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English playwright (1583–1640)
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His plays, including A New Way to Pay Old Debts, The City Madam, and The Roman Actor
Philip_Massinger
Surname list
Massinger is a surname. Notable people with the surname include: Philip Massinger (1583–1640), English dramatist William Massinger (1514/15–1593/94), English
Massinger
Male seducer of women
Penitent itself was an adaptation of The Fatal Dowry (1632), a play by Philip Massinger and Nathan Field. The name Lothario was previously used for a somewhat
Lothario
known as The Bloody Brother) (?1616–30?) – John Fletcher, Ben Jonson, Philip Massinger, George Chapman (The drinking song) 1617 Warenar (play) by Pieter Corneliszoon
17th_century_in_literature
English playwright (1579–1625)
Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others. Although his reputation has
John_Fletcher_(playwright)
Jacobean-era play
van Olden Barnavelt is a Jacobean play written by John Fletcher and Philip Massinger in 1619, and produced in the same year by the King's Men at the Globe
John_van_Olden_Barnavelt
English cavalier and writer (1608–1684)
Cavalier and a minor literary figure, now best remembered as a friend of Philip Massinger, John Fletcher, Michael Drayton, Richard Brome, Thomas Randolph, and
Aston_Cockayne
Practice of prohibiting people or entities
organizations, and is the opposite of a whitelist. The English dramatist Philip Massinger used the phrase "black list" in his 1639 tragedy The Unnatural Combat
Blacklisting
Genre of drama and literature
elaborate, artificial rhetoric. Some of Fletcher's contemporaries, notably Philip Massinger and James Shirley, wrote popular tragicomedies. Richard Brome also
Tragicomedy
Play by Philip Massinger
printed 1633) is an English Renaissance drama, the most popular play by Philip Massinger. Its central character, Sir Giles Over-reach, became one of the more
A_New_Way_to_Pay_Old_Debts
Viking, Count of Rouen from 911 to 928
Normandy, also known as The Bloody Brother, written by John Fletcher, Philip Massinger, Ben Jonson, and George Chapman. The similarities to Rollo are slim
Rollo
Supposed sexual right of medieval lords
English play The Custom of the Country, written by John Fletcher and Philip Massinger and published in 1647. The play has the classic version of the "right
Droit_du_seigneur
English play
commentators. Critics generally agree that the hands of Fletcher and Philip Massinger are manifest in the text, but they dispute the presence of Francis
Beggars'_Bush
1632 play by Philip Massinger
Jacobean era stage play, a tragicomedy written by Philip Massinger, first published in 1632. It may be Massinger's earliest extant solo work. Firm data on the
The_Maid_of_Honour
Traverse Theatre Company, Edinburgh 1982–83 The Roman Actor Paris Philip Massinger Philip Prowse Glasgow Citizens Theatre Company Red Roses for Me Brennan
List of Ciarán Hinds performances
List_of_Ciarán_Hinds_performances
English actor and dramatist (1587–1620)
latter with Fletcher and Philip Massinger). In 1613, Rosseter combined his company with the Lady Elizabeth's Men, managed by Philip Henslowe. Performing at
Nathan_Field
Vulgar term
"rabbit", rather as pussy is connected to the same term for a cat. (Philip Massinger (1583–1640): "A pox upon your Christian cockatrices! They cry, like
Cunt
Play by Philip Massinger
Caroline era stage play, a comedy written by Philip Massinger, dating from 1633. "The play in which Massinger comes nearest to urbanity and suavity is The
The_Guardian_(play)
Stage play by Philip Massinger
written by Philip Massinger, first published in 1624. The play has been called "the finest of the more serious tragicomedies" of Massinger. The Bondman
The_Bondman_(play)
Stage play by Philip Massinger
written by Philip Massinger. First published in 1623, the play is generally considered among the author's finest achievements in drama. Massinger's play was
The_Duke_of_Milan
Stage play by John Fletcher and Philip Massinger
Jacobean era stage play, a tragicomedy written by John Fletcher and Philip Massinger. It was initially published in the first Beaumont and Fletcher folio
The_Prophetess_(play)
Play by Thomas Dekker and Philip Massinger
written by Thomas Dekker and Philip Massinger, and first published in 1622. It constitutes a rare instance in Massinger's canon in which he collaborated
The_Virgin_Martyr
1702 play by Nicholas Rowe
Nicholas Rowe's stage adaptation of the tragedy The Fatal Dowry, the Philip Massinger and Nathan Field collaboration first published in 1632. Rowe's adaptation
The_Fair_Penitent
Stage play by John Fletcher and Philip Massinger
late Jacobean era stage play, a comedy written by John Fletcher and Philip Massinger. It premiered on the stage in 1622, and was first published in 1647
The_Spanish_Curate
Book by T. S. Eliot
first put forward his idea of the objective correlative. The essay "Philip Massinger" contains the famous line (often misquoted) "Immature poets imitate
The_Sacred_Wood
Theatre of England between 1558 and 1642
like George Peele and Robert Greene, and later ones like Brome and Philip Massinger, are marked by financial uncertainty, struggle and poverty. Playwrights
English_Renaissance_theatre
English antiquarian, cartographer and officer of arms (1682–1759)
tragedy by Philip Massinger; it was licensed for performance by the King's Men on 25 September 1639. Antonio and Vallia, attributed to Philip Massinger; it's
John Warburton (officer of arms)
John_Warburton_(officer_of_arms)
Scottish actor
William Shakespeare's Macbeth, Hamlet and The Merchant of Venice, Philip Massinger's The Roman Actor, Shaun Lawton's Desperado Corner, Vernon Sylvaine's
John_Breck_(actor)
English dramatist and pamphleteer (c. 1572–1632)
Day and John Webster) and slightly younger writers (John Ford and Philip Massinger). Among these plays is one, Keep the Widow Waking (1624, with Ford
Thomas_Dekker_(writer)
Jacobean era stage play
scholarship attributes the play to the joint authorship of Fletcher, Philip Massinger and Nathan Field, and dates the play's composition and first performance
The_Knight_of_Malta
Dutch statesman and revolutionary (1547–1619)
Sir John van Olden Barnavelt, a Jacobean play by John Fletcher and Philip Massinger, was written and produced within three months of its protagonist's
Johan_van_Oldenbarnevelt
Collection of works by T. S. Eliot
‘to force, to dislocate if necessary, language into his meaning’. Philip Massinger (1920) contains his aphorism "Immature poets imitate; mature poets
Selected_Essays,_1917–1932
Cant used by various peoples in English-speaking countries
in The Beggars' Bush, a play by Francis Beaumont, John Fletcher and Philip Massinger, first performed in 1622, but possibly written c. 1614. The play remained
Thieves'_cant
Topics referred to by the same term
Nicholas Sparks The Guardian (play), a 1633 Caroline era stage play by Philip Massinger, reworked 1642 by A. Cowley The Guardians (Christopher novel), a 1970
Guardian
Calendar year
de Pas, Marquis de Feuquieres, French soldier (b. 1590) March 17 – Philip Massinger, English dramatist (b. 1583) March 20 – Michael Reyniersz Pauw, Dutch
1640
Team writers of the early Jacobean era
and the plays he composed with various other collaborators including Philip Massinger and Nathan Field. The first Beaumont and Fletcher folio of 1647 contained
Beaumont_and_Fletcher
Play by John Fletcher and Philip Massinger
seventeenth-century English stage play, a comedy written by John Fletcher and Philip Massinger. Apparently dating from 1625, it may have been the last play Fletcher
The_Elder_Brother
Tragedy by Philip Massinger
Believe as You List is a Caroline era tragedy by Philip Massinger, famous as a case of theatrical censorship. The play originally dealt with the legend
Believe_as_You_List
Topics referred to by the same term
The Bondman may refer to: The Bondman (play), a 1624 play by Philip Massinger The Bondman (novel), an 1890 novel by Hall Caine The Bondman (1916 film)
The_Bondman
Playwright list
Mason (1921–1982, New Zealand) Paul Nicholas Mason (born 1958, Canada) Philip Massinger (1583–1640, England) Mustapha Matura (1939–2019, Trinidad) Robin Maugham
List_of_playwrights
Study of writing style
distinguish between Fletcher and Philip Massinger in their collaborations—but he mistakenly employed an edition of Massinger's works in which the editor had
Stylometry
Equestrian sport derived from jousting
were intended to secure his appointment as ambassador at Brussels. Philip Massinger in his play The Maid of Honour wrote of "carpet knights" who "thought
Running_at_the_ring
Christian saint
teaching. Dorothy of Caesarea's life and martyrdom was the basis of Philip Massinger and Thomas Dekker's The Virgin Martyr (printed 1622). Saint Dorothy
Dorothea_of_Caesarea
Stage play by John Fletcher and Philip Massinger
is a Jacobean era stage play, a comedy written by John Fletcher and Philip Massinger. It was initially published in the first Beaumont and Fletcher folio
The_Little_French_Lawyer
Topics referred to by the same term
television series The Guardian (play), a 1633 Caroline era stage play by Philip Massinger The Guardian (sculpture), a 1995 public artwork by artist Ante Buljan
The_Guardian_(disambiguation)
Period in English and Scottish history
Shakespeare and Ben Jonson, though some of their successors, especially Philip Massinger, James Shirley, and John Ford, carried on to create interesting, even
Caroline_era
Topics referred to by the same term
The Picture may refer to: The Picture (Massinger play), a 1630 play by Philip Massinger The Picture (Ionesco play), a 1955 play by Eugène Ionesco The Picture
The_Picture
16th/17th-century group of actors
benefitted from the services of William Shakespeare, John Fletcher, and Philip Massinger as regular dramatists. The actors who performed the plays have left
King's_Men_personnel
Cultural and artistic movement in England
Christopher Marlowe Philip Massinger Thomas Middleton Thomas More Thomas Nashe William Rowley William Shakespeare James Shirley Philip Sidney Edmund Spenser
English_Renaissance
1913 novel by Edith Wharton
the novel came from a play by English playwrights John Fletcher and Philip Massinger, titled The Custom of the Country, in which the term referred to the
The_Custom_of_the_Country
Caroline era stage play
The Roman Actor is a Caroline era stage play, a tragedy written by Philip Massinger. It was first performed in 1626, and first published in 1629. A number
The_Roman_Actor
Play by Nathan Field, John Fletcher and Philip Massinger
stage play, a tragicomedy written by Nathan Field, John Fletcher, and Philip Massinger. It was apparently the earliest of the works produced by this trio
The_Honest_Man's_Fortune
"knight dubbed with unhatched rapier and on carpet consideration." Philip Massinger in his play The Maid of Honour, written in the 1620s, mentioned "loose
Knight_of_the_Carpet
Stage play by Philip Massinger
The Picture is a Caroline era stage play, a tragicomedy written by Philip Massinger, and first published in 1630. The play was licensed for performance
The_Picture_(Massinger_play)
English courtier (1584–1650)
first folio, which was dedicated to Philip and his elder brother. Pembroke was also notably the patron of Philip Massinger and of Pembroke's relative George
Philip Herbert, 4th Earl of Pembroke
Philip_Herbert,_4th_Earl_of_Pembroke
Play
critics argued in favor of a range of potential collaborators, including Philip Massinger, John Ford, John Webster, and William Rowley. These arguments depend
The_Fair_Maid_of_the_Inn
Comedy written by Philip Massinger
The City Madam is a Caroline era comedy written by Philip Massinger. It was licensed by Sir Henry Herbert, the Master of the Revels, on 25 May 1632 and
The_City_Madam
Stage play by Philip Massinger
of Venice is a late Jacobean stage play, a tragicomedy written by Philip Massinger and first published in 1630. The play has attracted critical attention
The_Renegado
1611 play probably by Thomas Middleton
past as simply The Tyrant, identifying it as being a lost play by Philip Massinger of the same title. The play's authorship is also contested. On the
The_Second_Maiden's_Tragedy
English nobleman
1621. Berkeley was a notable patron of English Renaissance drama: Philip Massinger dedicated his play The Renegado to Berkeley on its 1630 publication
George Berkeley, 8th Baron Berkeley
George_Berkeley,_8th_Baron_Berkeley
Church in London, England
playwright reclining, holding a quill. Two dramatists, John Fletcher and Philip Massinger were buried in the church. Along with Edward Alleyn they were officers
Southwark_Cathedral
Play by John Fletcher, Philip Massinger, Ben Jonson and George Chapman
Bloody Brother, is a play written in collaboration by John Fletcher, Philip Massinger, Ben Jonson and George Chapman. The title character is the historical
Rollo_Duke_of_Normandy
Day of the year
John Sarkander, Polish-Moravian priest and saint (born 1576) 1640 – Philip Massinger, English playwright (born 1583) 1649 – Gabriel Lalemant, French missionary
March_17
Semi-opera by Henry Purcell
Thomas Betterton based on the play The Prophetess, by John Fletcher and Philip Massinger, which in turn was based very loosely on the life of the Emperor Diocletian
Dioclesian
Play by John Fletcher and Philip Massinger
seventeenth-century stage play, a tragicomedy written by John Fletcher and Philip Massinger. As its multiple titles indicate, the play has a complex history and
The_Lovers'_Progress
Jacobean stage play by John Fletcher and Philip Massinger
The False One is a late Jacobean stage play by John Fletcher and Philip Massinger, though formerly placed in the Beaumont and Fletcher canon. It was first
The_False_One
Jacobean era stage play
piece of external evidence states that Fletcher, Nathan Field, and Philip Massinger were collaborating c. 1616: an entry in the Stationers' Register dated
The_Queen_of_Corinth
Play written by Philip Massinger
Unnatural Combat is a Jacobean era stage play, a tragedy written by Philip Massinger, and first published in 1639. No hard data on the play's date of origin
The_Unnatural_Combat
English actor (born 1983)
"Read Not Dead" initiative, including their landmark 200th reading of Philip Massinger's A New Way To Pay Old Debts; Oakes played Wellborn alongside a cast
David_Oakes
Play by Philip Massinger
Parliament of Love is a late Jacobean era stage play, a comedy written by Philip Massinger. The play was never printed in the seventeenth century, and survived
The_Parliament_of_Love
Play by John Fletcher and Philip Massinger
a Jacobean stage play, a tragicomedy written by John Fletcher and Philip Massinger, originally published in 1647 in the first Beaumont and Fletcher folio
The Custom of the Country (play)
The_Custom_of_the_Country_(play)
50-volume anthology of classic works from world literature
The Duchess of Malfi, by John Webster A New Way to Pay Old Debts, by Philip Massinger "The Harvard Classics Volume 48". Internet Archive. 17 January 2006
Harvard_Classics
2007 novel by Christopher Buckley
17th-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger Jonathan Swift: A Modest Proposal: For Preventing the Children of Poor
Boomsday_(novel)
Play by Philip Massinger
of the East is a Caroline era stage play, a tragicomedy written by Philip Massinger and first published in 1632. The play provides an interesting example
The_Emperor_of_the_East
Play by John Fletcher and Philip Massinger
a Jacobean era stage play, a tragedy written by John Fletcher and Philip Massinger, and initially printed in the first Beaumont and Fletcher folio of
The_Double_Marriage
Italian writer
including John Webster, The Duchess of Malfi (part 1, story 24), Philip Massinger, The Picture (part 1, story 19), the same source as that of Cymbeline
Matteo_Bandello
English publisher and bookseller (died 1656)
including plays by William Shakespeare, John Fletcher, John Webster, and Philip Massinger. Waterson was the scion of a family of publishers: his grandfather
John_Waterson
Play by John Fletcher and Philip Massinger
Sea Voyage is a late Jacobean comedy written by John Fletcher and Philip Massinger. The play is notable for its imitation of Shakespeare's The Tempest
The_Sea_Voyage
Play by Philip Massinger and John Fletcher
an early seventeenth-century stage play, a tragicomedy written by Philip Massinger and John Fletcher. It was first published in 1655, fifteen and thirty
A_Very_Woman
Retrieved 28 September 2013. Bennett, p. 162. Philip Massinger (1830). The plays of Philip Massinger, adapted for family reading and the use of young
Murray's_Family_Library
English theatre and film director
Shakespeare Company in the 2005 Gunpowder Season, Believe What You Will by Philip Massinger and, as part of the 2006 Complete Works Festival, King John by William
Josie_Rourke
1647 stage play, partly by John Fletcher
critics assigned the authorship of the play to Beaumont and Fletcher, Philip Massinger, Thomas Middleton, William Rowley, Thomas Dekker, John Webster, James
Love's_Cure
Bishop of Ely
Charlotte Hayes William Herle Denzil Holles Ben Jonson Thomas Malory Philip Massinger George Morland Nicholas Owen Sally Salisbury John Selden Richard Shelley
Richard_Cox_(bishop)
Opera genre
Thomas Betterton after the play The Prophetess, by John Fletcher and Philip Massinger; music by Henry Purcell King Arthur (1691) libretto by John Dryden;
Semi-opera
17th-century English poet, dramatist, and historian
to the published text of The Heir in 1622, and probably also Philip Massinger. Massinger wrote at least one play for the short-lived Revels company (The
Thomas_May
theatre-world). He is also recorded in Juv. vi.82-87 and was the subject of Philip Massinger's play The Roman Actor. Pseudo-Suetonius, Juv. vii.86-91, though this
Paris_(actor_under_Domitian)
Seventeenth-century tragicomedy written by Thomas Middleton
seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been
The_Old_Law
Shakespeare's history plays
Re-Presenting Ben Jonson: Text, History, Performance (Basingstoke 1999) Ayres, Philip, ed. (1990). Sejanus His Fall. Manchester: Manchester University Press.
Shakespearean_history
Problem play of English Renaissance drama
a problem play of English Renaissance drama. Originally a work by Philip Massinger dating from 1624, it was controversial in its own era, and may or may
The_Spanish_Viceroy
Caroline era stage play by Richard Brome
The play also shows apparent or possible borrowings from works by Philip Massinger and John Ford; it has been described as a "virtual pastiche" of earlier
The_Queen's_Exchange
List of fictional stories in which illegitimacy features as an important plot element
in the Revenger's plot to undo the Duke and the rest of his family. Philip Massinger, The Maid of Honour (1632 play): a king removes his troublesome illegitimate
Illegitimacy_in_fiction
English Catholic martyr
Charlotte Hayes William Herle Denzil Holles Ben Jonson Thomas Malory Philip Massinger George Morland Nicholas Owen Sally Salisbury John Selden Richard Shelley
Nicholas_Owen_(Jesuit)
Topics referred to by the same term
Prophetess (play), 1647 Jacobean era tragicomedy by John Fletcher and Philip Massinger The Prophets, a 1962 study of the Hebrew prophets by Abraham Joshua
Prophet_(disambiguation)
Roman empress from AD 81 to 96
and the 130s. The Roman Actor, a Caroline era stage play, written by Philip Massinger, concerning the alleged affair between Domitia Longina and Paris. Domitia
Domitia_Longina
Essay by Arnold Bennett
poems and sermons John Webster, Cyril Tourneur* and John Ford: plays Philip Massinger: plays Beaumont and Fletcher: plays George Herbert: "The Temple" Robert
Literary Taste: How to Form It
Literary_Taste:_How_to_Form_It
17th-century London theatrical company
Fletcher and his various collaborators through the coming years, with Philip Massinger assuming greater prominence in the 1630s. Nathan Field joined the company
King's_Men_(playing_company)
English actor-manager (1757–1823)
Carmelite, and in 1785 Adorni and Camiola in Kemble's adaptation of Philip Massinger's A Maid of Honor, and Othello and Desdemona. Between 1785 and 1787
John_Philip_Kemble
English poet and playwright (1586 – c. 1639)
Six such plays survive: The Laws of Candy (1620; printed 1647), with Philip Massinger; The Witch of Edmonton (1621; printed 1658), with Thomas Dekker and
John_Ford_(dramatist)
Jacobean era stage play
conclusion. Early critics attributed the play to Beaumont and Fletcher, Philip Massinger, Nathan Field, Robert Daborne, John Webster, and George Chapman, in
Thierry_and_Theodoret
Legal deposit library of Scotland
(including an intact copy of the Converted Curtezan of 1604), John Lyly, Philip Massinger, Thomas Middleton, and John Webster. Although Scotland's first public
National_Library_of_Scotland
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