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See searches and references containing COBLA ESPARSA!COBLA ESPARSA
Single-stanza poem in troubadour poetry
A cobla esparsa (Old Occitan: [ˈkobla esˈpaɾsa] literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour
Cobla_esparsa
Song style
was its dominance challenged by a growing number of poets writing coblas esparsas. The canso became, in Old French, the grand chant and, in Italian,
Canso_(song)
he was also active in northern Italy. He was a prolific author of coblas esparsas, single-stanza poems, usually on a moral theme. The number of lines
Guillem_de_l'Olivier
Form of medieval French verse
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Virelai
Morning love song or a song or poem about lovers separating at dawn
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Aubade
Fixed verse form of poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Sestina
Type of Occitan poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Salut_d'amor
Music genre
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Ballata
French medieval and Renaissance poetic and musical genre
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Rondeau_(forme_fixe)
Forme fixe
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Triolet
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Trobar_clus
Welsh poetic form
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Awdl
Form of medieval and Renaissance French poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Ballade_(forme_fixe)
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Leise
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Dansa
Genre of Occitan poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Pastorela
Form and genre of Old Occitan lyric poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Descort
Genre of Occitan poetry shaped as a competition
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Torneyamen
Lyric genre of Catalan and Occitan literature
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Viadera
Eight lines of poetry forming a stanza
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Octave_(poetry)
Short lyrical poem about love
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Madrigal_(poetry)
Occitan traditional song
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Lo_Boièr
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Arlabecca
as seventy-two (Gaunt and Kay) or ninety-four (Riquer) single coblas triadas esparsas on "edifying" themes. He was patronised at the court of Hugh IV
Bertran_Carbonel
Genre of Occitan poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Sirventes
French poetic forms
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Formes_fixes
Milo, Milon or Millon was a mid-13th-century Italian troubadour. His cobla esparsa "En amor trop pietat gran", he derives the word amor (love) from suffering
Peire_Milo
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Devinalh
Genre of the Galician–Portuguese lyric
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Cantiga_de_amigo
Genre of medieval French poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Jeu-parti
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Kyrielle
French form of poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Rondelet
Style of troubadour song
the partimen, in which more than two voices discuss a subject the cobla esparsa or cobla exchange, a tenso of two stanzas only the contenson, where the matter
Tenso
Genre of Catalan and Occitan literature
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Maldit-comiat
Genre of narrative Old French lyric poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Chanson_de_toile
Poetic genre
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Pastourelle
Metrical forms in traditional Welsh poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Cywydd
Knight and troubadour from Saint-Antonin
His only other extant song is Pons, viscoms, lezir e sojor, a cobla esparsa or cobla de circonstance. Ademar may also have participated in one of the
Ademar_Jordan
lyric poetry composed between two troubadours, a subgenre of the tenso or cobla exchange in which one poet presents a dilemma in the form of a question
Partimen
Welsh poetry tradition
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Cerdd_dafod
Provençal troubadour
pieces are extant, a single stanza in a tenso with Sordello and two coblas esparsas. Montan is also mentioned in a poem by Ramon de Rosselló, a sign that
Montan_(troubadour)
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Sicilian_octave
Besides his work with Marcabru, Uc may be the author of two surviving coblas esparsas of a comjat preserved in troubadour MS D, dated to 1254 and now in
Uc_Catola
Occitan compositions survives, and in only one manuscript. His sole cobla esparsa is insignificant literarily, but it mentions the troubadour Montan,
Raimon_de_Rusillon
Style of poetry used by troubadours
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Trobar_leu
Genre of Occitan poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Enuig
Saint Circ (Qi na Cuniça guerreia, "Who fights for Lady Cunizza"), a coblas esparsa which begins Be.s met en gran aventura ("Well is put to great risk")
Peire_Guilhem_de_Luserna
Genre of Old Occitan lyric poetry
Anonymous Quan lo rossinhol escria profane cobla esparsa Anonymous Drutz que vol dreitamen amar profane cobla esparsa Anonymous Eras airay co que·us dey dir
Alba_(poetry)
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Tagelied
12th century French minstrel
(floruit after 1195) was a minor troubadour or jongleur, the author of one cobla esparsa, "Mal'aventura do Deus a mas mas", about some bad luck in a game of
Berenguier_de_Poizrengier
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Planh
Composer and performer of lyric poetry during the High Middle Ages
love song, usually consisting of five or six stanzas with an envoi Cobla esparsa – a stand-alone stanza Comiat – a song renouncing a lover Crusade song
Troubadour
Group of medieval poets
first person singular. The poem is preserved amidst a collection of coblas esparsas in only one Italian chansonnier. Whoever wrote it, Na Carenza al bel
Alais,_Yselda,_and_Carenza
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Ensenhamen
Part of the Albigensian Crusade (1242)
The massacre was celebrated by Cathars in short vernacular songs (coblas esparsas). Eventually, the French government decided to crack down on the Cathars
Avignonet_massacre
a Crusading song, a sirventes, an ensenhamen and some moralising coblas esparsas survive of his work. The Crusading song is dated to around 1326. It
Peire_Lunel_de_Montech
by them. Peire responded with Lanza marqes, paubresa e nesceira, a cobla esparsa, also a sort of sirventes, accusing Manfred of always being always poor:
Manfred_I_Lancia
Verse form in 14th-century French poetry
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Rondel_(poem)
Catalan knight and poet
Cançoner de Saragossa. En be fort punt suy entrat en la setla is a cobla esparsa about the poet's insomnia due to love. Pus que demendat m'avets is a
Jacme_Scrivà
Troubadour style
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Trobar_ric
Type of stanza in lyric poetry
[tuɾˈnaðə, toɾˈnaða]; "turned, twisted") refers to a final, shorter stanza (or cobla) that appears in lyric poetry and serves a variety of purposes within several
Tornada (Occitan literary term)
Tornada_(Occitan_literary_term)
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Grand_chant
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Gab_(song)
contemporary troubadour Uc de Saint Circ criticised Guilhem Fabre in his cobla esparsa Guillelms Fabres nos fai en brau lignatge for using such artful phrasing
Guilhem_Fabre
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Reverdie
the rights of kings, to James. At is also credited as the author of a cobla esparsa (single stanza), "Reys rix romieus mas man milhors". At's longest surviving
At_de_Mons
By regional tradition Occitan Alba (poetry) Arlabecca Aubade Canso Cobla esparsa Dansa Descort Devinalh Ensenhamen Enuig Gab Lo Boièr Maldit-comiat Partimen
Traethodl
Composer in Old Occitan
the three lines are taken from, perhaps a tenso, an ensenhamen or a cobla esparsa. In a tenso with Hugolin de Forcalquier [it], the Comtessa de Dia seems
Lisa_de_Londres
a minor troubadour and nobleman, probably from Quercy. He wrote the cobla esparsa En Raimon, be.us tenc a grat, the first (but the order is unclear) in
Raimon de Durfort and Turc Malec
Raimon_de_Durfort_and_Turc_Malec
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