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Italian film genre
Telefoni Bianchi (pronounced [teˈlɛːfoni ˈbjaŋki]; white telephones) films, also called deco films, were made by the Italian film industry in the 1930s
Telefoni_Bianchi
Filmmaking industry in Italy
period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in sharp contrast to Telefoni Bianchi-American
Cinema_of_Italy
Topics referred to by the same term
(born 1952), Samoan author Telefoni Bianchi, film genre This disambiguation page lists articles associated with the title Telefoni. If an internal link incorrectly
Telefoni
1976 Italian film
Telefoni bianchi (transl.White Telephones, internationally released as The Career of a Chambermaid) is a 1976 Italian comedy film directed by Dino Risi
The_Career_of_a_Chambermaid
Italian actress (1915–2010)
Thanks to the film's success, she immediately became a star in the Telefoni Bianchi genre and also got a seven-year contract with Metro-Goldwyn-Mayer which
Caterina_Boratto
Mistress of the Italian dictator Benito Mussolini (1912–1945)
Roberto Gervaso, Claretta, Milan, Rizzoli, 1982. Marco Innocenti, Telefoni bianchi amori neri, Milan, Mursia, 1999. ISBN 88-425-2572-3. Marco Innocenti
Clara_Petacci
Genre of fiction, primarily American, in various media
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Contemporary_Western
Country in Southern and Western Europe
genre, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was a sharp contrast to the Telefoni Bianchi-American style
Italy
Italian filmmaking style
from the general context. Calligrafismo is in a sharp contrast to Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic
Calligrafismo
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
List_of_apocalyptic_films
Film and TV genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Action_comedy
Italian actress (1921–2006)
cappello a tre punte (The Three Cornered Hat) during the so-called Telefoni Bianchi cinema era. Her first big success came with the movie Mille lire al
Alida_Valli
Film genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Art_film
Italian western subgenre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Spaghetti_Western
Italian film movement
Vittorio Mussolini, son of Benito Mussolini), the critics attacked the Telefoni Bianchi ("white telephone") films that dominated the industry at the time.
Italian_neorealism
Western subgenre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Acid_Western
Recognizable film technique used by a filmmaker
Tiber Italian futurism Italian neorealism Poliziotteschi White Phones Telefoni Bianchi Other groups/movements: Budapest school Cinema da Boca do Lixo Dogme
Film_styles
Term used for "banditry" in the Indian subcontinent
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Dacoity
Western film subgenre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Revisionist_Western
Italian actor (1922–2000)
del piacere, 1975) as Andrea Sansoni The Career of a Chambermaid (Telefoni bianchi, 1976) as Franco Denza Pure as a Lily (Come una rosa al naso, 1976)
Vittorio_Gassman
Genre of sexploitation film
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Mexican_sex_comedy
Fiction genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Science_fiction_Western
Ethnic group native to Italy
of sound film. Popular Italian genres during this period were the Telefoni Bianchi, consisting of comedies with glamorous backgrounds, and Calligrafismo
Italians
Western-inspired film genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Ostern
Combination of art film and animated film
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Arthouse_animation
Period in Argentine cinema history
world." In Italy, it had its greatest exponent with the so-called Telefoni Bianchi films (Italian for "white telephones"), while Hollywood actress Deanna
Golden Age of Argentine cinema
Golden_Age_of_Argentine_cinema
Italian politician and writer (1903–1945)
with Doris Duranti, a film actress of the period who starred in the Telefoni Bianchi subgenre of light comedy films and prominently featured in the very
Alessandro_Pavolini
period, the Telefoni Bianchi, consisted of comedies with glamorous backgrounds. Calligrafismo was instead in a sharp contrast to Telefoni Bianchi-American
Culture_of_Italy
Brazilian-Italian actress (1924–1996)
leading lady of Italian cinema during the early 1940s, most notably in telefoni bianchi films. She also worked as an Italian-language dubber, notably dubbing
Irasema_Dilián
Subgenre of science fiction
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Space_Western
Visual art consisting of moving images
fiction, combining film noir and science fiction Teen film – Film genre Telefoni Bianchi – Italian film genre Tendency film – Socially conscious and left-leaning
Outline_of_film
Multimedia genre set primarily in Northern Canada and Alaska
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Northern_(genre)
Academic term for a variety of film genres out of the mainstream
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Paracinema
Film subgenre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Horror_Western
Genre of realist films
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Romanian_New_Wave
Neorealist films typically dealt with the working class (in contrast to the Telefoni Bianchi), and were shot on location. Many neorealist films, but not all, used
Cinema_of_Europe
traditional cinematic conventions of the preceding filmic era. The genre of Telefoni Bianchi was one of two dominating genres of pre-war Italy. It involved highly
Women_in_Italian_neorealism
Motion pictures without synchronized recorded sound
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Silent_film
Works set in the 19th century
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Florida_Western
Sub-genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Australian_Western
Film genre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Poetry_film
1940 film
Savio, Francesco. Ma l'amore no: realismo, formalismo, propaganda e telefoni bianchi nel cinema italiano di regime (1930-1943). Sonzogno, 1975. Antonio
Antonio_Meucci_(film)
Archetypal cowboy hero of early Western films
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Singing_cowboy
1940 Italian film
Francesco Savio. Ma l'amore no: realismo, formalismo, propaganda e telefoni bianchi nel cinema italiano di regime (1930-1943). Sonzogno, 1975. The Palace
The_Palace_on_the_River
Term related to Indian cinema
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Pan-Indian_film
1939 Italian film
film directed by Gennaro Righelli. It is part of the tradition of telefoni bianchi (transl. white telephone) comedies, popular in Italy at the time. Cast
La_voce_senza_volto
Italian actress (1919–2016)
Francesco (1975). Ma l'amore no : realismo, formalismo, propaganda e telefoni bianchi nel cinema italiano di regime (1930-1943) (in Italian). Milano: Sonzogno
Adriana_Benetti
Genre of musical theatre
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Backstage_musical
Italian silent film actress (1892–1985)
the meantime the Italian cinema had changed greatly (the period of Telefoni bianchi comedies) and entered into a period of crisis with fascism and censorship
Francesca_Bertini
Recording of an opera on film
Structural Surrealist Sword-and-sandal Taiwan New Cinema Tarantinoesque Telefoni Bianchi Thai New Wave Third Cinema Toronto New Wave Vulgar auteurism Yugoslav
Opera_film
Italian actor
Paolo Poli, Carolina Invernizio, Milano Libri, Milan 1970. Paolo Poli, Telefoni bianchi e camicie nere (with pièces' text L'uomo nero et Femminilità de Ida
Paolo_Poli
Dei, Femi Benussi Commedia all'italiana The Career of a Chambermaid (Telefoni bianchi) Dino Risi Ugo Tognazzi, Vittorio Gassman, Agostina Belli Commedia
List_of_Italian_films_of_1976
1976 comedy film
Vitali as Oscar The film is a loose remake of Goffredo Alessandrini's Telefoni Bianchi film The Private Secretary. The film was released in Italian cinemas
My_Father's_Private_Secretary
Italian film director (1894–1998)
Following the moderate success of the film, Bragaglia specialized in the Telefoni Bianchi genre, with a few exceptions like the realist dramas Tomb of the Angels
Carlo_Ludovico_Bragaglia
1942 film
Savio, Francesco. Ma l'amore no: realismo, formalismo, propaganda e telefoni bianchi nel cinema italiano di regime (1930-1943). Sonzogno, 1975. The Princess
The_Princess_of_Dreams
Italian actor (1901–1971)
(1931), and got numerous leading roles in the Fascist-era popular genre Telefoni Bianchi; after the war he was mainly active as a comedic character actor. In
Nino_Besozzi
1942 film
41 Casadio, Gianfranco, Laura, Ernesto G. and Cristiano, Filippo. Telefoni bianchi: realtà e finzione nella società e nel cinema italiano degli anni Quaranta
Once_a_Week_(film)
Massimo (September 16, 2010). "Addio all'algida Caterina diva dei Telefoni Bianchi – Torino – Repubblica.it" [Farewell to the algid Caterina, diva of
Deaths_in_September_2010
Italian actress (1914–1969)
a short time she became one of the most requested actresses in the Telefoni Bianchi genre. After the war she got critical acclaim for a number of dramatic
Vera_Carmi
Gino Cervi. The production is composed mostly by escapist comedies (Telefoni bianchi): Five to nil and Three lucky fools by Mario Bonnard, One night with
1932_in_Italy
Italian film director, screenwriter and journalist
fascism for his political views, he was a prolific screenwriter of Telefoni Bianchi films. He made his debut as a director with the patriotic drama Pietro
Aldo_Vergano
1940 film directed by Camillo Mastrocinque
Francesco Savio. Ma l'amore no. Realismo, formalismo, propaganda e telefoni bianchi nel cinema italiano di regime (1930–1943). Sonzogno Edit., 1975. Don
Don_Pasquale_(1940_film)
2006 Italian association football scandal
Retrieved 23 May 2022. "La Confessione, Luciano Moggi su Nove: 'Usavo telefoni esteri per non essere spiato'. Gomez: 'Sentenza dice che erano per gli
Calciopoli
Intrusioni Cerebrali N. 6 nuova serie, BBS copyright non è reato N. 10, Telefoni cellulari, i danni biologici N. 11, William Gibson N. 12, Next World Radio
Neural_(magazine)
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