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Italian art historian (1890–1970)
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters
Roberto_Longhi
The Fondazione Roberto Longhi is an institute established by Italian scholar Roberto Longhi. It is located on Via Benedetto Fortini in Florence, Tuscany
Fondazione_Roberto_Longhi
Painting by Caravaggio, c. 1595
believed to be authentic works of Caravaggio, one in the Fondazione Roberto Longhi in Florence, the other in the National Gallery, London. Both versions
Boy_Bitten_by_a_Lizard
Italian jet fighter concept
purported Italian fighter aircraft concept designed in 1943 by Roberto Longhi. Roberto Longhi, one of the most prominent Reggiane aircraft designers, in a
Reggiane_Re.2007
Surname list
Martino Longhi the Younger (1602–1660), architect Onorio Longhi (1568–1619), architect Pietro Longhi (1701–1785 or 1702–1785), painter Roberto Longhi (1890–1970)
Longhi
1590s painting by Caravaggio
Antica, in Rome. The painting was originally attributed to Caravaggio by Roberto Longhi in 1916. Narcissus, according to the poet Ovid in his Metamorphoses
Narcissus_(Caravaggio)
1970 Altri esercizi, 1972 (collection of literary essays, 1942–71) Roberto Longhi, Da Cimabue a Morandi (editor), 1973 Esercizi di lettura sopra autori
Gianfranco_Contini
Italian writer, art historian and translator
exceptionally beautiful woman" she knew in her youth. She married art critic Roberto Longhi and in 1950 they founded and edited the bi-monthly art magazine Paragone
Anna_Banti
Italian painter (1571–1610)
with Cesari. The title Sick Bacchus comes from Italian art historian Roberto Longhi. Whether the artwork references Caravaggio’s real life illness is up
Caravaggio
1939 Italian fighter
War. The Re 2000 was developed by a team headed by aircraft designers Roberto Longhi and Antonio Alessio to be a lightly built and highly maneuverable interceptor/fighter
Reggiane_Re.2000_Falco_I
Italian proposed fighter-bomber aircraft
an Italian single-engined monoplane made by Reggiane and designed by Roberto Longhi. The aircraft never passed the preliminary stages. The Re.2004 had identical
Reggiane_Re.2004
Painting by Mattia Preti
Alessandro Turchi and the correct attribution only restored in 1916 by Roberto Longhi. (in Italian) "Catalogue entry". (in Italian) "mattia-preti.it - La
Aeneas_Fleeing_Troy
Italien mosaic
style such as the so-called Last Master of the Baptistery identified by Roberto Longhi. The works have been under almost constant restoration from the late
Mosaic ceiling of the Florence Baptistery
Mosaic_ceiling_of_the_Florence_Baptistery
Painting by Caravaggio
recognized as one of the greatest painters in the history of Western art. Roberto Longhi wrote in 1952 that, by completely sweeping away the iconographical tradition
Conversion on the Way to Damascus
Conversion_on_the_Way_to_Damascus
Illuminated manuscript produced in southern Italy
in the collection of the Walters Art Gallery in Baltimore. In 1966, Roberto Longhi proposed that the illustrator of the Conradin Bible was Oderisi da Gubbio
Conradin_Bible
Italian surname
Longhi (Italian pronunciation: [ˈloŋɡi]) is an Italian surname of ancient origin, initially spelled as Longo ([ˈloŋɡo]), of which Longhi is plural. Some
Longhi_(surname)
Italian painter (born 1593)
in 2023. The research paper "Gentileschi, padre e figlia" (1916) by Roberto Longhi, an Italian critic, described Gentileschi as "the only woman in Italy
Artemisia_Gentileschi
Painting by Peter Paul Rubens
rediscovered at the start of the twentieth century by the art historian Roberto Longhi, who identified it with the painting recorded as La notte in 1607. Produced
Adoration of the Shepherds (Rubens)
Adoration_of_the_Shepherds_(Rubens)
Painting by Artemisia Gentileschi
Roberto Contini, Germaine Greer, Susanna Stolzenwald, and Mary D. Garrard that she painted with her father's guidance. Art historians Roberto Longhi and
Susanna and the Elders (Artemisia Gentileschi, Pommersfelden)
Susanna_and_the_Elders_(Artemisia_Gentileschi,_Pommersfelden)
Hibbard, Howard (1985). Caravaggio. Westview Press. ISBN 0-06-433322-1. Longhi, Roberto (1968). Caravaggio. translated by Karen Craig. Giunti. ISBN 88-09-21445-5
List of paintings by Caravaggio
List_of_paintings_by_Caravaggio
Italian painter
artist previously known by two names: the "Maestro Esiguo," invented by Roberto Longhi in reference to the painter's skinny and exiguous figures, and the "Alunno
Alesso_di_Benozzo
1512 painting by Titian
attributed it to Giorgione and Jean Paul Richter to Palma il Vecchio, but Roberto Longhi, William Suida, Claude Phillips, Antonio Morassi, Rodolfo Pallucchini
Portrait of a Man (Titian, New York)
Portrait_of_a_Man_(Titian,_New_York)
Painting by Giulio Campi
Museo Civico d'Arte Antica in Turin. It was first published in 1963 by Roberto Longhi whilst still in the Nigro collection in Genoa. He attributed it to Sofonisba
The_Chess_Game
Painting by Caravaggio
hidden in a masterpiece". BBC. Retrieved 20 October 2023. Longhi, Roberto (2006). Roberto Longhi, Caravaggio, Editori Riuniti 2006. Editori riuniti. ISBN 8835958717
Supper at Emmaus (Caravaggio, London)
Supper_at_Emmaus_(Caravaggio,_London)
Cemetery in Florence, Italy
Lokhoff – Russian artist Charles Loeser – Art historian, Lot: A-X-23 Roberto Longhi – Italian art historian, Lot: N-II-9 Tjaarke Maas – Dutch artist Vasco
Cimitero Evangelico agli Allori
Cimitero_Evangelico_agli_Allori
1504 painting by Raphael
Madonna". The physiognomy and composition still draw heavily on Perugino. Roberto Longhi noted the more archaic painting of the Madonna compared to the work
Diotallevi_Madonna
1550s drawing by Sofonisba Anguissola
of her crying brother. — Tommaso Cavalieri, "Lettera" According to Roberto Longhi, this version was originally thought to be a copy and that the original
Child_Bitten_by_a_Lobster
Painting by Caravaggio
version owned by the Sannini family of Florence came to the attention of Roberto Longhi in 1943, who considered it a copy. It was exhibited in 1951 at the Mostra
The Taking of Christ (Caravaggio)
The_Taking_of_Christ_(Caravaggio)
Painting by Caravaggio
Caravaggio. In 1623 he became Pope as Urban VIII. First cataloged in 1963 by Roberto Longhi, one of Italy's foremost 20th-century art historians, the portrait had
Portrait_of_Maffeo_Barberini
Painting attributed to Piero della Francesca
Morelli. From there it moved to Contini-Bonacossi collection, where Roberto Longhi reiterated the attribution before the family sold it to the Louvre.
Portrait of Sigismondo Pandolfo Malatesta
Portrait_of_Sigismondo_Pandolfo_Malatesta
Painting by Annibale Carracci
Queen Victoria's collection and thought to be by an unknown artist. Roberto Longhi and Hermann Voss assigned it its present attribution in the early 20th
An_Allegory_of_Truth_and_Time
Italian painter and sculptor
creating with them an artistic movement called by Italian scholar Roberto Longhi the Scuola di via Cavour or Scuola Romana. In 1931, Mazzacurati went
Marino_Mazzacurati
Painting by Annibale Carracci
which acquired it in 1994. Previously attributed to Agostino Carracci, Roberto Longhi gave it its present attribution, now largely accepted. No documents
Two_Children_Teasing_a_Cat
Italian art critic (1925–2019)
Italian art historian. A pupil of Pietro Toesca and collaborator of Roberto Longhi, he was emeritus professor of medieval and modern art history at the
Ferdinando_Bologna
Stylistic followers of the painter Caravaggio
importance to the development of Western art rediscovered. In the 1920s Roberto Longhi once more placed him in the European tradition: "Ribera, Vermeer, La
Caravaggisti
Italian art critic, politician, and television personality (born 1952)
Piero Guccione. Il tesoro d'Italia VII (2019), Ecce Caravaggio. Da Roberto Longhi a oggi e Raffaello. Un Dio mortale (2021), Canova e la bella amata e
Vittorio_Sgarbi
15th-century painting
Virgin Mary. Once attributed to the Master of the Osservanza Triptych by Roberto Longhi and others, it is now usually attributed to Sano di Pietro. Maria Falcone
Nativity of the Virgin (Sano di Pietro)
Nativity_of_the_Virgin_(Sano_di_Pietro)
Painting by Andrea Mantegna
at the time of his death. This has led some art historians, such as Roberto Longhi and Ettore Camesasca, to categorize the piece as one of Mantegna's later
Lamentation of Christ (Mantegna)
Lamentation_of_Christ_(Mantegna)
Italian painter
that his brother was also involved in this work. The art historian Roberto Longhi also assigns a secondary interest to a series of paintings of scenes
Agnolo_degli_Erri
Italian writer (1928-2004)
the magazine Paragone Letteratura founded just three years earlier by Roberto Longhi and Anna Banti, taking over its direction in 1986. In 1963 he began
Cesare_Garboli
Exile of Italian painter Caravaggio
initially acquired by the Rouen Museum in 1955 as a work by Mattia Preti. Roberto Longhi was the first to reattribute it to Caravaggio in 1960, an opinion now
Exile_of_Caravaggio
Painting by Titian
1525. The work was misattributed to Vincenzo da Pavia until 1946, when Roberto Longhi restored the attribution to Titian, now followed by the majority of
Saint Francis Receiving the Stigmata (Titian)
Saint_Francis_Receiving_the_Stigmata_(Titian)
c. 1436 panel painting by Paolo Uccello
Quarate' in 1934–1935. However, the attribution to Uccello was accepted by Roberto Longhi in 1928 and Alessandro Angelini in 1990, though they both date it differently
Adoration of the Christ Child with Saint Jerome, Saint Mary Magdalene and Saint Eustace
Adoration_of_the_Christ_Child_with_Saint_Jerome,_Saint_Mary_Magdalene_and_Saint_Eustace
Painting by Titian
misattributed to Palma il Vecchio, then to Giovanni Cariani, until Roberto Longhi reattributed it as by Titian, which is now the critical consensus. It
Young_Woman_in_a_Black_Dress
attributed to the 15th century artist Michele di Matteo da Bologna by Roberto Longhi. While most art historians have considered him a 13th-century Byzantinising
Franco_Bolognese
Italian painter (1518–1594)
thrill of Tintoretto", The New Yorker, p. 77. Echols 2018, p. 145. Roberto Longhi called them "unmemorable"; John Pope-Hennessy is described as dismissing
Tintoretto
Italian writer
train (third class) from Ferrara, he studied under the art historian Roberto Longhi. His ideal of the "free intellectual" was the liberal historian and
Giorgio_Bassani
Aspects of Renaissance art and culture in Bergamo and Brescia
Brescia: Editrice Vannini. Roberto Longhi (1917). Cose bresciane del Cinquecento. Roma: Tip. Unione Ed. Roberto Longhi (1968) [1929]. Me pinxit e quesiti
Renaissance art in Bergamo and Brescia
Renaissance_art_in_Bergamo_and_Brescia
Italian art historian (1934–1988)
under Lionello Venturi at the Sapienza University of Rome and under Roberto Longhi at the University of Florence. His personal archives are at the University
Giovanni_Previtali
Italian art historian
Michelangelo Antonioni, Enzo Forcella, Giorgio Bassani, Renato Guttuso, Roberto Longhi, Anna Banti, Guido Carli, Arrigo Benedetti and Gastone Manacorda. From
Giuliano_Briganti
Painting by Raphael
subject as Saint Catherine and attributed the work to Perugino. In 1927, Roberto Longhi proposed that the work was created by Raphael, rather than Perugino
Portrait of a Young Woman with a Unicorn
Portrait_of_a_Young_Woman_with_a_Unicorn
Italian painter
of the Sienese school active about 1430 to 1450. The Italian scholar Roberto Longhi recognized that two triptychs formerly attributed to Stefano di Giovanni
Master of the Osservanza Triptych
Master_of_the_Osservanza_Triptych
Italian fighter aircraft during WWII
company's design team was headed by the Italian aeronautical engineer Roberto Longhi, other designers included Alessio, Maraschini, Toniolo and Pozzi. Preliminary
Reggiane_Re.2005_Sagittario
Italian painter (1890–1964)
including Philippe Jaccottet, Jean Leymarie, Jean Clair, Yves Bonnefoy, Roberto Longhi, Francesco Arcangeli, Cesare Brandi, Lamberto Vitali, Luigi Magnani
Giorgio_Morandi
1271 painting by Meliore di Jacopo
1450 and 1500 the seraphim in wreathes between the arches were added - Roberto Longhi attributes them to Cosimo Rosselli. It is recorded in the Stuart royal
Christ the Redeemer with Four Saints
Christ_the_Redeemer_with_Four_Saints
Italian painter (1659–1734)
inaugurate the so-called roccoco rooms of Pitti and Marucelli palaces."(Roberto Longhi). Ricci "brought back in the Venetian tradition a wealth of chromatic
Sebastiano_Ricci
Italian Early Renaissance painter (c. 1430–c. 1510)
The Met Claudio Rendina, Enciclopedia di Roma, Newton Compton, Rome. Roberto Longhi, In favore di Antoniazzo Romano, «Vita artistica. Studi di Storia dell’arte»
Antoniazzo_Romano
Italian art historian (1929–2014)
University of Turin alongside Anna Maria Brizio, and studied under Roberto Longhi at the University of Florence. He subsequently was a professor emeritus
Enrico Castelnuovo (art historian)
Enrico_Castelnuovo_(art_historian)
Painting by Giacomo Ceruti
The portrait dates to the early 18th century. In 1927, art historian Roberto Longhi attributed the work to Italian painter Giacomo Ceruti (1698–1767). In
Portrait_of_a_Lady_(Ceruti)
Italian painter
Thyssen-Bornemisza Museum in Madrid that has been attributed to Colantonio by Roberto Longhi and various other experts (mostly Italian), and by others to Antonello
Niccolò_Antonio_Colantonio
Italian art historian
and also dying there in 1962. His most important students included Roberto Longhi, Ernst Kitzinger, Carlo Bertelli, Giovanni Carandente and Federico Zeri
Pietro_Toesca
Painting by Caravaggio
it came to be attributed to Caravaggio, on the basis of style, by Roberto Longhi. It was owned by his daughter principessa Elena Imparato Caracciolo
The Denial of Saint Peter (Caravaggio)
The_Denial_of_Saint_Peter_(Caravaggio)
Attack aircraft model by Reggiane
using this as the basis of a new aircraft. The Re.2002 was designed by Roberto Longhi and Antonio Alessio, who took a modified and strengthened Re.2000 fuselage
Reggiane_Re.2002_Ariete
15th-century Italian Renaissance painter
Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, 124–126. Roberto Longhi, "Fatti di Masolino e di Masaccio," Critica d'arte 25-6 (1940) 145–191
Masaccio
Painting attributed to Giotto di Bondone
Strasbourg, France. Previously attributed to the school of Giotto, Roberto Longhi attributed it to the master himself in 1948. It probably formed a diptych
Strasbourg_Crucifixion
Italian art historian
his life, Zeri maintained close connections with Bernard Berenson, Roberto Longhi, and his teacher Pietro Toesca. He taught art history at the University
Federico_Zeri
C.1522 painting by Correggio
and CCCXIX of the work. Edizione delle opere complete, Roberto Longhi. Author, Roberto Longhi. Publisher, Sansoni, 1985 (in Italian) Giuseppe Adani, Correggio
Portrait_of_a_Man_with_a_Book
Panel painting attributed to Giotto di Bondone
Wilhelm von Bode attributed the work to Giotto. Following critics, like Roberto Longhi in 1948, have doubted the attribution. Others like William Suida, Pietro
Berlin_Crucifixion
Painting by Andrea Mantegna
quality, especially between the Circumcision and the other two works. Roberto Longhi doubted that the three works were conceived as a single unified triptych
Adoration of the Magi (Mantegna)
Adoration_of_the_Magi_(Mantegna)
Painting by Caravaggio made during 1605/06 or 1609
to Caravaggio in 1954 by noted art historian and Caravaggio scholar Roberto Longhi and Marcenaro. Other scholars, such as Sebastian Schutze, dispute the
Ecce_Homo_(Caravaggio,_Genoa)
Italian painter (1882–1977)
Bacchelli, Giuseppe Ungaretti, Vincenzo Cardarelli, Alberto Moravia, Roberto Longhi and Anna Banti. Of course, the member of the circle whose image she
Leonetta_Cecchi_Pieraccini
Chapel in Florence, Italy
indications by past witnesses such as Vasari, Bocchi and Baldinucci. Roberto Longhi first identified an image of this lost fresco in a later drawing, which
Brancacci_Chapel
Italian art history professor
Testa and Cappelletti were working on a hunch by Caravaggio scholar Roberto Longhi that a painting attributed to Gerard van Honthorst might, in fact, be
Francesca_Cappelletti
Italian fighter aircraft from WW2
l'Aéronautique et son histoire (in French) (99): 19–24. ISSN 1243-8650. Longhi, Roberto (n.d.). "Reggiane and I... a Fighter Designer Recalls". Air Enthusiast
Reggiane_Re.2001_Falco_II
Painting by Gaspare Traversi
Traversi by several generations. It was attributed to Traversi by Roberto Longhi in 1922; Longhi would later heap fulsome praise on the painting, calling it
Gian_Lorenzo_Berti_(Traversi)
Italian literary magazine (1908–1916)
socialist. French thinker Georges Sorel also collaborated with Le Voce. Roberto Longhi was a regular contributor between 1912 and 1916 who published very radical
La_Voce_(magazine)
Italian painter
Traversi was a focus of a monograph by Roberto Longhi. Traversi can be described as a Neapolitan Hogarth, Steen or Longhi, working in a Caravaggist style. Traversi's
Gaspare_Traversi
Italian painter
critica d’arte e la pittura ferrarese. Rovigo 1954, S. 119, 145 f, 152 f. Roberto Longhi: Officina Ferrarese 1934 Sansoni, Firenze 1956, S. 15 f, 20, 95 footnote
Bono_da_Ferrara
Painting by Rosso Fiorentino
collection in 1739 but was only reattributed to Rosso in 1940 thanks to Roberto Longhi. "SPMN - Museo di Capodimonte (Sito Ufficiale)". Archived from the original
Portrait of a Young Man Seated on a Carpet
Portrait_of_a_Young_Man_Seated_on_a_Carpet
Painting by Carlo Crivelli
copy of the work with several variations signed "Opus P. Petri", who Roberto Longhi argued to be Pietro Calzetta, another Paduan School painter. It is recorded
Huldschinsky Madonna (painting)
Huldschinsky_Madonna_(painting)
Italian artist (1917–2003)
and technicians, Giulio Carlo Argan, Ranuccio Bianchi Bandinelli, Roberto Longhi, Libero De Libero, and Mario Penelope. The jury appreciated Mancini's
Romeo_Mancini
Italian painter
Pietro a Varlungo, Florence. On a stylistic basis, he was assigned by Roberto Longhi in 1948 as a principal pupil of Cimabue, and as influenced by Giotto
Master_of_Varlungo
Italian painter
the notname, "Master of Bagnano". Some were reassigned to Meliore by Roberto Longhi and the remainder are now assumed to have been the work of one or more
Meliore_di_Jacopo
- Clare Sheridan, English sculptor and author (born 1885) June 3 - Roberto Longhi, Italian art historian curator (born 1890) June 6 Camille Bombois, French
1970_in_art
Painting by Parmigianino
was later assigned to Luca Cambiaso and Girolamo da Treviso, before Roberto Longhi restored its present attribution by comparison with Parmigianino's Virgin
Adoration of the Magi (Parmigianino)
Adoration_of_the_Magi_(Parmigianino)
French art historian
and Philippe Jaccottet. He also translated Masolino et Masaccio by Roberto Longhi (1981). 1990: Seurat, Skira 1994: Un dimanche avec Vermeer, Skira. 1994:
Alain_Madeleine-Perdrillat
Italian still-life painter
de Bilbao" (PDF). Bulletin, Museo de Bellas Artes de Bilbao. No. 4. Roberto Longhi (1967). Saggi e ricerche: 1925-1928, 2, I. Firenze. p. 176. ISBN 9788838304699
Francesco_Noletti
Painting by Dosso Dossi
from an art dealer in Florence by Herbert Horne in 1912 for 2000 lira. Roberto Longhi reattributed it to Dosso's mature phase and more recently it has been
Allegory_of_Music
Painting by Sandro Botticelli and his studio
Madonnas executed by the painter in his youth. The Italian art historian Roberto Longhi notes that the drawing of the scene is structured through "cross and
Virgin and Child with the Infant John the Baptist (Botticelli, São Paulo)
Virgin_and_Child_with_the_Infant_John_the_Baptist_(Botticelli,_São_Paulo)
Italian painter (1902–1965)
1929 Demolizioni dell'Augusteo, 1936 Gli scaricatori di carbone (The colliers), 1950 Movement Scuola romana Patrons Alberto Della Ragione Roberto Longhi
Mario_Mafai
Painting by Cosmè Tura
1957; Nalajoli, 1974) or the San Luca in Borgo altarpiece in Ferrara (Roberto Longhi, 1934; Adolfo Venturi, 1914; and Ricci). Emma Micheletti relates the
Saint_Dominic_(Tura)
Italian painter
Galli, a gilder, picture framer and artist. In 1943 the art historian Roberto Longhi identified Giovanni Antonio Galli as the painter of a number of works
Giovanni Antonio Galli (artist)
Giovanni_Antonio_Galli_(artist)
Painting by Caravaggio
x 160 cm) at the Museo de Santa Cruz, Toledo (Spain), discovered by Roberto Longhi in 1920, which was much ruined during the Spanish Civil War and whose
The Crucifixion of Saint Andrew (Caravaggio)
The_Crucifixion_of_Saint_Andrew_(Caravaggio)
Painting by Francesco del Cossa
added.[citation needed] In 1935, the polyptych was virtually rebuilt by Roberto Longhi, in his work, Officina ferrarese [it].[citation needed] The basis of
Saint Florian (Francesco del Cossa)
Saint_Florian_(Francesco_del_Cossa)
Italian painter
pittori, scoltori et architetti genovesi", pp. 167–173, Genova, 1674. Roberto Longhi, "L'Assereto", in "Dedalo", VII, p. 362, 1926. Tiziana Zennaro, "Sull'attività
Gioacchino_Assereto
Subject of eight paintings by Caravaggio
in Rome in 1605 and Caravaggio's flight from the city in 1606, but Roberto Longhi dated it to the artist's Sicilian period (a date post-1608) on the basis
John_the_Baptist_(Caravaggio)
Italian publishing house
intellectuals like Maurice Dobb, Louis Althusser, Eric Hobsbawm, and Roberto Longhi. In the 1970s, Editori Riuniti published the Opere complete di Marx
Editori_Riuniti
Disassembled polyptych by Carlo Crivelli
with Saint George and the Dragon (Isabella Stewart Gardner Museum). Roberto Longhi then identified the Cook Madonna (Washington) and the Porto San Giorgio
Porto_San_Giorgio_Altarpiece
Italian painter
1435 and 1455) was an Italian painter of the Renaissance, named by Roberto Longhi in a 1952 article on the basis of stylistic similarities of a number
Master_of_Pratovecchio
brief comments and showing the artistic development of the artist. Cf. Roberto Longhi, Fatti di Masolino e Masaccio, Sansoni, 1975. This listing is by no
List of major paintings by Masaccio
List_of_major_paintings_by_Masaccio
ROBERTO LONGHI
ROBERTO LONGHI
ROBERTO LONGHI
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ROBERTO LONGHI
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