visions of sunset shadows of bicycles
Robert_Vickrey
Lost painting by Michelangelo
Leda and the Swan is a lost tempera on canvas painting by Michelangelo, produced in 1530, but now only surviving in copies and variants. The work depicted
Leda and the Swan (Michelangelo)
Leda_and_the_Swan_(Michelangelo)
Visual art using paint
metal has been used as a durable medium for outdoor murals. Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of
Painting
British artist (1860–1932)
figures in oils, tempera and fresco and a book illustrator and printmaker. He was an active member of the Society of Painters in Tempera, with his wife
John_D._Batten
Blind prophet of Apollo
Tiresias appears to Odysseus during the nekyia of Odyssey Book XI, in this watercolor with tempera by the Anglo-Swiss Johann Heinrich Füssli, c. 1780–85.
Tiresias
Italian painter (c. 1383 – c. 1447)
Capodimonte. In Germany: Madonna and Child, tempera on wood, Alte Pinakothek. Madonna and Child (1423), tempera on panel in Kunsthalle Bremen. In Florence:
Masolino_da_Panicale
Painting by Sandro Botticelli
Tuscany. The 1.67 x 0.87–meter painting was produced with tempera paint on a wood panel. Tempera paint consists in mixing the dry powdered colors with yolk
Fortitude_(Botticelli)
Painting by Andrea Mantegna
Saint Euphemia is a glue on tempera painting of Saint Euphemia by Andrea Mantegna, now in the Museo nazionale di Capodimonte in Naples. It is signed and
Saint_Euphemia_(Mantegna)
1515–16 Oil and tempera on spruce wood 23.5 × 21.5 cm Kunstmuseum Basel Head of a Male Saint, attributed to Holbein c. 1515–16 Oil and tempera on spruce wood
List of paintings by Hans Holbein the Younger
List_of_paintings_by_Hans_Holbein_the_Younger
Method of painting
with egg tempera, used in combination with oil-based paints and resins to render a luminous, resonant realism. The egg yolk of the egg tempera is a naturally
Mischtechnik
Painting by Bicci di Lorenzo
Baptist and Minias is an early-Quattrocento (1400–1450) wood panel with tempera painting by the Florentine Italian Renaissance painter Bicci di Lorenzo
Saints John the Baptist and Minias (Bicci di Lorenzo)
Saints_John_the_Baptist_and_Minias_(Bicci_di_Lorenzo)
Painting by Leonardo da Vinci
the studio of Andrea del Verrocchio. The painting was made using oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical
Annunciation_(Leonardo)
precursor to water-miscible oil paint is "tempera grassa", an egg tempera method where oil paint is mixed with the tempera and the egg acts an emulsifier to be
Water_miscible_oil_paint
16th-century painting by Georgios Klontzas
Byzantine and Post-Byzantine Studies in Venice, Italy. The painting is egg tempera and gold leaf on wood panel. The dimensions are 127 cm (36.2 in) × 50 cm
The_Last_Judgment_(Klontzas)
(1450–1460) – Tempera on wood, 47 x 31.5 cm, Civico Museo Malaspina, Pavia Dead Christ Supported by the Madonna and St. John (1455) – Tempera on wood, 52
List of works by Giovanni Bellini
List_of_works_by_Giovanni_Bellini
Altarpiece by Matthias Grünewald and Nikolaus Hagenauer
(painter) Nikolaus Hagenauer (sculptor) Year 1512–1516 Medium Oil and tempera on limewood panel (painting) Polychrome limewood (sculpture) Dimensions
Isenheim_Altarpiece
Italian painter, mathematician and geometer (c. 1414 – 1492)
Misericordia (1445–62) – Tempera and oil on panel, 273 x 330 cm, Museo Civico Sansepolcro The Baptism of Christ (c. 1448–50) – Tempera on panel, 168 × 116 cm
Piero_della_Francesca
English painter, calligrapher and printmaker (1889–1984)
1972 – tempera (1973) From my Garden – tempera (1974) A May Day – tempera (1974) My London Garden – tempera (1975) Camellias in Blue Bowl – tempera (1975)
Dorothy_Hutton
Painting by William Blake
only 8.42 by 6.3 inches (21.4 by 16.0 centimetres), it is executed in a tempera mixture with gold, on a mahogany-type tropical hardwood panel. It was completed
The_Ghost_of_a_Flea
Painting by Pontormo
broadly considered to be the artist's surviving masterpiece. Painted in tempera on wood, it is located above the altar of the Capponi Chapel of the church
The Deposition from the Cross (Pontormo)
The_Deposition_from_the_Cross_(Pontormo)
Type of slow-drying paint
oil was used to detail tempera paintings. In the 14th century, Cennino Cennini described a painting technique utilizing tempera painting covered by light
Oil_paint
British artist and painter
artist and painter. Based in Sussex, Burleigh was known for painting in egg tempera with the subject usually involving a central figure. Her husband and daughter
Averil_Burleigh
Paint primer composed of a white pigment and a binder
with all painting media, including water-based media, different types of tempera and oil paint. Mixing and applying it is a craft in itself, as it is usually
Gesso
Painting series by Jacob Lawrence
published in 1941 and funded by the Julius Rosenwald Fund. Painted in casein tempera on 60 12x18 inch hardboard panels, Lawrence's presentation of the Great
The_Migration_Series
Italian painter (1457–1504)
from 1488, and later in the Milan area and Bologna. He worked in oils, tempera and fresco, mostly painting religious subjects, with a few portraits and
Filippino_Lippi
Manuscript in which the text is supplemented by decoration
Antiphonary; c. 1405; tempera, gold, and ink on parchment; Metropolitan Museum of Art (New York City) Leaf from a Book of Hours; c. 1460; ink, tempera and gold on
Illuminated_manuscript
English painter
Antiques Roadshow. Executed in egg tempera the paintings were valued at £6,000 – £7,000 each. Burning Limestone, tempera on paper, 46.5 x 58.3 cm, Newport
Harry_Epworth_Allen
Set of three paintings by Paolo Uccello
and are unusual as a major secular commission. The paintings are in egg tempera on wooden panels, each over 3 metres long. According to the National Gallery
The_Battle_of_San_Romano
Painting by Bronzino
The Portrait of Bia de' Medici is a tempera on wood painting by the Italian Mannerist painter Agnolo Bronzino, dating to around 1542 and now in the Uffizi
Portrait_of_Bia_de'_Medici
Italian painter
Virgin (1388), tempera on panel, Museo Civico e Diocesano d'Arte Sacra, Montalcino Nativity and Adoration of Shepherds (1383), tempera on panel Coronation
Bartolo_di_Fredi
Topics referred to by the same term
refer to: Christ the Vine (Moskos), a tempera painting by Leos Moskos Christ the Vine (Victor), an egg tempera painting by Victor This disambiguation
Christ_the_Vine
Painting by Antonio and Piero del Pollaiuolo
Altarpiece for the Cardinal of Portugal's Chapel, is a painting of c. 1466 in tempera and oil on panel by one or both of the brothers Antonio and Piero del Pollaiuolo
Cardinal of Portugal's Altarpiece
Cardinal_of_Portugal's_Altarpiece
Painting by Vittore Carpaccio
Man with a Red Hat is a tempera on panel painting attributed to Italian Renaissance painter Vittore Carpaccio, created around 1490–1493. It is housed
Man_with_Red_Hat
Cheap distemper paint
Poster paint (also known as tempera paint in the US, poster color in Asia) is a distemper paint that usually uses starch, cornstarch, cellulose, gum-water
Poster_paint
Italian Renaissance painter (c. 1430 – 1516)
with his brother Gentile. His early paintings are all executed in the old tempera method. His Dead Christ paintings (one of his most frequent themes, e.g
Giovanni_Bellini
Irish painter (1930–2013)
were there Gray made a drawing of Bacon which he later turned into an egg tempera on wood portrait. The portrait was bought by the collector Aubrey Beese
Reginald_Gray_(artist)
1500 painting by Albrecht Dürer
Hercules Killing the Stymphalian Birds is a 1500 tempera on canvas painting by Albrecht Dürer, now kept in the Germanisches Nationalmuseum in Nuremberg
Hercules Killing the Stymphalian Birds
Hercules_Killing_the_Stymphalian_Birds
Italian Renaissance painter (c. 1430 – c. 1495)
found today in Venice, both in the church of San Sebastiano. He painted in tempera only, despite the increasing popularity of oil painting during his lifetime
Carlo_Crivelli
15th-century Italian Renaissance painter
San Giovenale Triptych (1422) tempera on panel, 108 x 153 cm, Cascia di Reggello Madonna with Child (1424) – tempera on panel, 24 x 18 cm, Palazzo Vecchio
Masaccio
Painting by Fra Angelico
The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly
The Last Judgment (Fra Angelico, Florence)
The_Last_Judgment_(Fra_Angelico,_Florence)
Painting by Paula Modersohn-Becker
The Portrait of Rainer Maria Rilke is an oil and tempera on cardboard painting by Paula Modersohn-Becker, from 1906. It is held in the Ludwig Roselius
Portrait of Rainer Maria Rilke
Portrait_of_Rainer_Maria_Rilke
Painting by Akseli Gallen-Kallela
by Akseli Gallen-Kallela from the year 1901. He painted the subject in tempera painting (89 × 128 cm) and as a fresco (355 × 687 cm) which is located
Kullervo_Sets_Off_for_War
Type of painting method
applied with a brush, pen, or sprayer. This includes most inks, watercolors, temperas, caseins, gouaches, and modern acrylic paints. The term "watercolor" refers
Watercolor_painting
Russian folk handicraft
a Russian folk handicraft of a miniature painting, which is done with tempera paints on varnished articles made of papier-mâché (including the creation
Palekh_miniature
Painting by Piero della Francesca (c. 1448–1450)
by the Italian Renaissance master Piero della Francesca. Painted in egg tempera on two panels of poplar wood, the dating is controversial – some give it
The Baptism of Christ (Piero della Francesca)
The_Baptism_of_Christ_(Piero_della_Francesca)
Painting by Piero della Francesca
Flagellation of Christ Artist Piero della Francesca Year 1459–1460 Type tempera on panel Dimensions 67.5 cm × 91 cm (26.6 in × 36 in) Location Galleria
Flagellation of Christ (Piero della Francesca)
Flagellation_of_Christ_(Piero_della_Francesca)
1285 painting by Duccio di Buoninsegna
Rucellai Madonna. The work, measuring 4.5 by 2.9 meters, was painted in egg tempera on a five-pieced poplar panel. The panel and frame would have been constructed
Rucellai_Madonna
1893 painting by Edvard Munch
in which Munch mapped out the essentials of the composition. 1893, oil, tempera and pastel on cardboard. The first version publicly displayed, and perhaps
The_Scream
American visual artist (1917–2009)
One of the best-known images in 20th-century American art is his 1948 tempera painting Christina's World, which is in the collection of the Museum of
Andrew_Wyeth
Painting by Abanindranath Tagore
Journey's End is a tempera on paper painting, painted by Indian artist Abanindranath Tagore (1871–1951) in 1913. Towards the close of the 19th century
Journey's_End_(painting)
Indian artist (1887–1972)
sometimes in oils. He also used indigenous materials like lamp black, organic tempera, earth and mineral pigments to paint. Jamini Roy's paintings were put on
Jamini_Roy
Painting by Andrea Mantegna
Judith with the Head of Holofernes is a c. 1495 glue tempera on canvas painting by Andrea Mantegna, now in the National Gallery of Ireland in Dublin.
Judith with the Head of Holofernes (Mantegna, Dublin)
Judith_with_the_Head_of_Holofernes_(Mantegna,_Dublin)
Argentine painter, sculptor, writer and inventor of imaginary languages
his main medium as a painter), although he gradually began working in tempera and – very occasionally — oils. He also adopted the pen name of Xul Solar
Xul_Solar
Painting by Edward Wadsworth
The Beached Margin is a tempera on linen painting by the English painter Edward Wadsworth, from 1937. It depicts a beach still life where three poles
The_Beached_Margin
Painting by Vittore Carpaccio
St. George and the Dragon is a tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio. It is housed in the Scuola di San Giorgio
St. George and the Dragon (Carpaccio)
St._George_and_the_Dragon_(Carpaccio)
Painting by Arnold Böcklin
Odysseus and Polyphemus Artist Arnold Böcklin Year 1896 Type oil and tempera on panel Dimensions 66 cm × 150 cm (26 in × 59 in) Location Museum of Fine
Odysseus and Polyphemus (Böcklin)
Odysseus_and_Polyphemus_(Böcklin)
Form of decorative paint
paint and a historical medium for painting pictures, and contrasted with tempera. The binder may be glues of vegetable or animal origin (excluding egg)
Distemper_(paint)
Painting by Filippino Lippi
Tobias and the Angel is an oil and tempera painting on poplar panel by the Florentine Renaissance painter Filippino Lippi, dating from c. 1475–1480, of
Tobias and the Angel (Filippino Lippi)
Tobias_and_the_Angel_(Filippino_Lippi)
The Lenti Madonna, Bache Madonna, or Madonna and Child is a tempera and gold painting that was painted on a wooden panel by the Italian Renaissance artist
Lenti_Madonna
Italian painter
in New York City, and now has a damaged surface. This work, made from tempera on wood with raised gold ornament, depicts an elderly Joseph presenting
Michelino_da_Besozzo
83.5 × 59 The Adoration Of The Virgin 1913 150 × 120 Oil and encaustic on canvas Still Life 1913 Hermitage, St. Petersburg 84 × 65 Tempera on canvas
List_of_works_by_Diego_Rivera
Italian painter
international recognition as a leading figure in this movement. Often working in tempera, Casorati drew inspiration from his study of Renaissance masters, especially
Felice_Casorati
Italian musician and composer
Working on his own and as a member of a trio with Franco Bixio and Vincenzo Tempera, Frizzi was most active in Spaghetti Western, exploitation and horror films
Fabio_Frizzi
Materials used to create works of art
Vellum Wood Acrylic paint Encaustic Fresco Gouache Ink wash Oil paint Tempera Watercolor Canvas Ceramic Cloth Glass Metal Paper Paperboard Vellum Wall
List_of_art_media
1989 TV film by Lucio Fulci
Hoven Karina Huff Paolo Paoloni Bettine Milne Al Cliver Composer Vince Tempera Country of origin Italy Production Producers Massimo Manasse Marco Grillo
The_House_of_Clocks
Painting by Bernat Martorell
George and the Dragon, also known as Saint George Killing the Dragon is a tempera painting by the Catalan artist Bernat Martorell, painted c. 1434 – c. 1435
Saint George and the Dragon (Martorell)
Saint_George_and_the_Dragon_(Martorell)
Painting by Jacopo de' Barbari
Pacioli Artist Attributed to Jacopo de' Barbari Year c. 1495–1500 Medium Tempera on panel Dimensions 99 cm × 120 cm (39 in × 47 in) Location Capodimonte
Portrait_of_Luca_Pacioli
Italian painter of Florence (c.1350–1396)
of Bari (1388-1390), tempera on panel, National Gallery of Victoria Coronation of the Virgin with Six Angels (c. 1390), tempera on panel, National Gallery
Agnolo_Gaddi
Painting by Andrea Mantegna
Madonna and Child is a magra-tempera on flax canvas painting by Andrea Mantegna, dating to 1490-1500 or (according to Mauro Lucco) 1463-1465 . It is now
Madonna and Child (Mantegna, Bergamo)
Madonna_and_Child_(Mantegna,_Bergamo)
Australian artist (born 1957)
corporate, and private collections. Clinch uses the renaissance medium of egg tempera, and has also completed works in gouache/watercolour, lithography, and
Robert_Clinch
American egg tempera painter
Alma mater University of New Hampshire Occupation Artist Known for Egg tempera painting Awards Northwest International Art Competition (1990) Website
Jack_Gunter
American manufacturing and retail company
products under the Portfolio Series brand, including acrylics, watercolor, tempera, and brushes. Crayola claims the Crayola brand has 99% name recognition
Crayola
Painting by Vittore Carpaccio
Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting executed in 1502 by the Italian Renaissance artist Vittore
St. Augustine in His Study (Carpaccio)
St._Augustine_in_His_Study_(Carpaccio)
Scottish artist
a Scottish artist. Grassie paints highly detailed and self-referential tempera on paper copies of photographs. He was educated at St Martins School of
Andrew_Grassie
Anonymous 13th c. Italian painter
Life of Christ, c.1270, tempera and gold on panel, 40,6x56,6 cm, Metropolitan Museum of Art, New York St Luke, c.1280-1285, tempera and gold on panel, 132x50
Master_of_the_Magdalen
Italian polymath (1452–1519)
apocryphal). The new technique of oil paint was applied to areas of the mostly tempera work, including the landscape, the rocks seen through the brown mountain
Leonardo_da_Vinci
Painting by Nicolò Semitecolo
di San Sebastiano), once part of the Saint Sebastian altarpiece, is a tempera on wood panel painting by Nicolò Semitecolo dated to 1367 on one panel
Martyrdom of Saint Sebastian (Semitecolo)
Martyrdom_of_Saint_Sebastian_(Semitecolo)
Painting by Giotto
Front side. Tempera on wood. cm 178 × 89 (central panel); cm 168 × 83 c. (side panels); cm 45 c. × 83 c. (each section of the predella)
Stefaneschi_Triptych
Painting by Michael Damaskinos
The Last Supper is a tempera painting by Greek painter Michael Damaskinos. He painted in Heraklion, Sicily, Venice, and other parts of Italy. His painting
The_Last_Supper_(Damaskinos)
Painting by Georgios Klontzas
Triptych of the Last Judgement is a tempera-painted triptych created by Cretan Renaissance painter Georgios Klontzas. Klontzas was active in Crete during
Triptych of the Last Judgement (Klontzas)
Triptych_of_the_Last_Judgement_(Klontzas)
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