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CONSULAR DIPTYCH

  • Consular diptych
  • Type of Roman diptych to commemorate a consul

    In Late Antiquity, a consular diptych was a type of diptych intended as a de-luxe commemorative object. The diptychs were generally in ivory, wood or

    Consular diptych

    Consular diptych

    Consular_diptych

  • Diptych
  • Object made of two paired flat plates, often joined by a hinge

    Antiquity, ivory notebook diptychs with covers carved in low relief on the outer faces were a significant art-form: the "consular diptych" was made to celebrate

    Diptych

    Diptych

    Diptych

  • Roman consul
  • Political office in ancient Rome

    century BC, when the consulship was supposedly replaced with a board of consular tribunes, which was elected whenever the military needs of the state were

    Roman consul

    Roman consul

    Roman_consul

  • Areobindus Dagalaifus Areobindus
  • Byzantine general and politician

    possible descendant is Dagalaiphus (perhaps by an earlier wife). In his consular diptychs, Areobindus is listed as having occupied the post of comes sacri stabuli

    Areobindus Dagalaifus Areobindus

    Areobindus Dagalaifus Areobindus

    Areobindus_Dagalaifus_Areobindus

  • Felix (consul 428)
  • Roman general

    probably by order of Aetius. For his consulate in 428 he issued some consular diptychs, one of which is extant. Felix served during the reign of emperors

    Felix (consul 428)

    Felix (consul 428)

    Felix_(consul_428)

  • Anicius Faustus Albinus Basilius
  • High official and consul of the Eastern Roman Empire

    consular diptych bearing the name "Anicius Faustus Albinus Basilius" was first proposed to refer to him by Filippo Buonarroti in 1716. The consular diptych

    Anicius Faustus Albinus Basilius

    Anicius Faustus Albinus Basilius

    Anicius_Faustus_Albinus_Basilius

  • Sack of Rome (410)
  • Siege and sack of Rome by the Visigoths

    Western Roman Emperor Honorius depicted on the consular diptych of Anicius Petronius Probus (406)

    Sack of Rome (410)

    Sack of Rome (410)

    Sack_of_Rome_(410)

  • Barberini ivory
  • Byzantine ivory leaf from an imperial diptych

    and offered it to the church as a votive image. Although it is not a consular diptych, it shares many features of their decorative schemes. The emperor is

    Barberini ivory

    Barberini ivory

    Barberini_ivory

  • Imperial diptych
  • Theoretical type of ivory diptych

    They are so-named in contrast to consular diptychs. They were produced as unique examples, whereas each consular diptych was produced in large numbers to

    Imperial diptych

    Imperial diptych

    Imperial_diptych

  • Western Roman Empire
  • Western half of the Roman Empire (395–476)

    the left: Emperor Honorius on the consular diptych of Anicius Petronius Probus (406) On the right: Consular diptych of Constantius III (a co-emperor with

    Western Roman Empire

    Western Roman Empire

    Western_Roman_Empire

  • Symmachi–Nicomachi diptych
  • characterised the art of its forebears. Consular diptych Wikimedia Commons has media related to Symmachi-Nicomachi diptych. Weitzmann, 186. Kinney, 458. Delbrueck's

    Symmachi–Nicomachi diptych

    Symmachi–Nicomachi diptych

    Symmachi–Nicomachi_diptych

  • Justinian I
  • Roman emperor from 527 to 565

    Roman Law Moot Court The sole source for Justinian's full name are consular diptychs of the year 521, which refer to him as Flavius Petrus Sabbatius Iustinianus

    Justinian I

    Justinian I

    Justinian_I

  • Honorius
  • Western Roman emperor from 393 to 423

    Honorius on the consular diptych of Anicius Petronius Probus (406)

    Honorius

    Honorius

    Honorius

  • Manlius Boethius
  • Aurelius Memmius Symmachus. Boethius' career can be derived from a consular diptych preserved in Brescia. He was praefectus urbi of Rome (date unknown)

    Manlius Boethius

    Manlius Boethius

    Manlius_Boethius

  • Justin (consul 540)
  • Byzantine aristocrat and general

    consul at a very young age; he is illustrated as beardless in his consular diptych, and is still mentioned as a "young man" by Procopius nine years later

    Justin (consul 540)

    Justin (consul 540)

    Justin_(consul_540)

  • Anicius Petronius Probus
  • Roman senator (fl. 395–406 AD)

    consul contemporaneously with the Eastern Emperor Arcadius. One of his consular diptychs is preserved at the Museo del tesoro della cattedrale di Aosta, and

    Anicius Petronius Probus

    Anicius Petronius Probus

    Anicius_Petronius_Probus

  • Late antiquity
  • Post-classical antiquity in western Eurasia and Northern Africa

    A late Roman consular diptych of Rufius Probianus, reflecting the ceremonial culture of high office.

    Late antiquity

    Late antiquity

    Late_antiquity

  • Sculpture
  • Artworks that are three-dimensional objects

    in ivory, was continued by Christians, building on the style of the consular diptych. Etruscan sarcophagus, 3rd century BCE The "Capitoline Brutus", dated

    Sculpture

    Sculpture

    Sculpture

  • Diptych of Boethius
  • The Diptych of Boethius is an ivory consular diptych (24 cm × 18 cm × 2 cm; 9.45 in × 7.09 in × 0.79 in), which dates from the end of the fifth century

    Diptych of Boethius

    Diptych of Boethius

    Diptych_of_Boethius

  • Anastasius I Dicorus
  • Roman emperor from 491 to 518

    Brunswick, NJ.: Rutgers University Press. p. 59. OCLC 812752850. "The Consular List". Archived from the original on 17 April 2008. Retrieved 2 March 2008

    Anastasius I Dicorus

    Anastasius I Dicorus

    Anastasius_I_Dicorus

  • Fall of the Western Roman Empire
  • Loss of political control in antiquity

    A contemporary depiction of Honorius on a consular diptych issued by Anicius Petronius Probus to celebrate Probus's consulship in 406, now in the Aosta

    Fall of the Western Roman Empire

    Fall of the Western Roman Empire

    Fall_of_the_Western_Roman_Empire

  • Tyche of Constantinople
  • Deity guardian of Constantinople

    Eastern Roman Empire into the 6th century, among such examples as a consular diptych and jewelry ornaments. Jonathan Bardill, Constantine, Divine Emperor

    Tyche of Constantinople

    Tyche of Constantinople

    Tyche_of_Constantinople

  • Greco-Roman relations in classical antiquity
  • Personification of the senate (in Constantinople), from the consular diptych of Theodore Philoxenus, 525 AD

    Greco-Roman relations in classical antiquity

    Greco-Roman relations in classical antiquity

    Greco-Roman_relations_in_classical_antiquity

  • Athalaric
  • King of the Ostrogoths from 526 to 534

    Athalaric Detail of the consular diptych of Rufus Gennadius Probus Orestes, showing Athalaric, c. 530. Victoria and Albert Museum, London. King of the

    Athalaric

    Athalaric

    Athalaric

  • Imago clipeata
  • Type of Roman portrait on a round shield

    An imago clipeata on a consular diptych of Areobindus, Roman consul in 506 AD Musée du Louvre.

    Imago clipeata

    Imago clipeata

    Imago_clipeata

  • Amalasuintha
  • Regent and queen regnant of the Ostrogoths

    temperament. Her tremendous influence in her position as regent can be seen in a diptych of Rufius Gennadius Probus Orestes in which she appears alongside her son

    Amalasuintha

    Amalasuintha

    Amalasuintha

  • Medieval art
  • Art during the Middle Ages in Europe and beyond

    remaining. See Drogo Sacramentary for a similar Ascension 450 years later. Consular diptych, Constantinople 506, in fully Late Antique style Ottonian panel from

    Medieval art

    Medieval art

    Medieval_art

  • Astyrius
  • Roman army officer and politician

    A consular diptych produced by Astyrius in 449 is preserved at Liège. The diptych shows Astyrius seated on a curule chair wearing complete consular regalia

    Astyrius

    Astyrius

  • Caecina Decius Maximus Basilius
  • Roman senator

    one of the two consuls of 463. He had four sons, all of whom attained consular rank: Albinus in 493 (presumably the first consul nominated by Theodoric

    Caecina Decius Maximus Basilius

    Caecina Decius Maximus Basilius

    Caecina_Decius_Maximus_Basilius

  • Caecina Mavortius Basilius Decius
  • Roman politician and aristocrat

    Basilius and Praetextatus had practiced black magic. Schauer, Diane, "The Consular Diptych of Basilius Re-evaluated", Seventh Annual Byzantine Studies Conference

    Caecina Mavortius Basilius Decius

    Caecina_Mavortius_Basilius_Decius

  • Diocese of Aosta
  • Latin Catholic diocese in Italy

    by the second Synod of Milan in 451. In the cathedral treasury is a consular diptych of Anicius Petronius Probus, Roman consul in 406, which shows the Emperor

    Diocese of Aosta

    Diocese of Aosta

    Diocese_of_Aosta

  • Serena (wife of Stilicho)
  • Wife of Stilicho

    Flavius Aetius (390–454) from Durostorum (Silistra) inscribed on a consular diptych form Monza". Studia Academia Sumenensia. (1): 7-21. Cameron, Alan (1970)

    Serena (wife of Stilicho)

    Serena (wife of Stilicho)

    Serena_(wife_of_Stilicho)

  • Roman people
  • Citizens of ancient Rome

    Consular diptych of Rufius Gennadius Probus Orestes, a Roman consul appointed during the time that Rome was under Ostrogothic rule

    Roman people

    Roman people

    Roman_people

  • Relief
  • Sculptural technique of embossed depth

    reused, they have a relatively high survival rate, and for example consular diptychs represent a large proportion of the survivals of portable secular

    Relief

    Relief

    Relief

  • Boethius
  • 6th-century Roman senator and philosopher (480–524 AD)

    Consular diptych depicting Narius Manlius Boethius, Boethius's birth father

    Boethius

    Boethius

    Boethius

  • Eucherius (son of Stilicho)
  • Son of Stilicho

    sometime before 405, as he was shown as a child in a consular diptych of Stilicho, although whether the diptych was for Stilicho's consulship in 400 or 405 is

    Eucherius (son of Stilicho)

    Eucherius (son of Stilicho)

    Eucherius_(son_of_Stilicho)

  • Anastasius (consul 517)
  • Byzantine consul

    Belisarius and Antonina. He held the consulship for the year 517. His consular diptych is preserved at the Bibliothèque Nationale de France. According to

    Anastasius (consul 517)

    Anastasius (consul 517)

    Anastasius_(consul_517)

  • Roman sculpture
  • Sculpture of ancient Rome

    in ivory, was continued by Christians, building on the style of the consular diptych. Etruscan sarcophagus, 3rd century BCE The "Capitoline Brutus", probably

    Roman sculpture

    Roman sculpture

    Roman_sculpture

  • Ruricius
  • Gallo-Roman aristocrat and bishop of Limoges

    provides includes (1) for Constantius, on the existence of an ivory consular diptych for Fl. Constantius Felix (cos. 428), patrician and magister militum

    Ruricius

    Ruricius

  • Rufius Gennadius Probus Orestes
  • Roman senator

    See Alan Cameron and Diane Schauer, "The Last Consul: Basilius and His Diptych", Journal of Roman Studies, 72 (1982), p. 143 Procopius, De Bello VII.20

    Rufius Gennadius Probus Orestes

    Rufius Gennadius Probus Orestes

    Rufius_Gennadius_Probus_Orestes

  • Anicia gens
  • Ancient Roman family

    earliest youth, and at the request of the senate, were associated in the consular dignity; a memorable distinction, without example, in the annals of Rome

    Anicia gens

    Anicia_gens

  • Rufius Achilius Sividius
  • Roman politician and aristocrat

    sacri palatii) in the inscription on his seat at the Colosseum. His consular diptych, which records his further career, has been preserved. After his term

    Rufius Achilius Sividius

    Rufius Achilius Sividius

    Rufius_Achilius_Sividius

  • Procopius Anthemius (son of Anthemius)
  • Son of Western Roman Emperor Anthemius

    CIL XIII, 10032; John of Antioch, fragment 214e.15. A leaf of his consular diptych was found in Limoges around 1708 and lost in the 19th century (Ralph

    Procopius Anthemius (son of Anthemius)

    Procopius_Anthemius_(son_of_Anthemius)

  • Byzantine Empire under the Justinian dynasty
  • Period of Byzantine history from 518 to 602

    Consular diptych (540) of Justin, son of Germanus, cousin of Justinian

    Byzantine Empire under the Justinian dynasty

    Byzantine Empire under the Justinian dynasty

    Byzantine_Empire_under_the_Justinian_dynasty

  • Byzantine dress
  • Clothing and fashion trends of the Byzantine Empire

    Asterius looked like. Consul Anastasius wearing consular robes akin to imperial ones. From his consular diptych, 517. Chora Church, the Grand Logothete Theodore

    Byzantine dress

    Byzantine dress

    Byzantine_dress

  • Blacas Cameo
  • Large Ancient Roman cameo

    clearly highly prized, and are presumed, like the various Late Antique consular diptychs and other ivories, to have survived above ground since antiquity.

    Blacas Cameo

    Blacas Cameo

    Blacas_Cameo

  • Portrait painting
  • Genre in painting, where the intent is to depict a specific human subject

    declined considerably, and most portraits in late Roman coins and consular diptychs are hardly individualized at all, although at the same time Early

    Portrait painting

    Portrait painting

    Portrait_painting

  • Constantius III
  • Roman emperor in 421

    Constantius III Consular diptych of Constantius III Roman emperor in the West Reign 8 February – 2 September 421 (with Honorius) Born Constantius Naissus

    Constantius III

    Constantius III

    Constantius_III

  • Roman art
  • Art made in Ancient Rome and the territories it ruled

    in ivory, was continued by Christians, building on the style of the consular diptych. Etruscan sarcophagus, 3rd century BC The "Capitoline Brutus", dated

    Roman art

    Roman art

    Roman_art

  • Stilicho
  • Roman army general (c. 359 – 408)

    Flavius Aetius (390–454) from Durostorum (Silistra) inscribed on a consular diptych form Monza". Studia Academia Sumenensia. 1: 7–21. Retrieved 2016-08-24

    Stilicho

    Stilicho

    Stilicho

  • Byzantine senate
  • 4th–13th century political institution

    Personification of the senate, from the consular diptych of Theodore Philoxenus, 525 AD

    Byzantine senate

    Byzantine senate

    Byzantine_senate

  • Poet and Muse diptych
  • Roman ivory diptych

    somewhat apart from the consular diptychs that were carved for distribution to friends and patrons when a man assumed the consular dignity during the later

    Poet and Muse diptych

    Poet and Muse diptych

    Poet_and_Muse_diptych

  • 428
  • Calendar year

    Flavius Felix is elected consul for the Western Empire and issues consular diptychs during his political office. Flavius Aetius gains appointment as master

    428

    428

  • Christ in Majesty
  • Theme in Christian iconography

    Imperial decree or letter of appointment to an official, as in ivory consular diptychs, on the Arch of Constantine, and the Missorium of Theodosius I. This

    Christ in Majesty

    Christ in Majesty

    Christ_in_Majesty

  • Strategius Apion
  • household, he was made consul of the East in 539; one of the last consular diptychs, preserved in Oviedo, commemorates his consulship. Texts from circa

    Strategius Apion

    Strategius Apion

    Strategius_Apion

  • Lorsch Abbey
  • UNESCO World Heritage Site in Hesse, Germany

    the Batthyaneum Library in Alba Iulia, Romania; the carved ivory consular diptychs of Anastasius (consul 517) that were reused for its bindings are urbane

    Lorsch Abbey

    Lorsch Abbey

    Lorsch_Abbey

  • Apion family
  • 5th/7th century clan of landholders in Byzantine Egypt

    Consular diptych of Strategius Apion

    Apion family

    Apion_family

  • Caecina Decius Basilius
  • Romanis Sidonius Apollinaris, Epistulae, i.9.1-7. Schauer, Diane, "The Consular Diptych of Basilius Re-evaluated", Seventh Annual Byzantine Studies Conference

    Caecina Decius Basilius

    Caecina_Decius_Basilius

  • Anastasius (consul 518)
  • 6th-century Byzantine statesman

    Consular diptych of Fl. Anastasius Paulus Probus Moschianus Probus Magnus

    Anastasius (consul 518)

    Anastasius (consul 518)

    Anastasius_(consul_518)

  • Donatello
  • Italian Renaissance sculptor (c. 1386–1466)

    Early Christian art, such as the doors of Santa Sabina in Rome, or consular diptychs. One pair has the Twelve Apostles with other saints making up the

    Donatello

    Donatello

    Donatello

  • Treasure binding
  • Luxurious book cover

    often placed in the centre of covers were adapted from the style of consular diptychs, and indeed a large proportion of surviving examples of those were

    Treasure binding

    Treasure binding

    Treasure_binding

  • Neoclassicism
  • Western cultural movement

    Ingres's coronation portrait of Napoleon even borrowed from Late Antique consular diptychs and their Carolingian revival, to the disapproval of critics. Neoclassicism

    Neoclassicism

    Neoclassicism

    Neoclassicism

  • Ivory carving
  • Carving of animal tooth or tusk

    including one with the complex monogram of the bishop. Late Roman Consular diptychs were given as presents by the consuls, civil officers who played an

    Ivory carving

    Ivory carving

    Ivory_carving

  • Culture of Greece
  • items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels

    Culture of Greece

    Culture of Greece

    Culture_of_Greece

  • Culture of Europe
  • items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels

    Culture of Europe

    Culture of Europe

    Culture_of_Europe

  • Byzantine flags and insignia
  • legionary aquilae. Eagle-topped scepters were a frequent feature of consular diptychs, and appear on coins until the reign of Philippikos Bardanes (r. 711–713)

    Byzantine flags and insignia

    Byzantine_flags_and_insignia

  • Byzantine art
  • Art of the Byzantine Empire

    items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels

    Byzantine art

    Byzantine art

    Byzantine_art

  • Areobindus (consul 434)
  • February 2014. 9. Cameron, Alan. "The Origin, Context and Function of Consular Diptychs." Journal of Roman Studies 103 (November 2013): 174–207. doi:10

    Areobindus (consul 434)

    Areobindus_(consul_434)

  • Rufius Probianus
  • 5th-century Roman

    86: 126–129. Cameron, Alan. "The Origin, Context and Function of Consular Diptychs". The Journal of Roman Studies. 103: 174–207. Nees, Lawrence (2002)

    Rufius Probianus

    Rufius Probianus

    Rufius_Probianus

  • Richard Delbrück
  • German classical archaeologist

    emperors. Die Consulardiptychen und verwandte Denkmäler, 1926 – The consular diptych and related monuments. Antike porphyrwerke, 1932 – Ancient porphyry

    Richard Delbrück

    Richard_Delbrück

  • Carolingian art
  • Art of the Frankish empire, ca. 780–900

    and carvings, as were those with more hieratic images derived from consular diptychs and other imperial art, such as the front and back covers of the Lorsch

    Carolingian art

    Carolingian art

    Carolingian_art

  • 420s
  • Decade

    Flavius Felix is elected consul for the Western Empire and issues consular diptychs during his political office. Flavius Aetius gains appointment as master

    420s

    420s

  • Persecution of pagans in the late Roman Empire
  • Ivory diptych of a priestess of Ceres, part of the Symmachi–Nicomachi diptych, ca 400: it was defaced and thrown in a well at Abbey of Montier-en-Der

    Persecution of pagans in the late Roman Empire

    Persecution of pagans in the late Roman Empire

    Persecution_of_pagans_in_the_late_Roman_Empire

  • Virius Nicomachus Flavianus
  • Roman grammarian and politician

    time of a joint endorsement of religious offices, with the issue of a diptych, the valves of which are entitled Nicomachorum and Symmachorum. Praetextatus

    Virius Nicomachus Flavianus

    Virius_Nicomachus_Flavianus

  • Curule seat
  • Foldable and transportable chair

    never entirely lost in post-Roman European tradition. 6th-century consular ivory diptychs of Orestes and of Constantinus each depict the consul seated on

    Curule seat

    Curule seat

    Curule_seat

  • Antiquities
  • Objects from antiquity, especially the civilizations of the Mediterranean

    when incorporated into crowns and diadems and liturgical objects, consular ivory diptychs by being used as gospel covers. Roman columns could be re-erected

    Antiquities

    Antiquities

    Antiquities

  • Quintus Aurelius Symmachus
  • Roman senator, orator and author (345–402 CE)

    Flavianus Quintus Fabius Memmius Symmachus, aristocrat Symmachi–Nicomachi diptych Quintus Fabius Memmius Symmachus, his son, who edited Aurelius' letters

    Quintus Aurelius Symmachus

    Quintus Aurelius Symmachus

    Quintus_Aurelius_Symmachus

  • Constans II
  • Roman emperor from 641 to 668

    Cameron, A., & Schauer, D. (1982). The Last Consul: Basilius and His Diptych. The Journal of Roman Studies 72: 126–145. Hendy, Michael F. (2008). Studies

    Constans II

    Constans II

    Constans_II

  • Roman emperor
  • Ruler of the Roman Empire

    Cameron, A., & Schauer, D. (1982). The Last Consul: Basilius and His Diptych. The Journal of Roman Studies 72: 126–145. Riedel, Meredith (2018). Leo

    Roman emperor

    Roman emperor

    Roman_emperor

  • Byzantine Empire
  • Continuation of the Roman Empire (330–1453)

    throughout the entire Byzantine period: costly ivory carvings—often as diptychs (Barberini ivory) or triptychs (Harbaville Triptych)—featured imperial

    Byzantine Empire

    Byzantine Empire

    Byzantine_Empire

  • Restoration of paganism from Julian until Valens
  • Ivory diptych of a priestess of Ceres, ca 400: it was defaced and thrown in a well at Abbey of Montier-en-Der.

    Restoration of paganism from Julian until Valens

    Restoration_of_paganism_from_Julian_until_Valens

  • Vindolanda tablets
  • Roman writing tablets found in England

    modern postcard). They were scored down the middle and folded to form diptychs with ink writing on the inner faces, the ink being carbon, gum arabic and

    Vindolanda tablets

    Vindolanda tablets

    Vindolanda_tablets

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