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Artificial coloring process for motion picture film
The Handschiegl color process (U.S. patent 1,303,836, U.S. patent 1,303,837, App: Nov 20, 1916, Iss: May 13, 1919) produced motion picture film prints
Handschiegl_color_process
stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes did not impact
List of early color feature films
List_of_early_color_feature_films
Photographic film type
engraver Max Handschiegl and cinematographer Alvin Wyckoff created the Handschiegl Color Process, a dye-transfer equivalent of the stencil process, first used
Color_motion_picture_film
Practice of adding color to monochrome motion pictures
(1924) and The Phantom of the Opera (1925) (both utilizing the Handschiegl color process); and rarely, an entire feature-length movie such as Cyrano de
Film_colorization
Color motion picture process
Technicolor is a family of color motion picture processes. The first version, Process 1, was introduced in 1916, and improved versions followed over several
Technicolor
1927 film
Ironsides. The original release also had the aerial scenes use the Handschiegl color process for flames and explosions. Later in 1927, a sound version was
Wings_(1927_film)
1921 film by Fred Niblo
film originally had scenes filmed in the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process"). The film had a sequel, The Iron Mask (1929)
The Three Musketeers (1921 film)
The_Three_Musketeers_(1921_film)
Photographic printing process
together back-to-back. Process 3 used an imbibition process pioneered by the Handschiegl color process, which had been created in 1916 for Cecil B. DeMille's
Dye-transfer_process
1925 film
by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process. The play was produced on Broadway at
Lights_of_Old_Broadway
1917 film
Farrar. The film had sequences filmed in the Handschiegl Color Process (billed as the "DeMille-Wyckoff Process"). Art direction for the film was done by
The_Devil-Stone
1924 film by Erich von Stroheim
Stroheim colored certain scenes with gold tinting by using the Handschiegl Color Process, in which individual frames are hand colored with stencils. Von
Greed_(1924_film)
American silent horror film
cape was colored red, using the Handschiegl color process. This effect has been replicated by computer colorization in the 1996 restoration by Kevin
The Phantom of the Opera (1925 film)
The_Phantom_of_the_Opera_(1925_film)
American cinematographer
films had sequences filmed in the early Handschiegl color process, originally billed as the "DeMille-Wyckoff Process". Wyckoff also worked with DeMille to
Alvin_Wyckoff
1922 film by Wallace Worsley
tint, and one sequence at a party was stencil colored using the Handschiegl Color Process, in multi-coloring bubbles that were made during a party. Three
A_Blind_Bargain
Adding color to B&W film
coloring processes were used for individual shots in Greed (1924) and The Phantom of the Opera (1925) (both utilizing the Handschiegl Color Process); and
Film_tinting
This is a list of color film processes known to have been created for photographing and exhibiting motion pictures in color since the first attempts were
List_of_color_film_systems
Farrar Two reels of this six-reel feature film, originally with Handschiegl Color Process sequences, are in the AFI Collection of the Library of Congress
List of incomplete or partially lost films
List_of_incomplete_or_partially_lost_films
1916 film
the first film to use the Handschiegl Color Process (billed as the "Wyckoff-DeMille Process") for certain scenes. This process is especially noticeable
Joan_the_Woman
Manually applying colour to black-and-white photographs
detailed, albeit fragile, image. Film colorization List of early color feature films Film tinting Handschiegl colour process Photochrom(e) Photograph conservation
Hand-colouring_of_photographs
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