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Ascending scale of a raga
Arohana, arohanam, aroh or aroha, in the context of Indian classical music, is the ascending scale of notes in a raga. The pitch increases as we go up
Arohana
Janya raga of Carnatic music
Kharaharapriya. It is Vakra Shadava-Sampoorna (Zig-zag raga with six notes in Arohana and seven in Avarohana). It is a Rakthi Ragam with unique and melodious
Reetigowla
Janya raga of Carnatic music
(audava-audava raga in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Mohanam
Hindustani raga
in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta
Todi_(raga)
Janya raga of Carnatic music
and is equivalent to the minor pentatonic scale in Western music. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Udayaravichandrika
Hindustani raga
this Raga present in Sri Guru Granth Sahib Ji is 'Raga Ramkali Dakhni'. Arohana: S G M P Ḏ N Ṡ Avarohana: Ṡ N Ḏ P M̄ P Ḏ Ṉ Ḏ P M̄ P G M Ṟ S Vadi : Pa Samavadi :
Ramkali
Arohana Marthoma Church is a church situated in Anicadu Village, 5 km from Nedumkunnam and 4 km from Mallappally in Pathanamthitta district in the southern
Arohana Marthoma Church, Anicadu
Arohana_Marthoma_Church,_Anicadu
Janya raga of Carnatic music, also used in Hindustani classical music
classification (i.e., a ragam that has five notes in both its arohana and avarohana). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) using
Shivaranjani
Indian melodic mode derived from a raga in the Melakarta
classified as Audava-Sampurna – 5 notes in ārohaṇa and 7 in the avarohaṇa – Shadava-Sampurna – 6 notes in ārohaṇa and 7 in the avarohaṇa, as in Kambhoji raga
Janya
Ragam in South Indian classical music
scale of South Indian classical music). It is an audava rāgam (5 notes in arohana and avarohana) as it does not have all the seven swaras (musical notes)
Hindolam
2026 Indian Kannada language horror thriller film
Dwivedi Cinematography S.N.Hareesh Edited by Anugoju Renukababu Music by Arohana Sudhindra Sudhakar Mario Sanjeev Megoti Production company MSK Pramidha
Police_Complaint
Rāgam in Carnatic music
ma pa dha ni. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used): ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ
Natabhairavi
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ M₁ P N₂ Ṡ avarohaṇa : Ṡ N₂ D₂ P M₁ G₃ R₂ S
Kedaragaula
is performed between 7 and 10 p.m. The raga contains five notes each in Arohana and Avarohana; Sa Shuddha Ga and Shuddha Ni; TeevraMadhyama and Pa. It
Amritvarshini_(raga)
Janya raga of Carnatic music
Natabhairavi. Its ārohaṇa-avarohaṇa structure is as follows (see swaras of Carnatic music for details on below notation and terms): ārohaṇa: S R₂ G₂ M₁ P D₂ N₂ Ṡ
Bhairavi_(Carnatic)
Janya raga of Carnatic music
(audava-audava rāgam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Madhyamavati
Janya raga of Carnatic music
zig-zag. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa: S R₂ M₁ P N₂ D₂ N₂ Ṡ
Surutti
Janya raga of Carnatic music
to listeners. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used): ārohaṇa : S R₂ G₂ S M₁ P D₁ N₂ Ṡ
Darbari_Kanada
Hindustani raga
Avroh, Gandhar is skipped, like: G m r S. Madhyam is an important note. Arohana : Sa Re Ga Ma Pa Dha Ni Ṡa Avarohana : Ṡa Ni Dha Pa Ma Ga Re Sa Vadi :
Bhairavi_(Hindustani)
Rhythm that maintains a happy beat throughout the song
karaharapriya. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used): ārohaṇa : S G₂ R₂ G₂ M₁ P D₂ P Ṡ
Anandabhairavi
Janya raga of Carnatic music
were set to Bageshri. The theoretical aspects of Bageshri are as follows: Arohana : S g m D n S' Avarohana : S' n D m P D g m g R S Vadi : Madhyam (Ma) Samavadi:
Bageshri
Janya raga of Carnatic music
is a raga in Indian classical music, that belongs to the Khamaj Thaat. Arohana (ascending scale): S G M P N Ṡ Avarohana (descending scale): S Ṉ P M G S
Tilang
Hindustani raga
in its arohana (ascent) only five notes are used, whereas the avarohana (descent) uses all the seven notes. Shuddha Ni is used in the arohana, while Komal
Desh_(raga)
Janya raga of Carnatic music, also used in Hindustani classical music
Carnatic Music, Dharmavati. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa: S G₂ M₂ P N₃ Ṡ avarohaṇa: Ṡ N₃ D₂ P M₂ G₂ R₂ S
Madhuvanti
Hindustani classical raga
Alhaiya Bilaval is a raga in which M is the main key. Thaat: Bilaval Arohana: S R G P D N S' Avarohana: S'N D Ṉ D P M G R S Pakad: G R G P M G M R G
Alhaiya_Bilaval
Hindustani raga
It shares its notes with Ahir Bhairav which has a sombre temperament. Arohana : Sa Re Ga Ma Pa Dha Ni Sa' Avarohana : Sa' Ni Dha Pa Ma Ga Re Sa Vadi :
Bhairav_(raga)
India musical raga
descending phase of the composition and the primary and secondary notes: Arohana: Sa Re Ma Pa Ni Sa Avarohana: Sa Re Ni Dha, Ma Pa Dha Ma Ga Re Ni Sa Vadi:
Sorath_(raga)
Janya raga of Carnatic music
(audava-audava ragam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Shuddha_Saveri
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ G₃ P D₂ Ṡ they are used in
Bilahari
Hindustani classical raga
Kalyan Thaat. It is an ancient raga associated with the spring season. The Arohana has 7 notes. Sa Ga Ma# Dha Ni Dha Sa. The Avarohana has five notes. Sa
Hindol
Indian classical raga
completely omitted. Its jaati is audav-audav (five-five, that is, pentatonic). Arohana : Ṉ̣ S G̱ M Ḏ Ṉ Ṡ Avarohana : S Ṉ Ḏ M G̱ M G̱ S S Ṉ Ḏ M G̱ S The 'Ga' used
Malkauns
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ M₁ P D₂ Ṡ avarohaṇa : Ṡ N₂ D₂ P M₁ G₂ R₂ S
Salaga_Bhairavi
Janya raga of Carnatic music
as having three types of ascending (arohana) and descending scales (avarohana). In practice, all 3 types of arohana and avarohana, as well as other usages
Nattakurinji
Janya raga of Carnatic music
Shankarabharanam, 29th in the 72 Melakarta ragas. Its arohana-avarohana structure is as follows: Arohana: S R₂ G₃ M₁ P D₂ P Ṡ Avarohana: Ṡ N₃ P M₁ R₂ G₃ M₁ R₂ S
Poornachandrika
Janya raga of Carnatic music
indicates the zig-zag nature of jumping notes in descending scale. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Shree_(Carnatic_raga)
Janya raga of Carnatic music
scale). ārohaṇa: S R₁ M₁ P D₁ Ṡ avarohaṇa: Ṡ D₁ P M₁ G₃ R₁ S The notes in this scale are shuddha rishabha, shuddha madhyama, shuddha dhaivata in arohana and
Malahari
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ M₁ P D₂ Ṡ avarohaṇa : Ṡ N₂ D₂ P M₁ G₃ R₂ S
Yadukulakamboji
21st raga in the Melakarta
mnemonic name is Veda-Go. The mnemonic phrase is sa ri gi ma pa dha nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Keeravani
Hindustani raga
Bageshree. The closest Carnatic music equivalent of this raga is Chakravakam Arohana: S Ṟ G M P D Ṉ Ṡ Avarohana: Ṡ Ṉ D P M G Ṟ S Key: S, G, M, P, D: shuddha
Ahir_Bhairav
Janya raga of Carnatic music
phrases which are used in interwoven patterns in its improvisation. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Atana
Hindustani raga
Vishnu Narayan Bhatkhande. The creator of this raga was Hzt Amir Khusrau. Arohana: Ṇ S M ❟ P G̱ M Ṉ D N Ṡ Avarohana: Ṡ Ṉ P ❟ M P G̱ M R S Vadi: Ma Samvadi:
Bahar_(raga)
Janya raga of Carnatic music
pentatonic scale (audava-audava rāgam in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Valaji
Janya raga of Carnatic music
(audava-audava ragam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Sunadavinodini
Janya raga of Carnatic music
(audava-audava ragam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Hamsadhvani
Hindustani classical raga
from Khamaj thaat. The raga is of Shadava-Sampoorna nature, i.e., in its arohana (ascent) six notes are used (D is excluded), whereas the avarohana (descent)
Tilak_Kamod
22nd Melakartha
pa dhi ni. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S R₂ G₂ M₁ P D₂ N₂ Ṡ
Kharaharapriya
Janya raga of Carnatic music
notes in the ascending scale and seven notes in the descending scale). ārohaṇa: S R₁ M₁ P D₁ Ṡ avarohaṇa: Ṡ N₃ D₁ P M₁ G₃ R₁ S The notes are shuddha rishabham
Saveri
Janya raga of Carnatic music
hexatonic scale (shadava-shadava rāgam in Carnatic music classification). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as what follows
Malayamarutam
Hindustani raga
atmosphere created by this raga is serious, as it has Komal 'Re' and 'Dha'. Arohana: Sa Re Ga Pa Dha Sa' Avarohana: Sa' Dha Pa Ga Re Sa Bhairav Thaat Dha &
Bibhas
Hindustani raga
raga. The raga reflects the mood of slight pathos with heroic exuberance. Arohana Sa, Re, Ga, Ma, Pa, Dha, Ni, Sa' C, D, E, F, G, A♭, B, C' Avarohana Sa'
Nat_Bhairav
Janya raga of Carnatic music
scales). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S R₂ G₂ M₁ D₂ N₂ Ṡ
Shree_ranjani
Janya raga of Carnatic music
pentatonic descending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ G₂ M₁ P D₁ N₂ Ṡ avarohaṇa :
Saramati
Ornamentation in Indian classical music
gamakas are mentioned in various treatises and compositions, including Arohana (ascending patterns), Avarohana (descending patterns), ahata & pratyahata
Gamaka_(music)
Janya raga of Carnatic music
notes in both ascending and descending scales. Its ārohaṇa-avarohaṇa structure is as follows: ārohaṇa: S R₂ G₂ M₁ D₂ Ṡ avarohaṇa: Ṡ D₂ M₁ G₂ R₂ S The notes
Abhogi
Hindustani classical raga
and should be included only in Avarohi phrases. Vadi: Pa Samvadi: Sa Arohana Ṇ S G̱ M̄ P N Ṡ Avarohana Ṡ N Ḏ P M̄ G̱ Ṟ S Pakad Ṇ S M̄ G̱ M̄ P M̄ G̱ M̄ G̱ Ṟ S
Multani_(raga)
Janya raga of Carnatic music
meaning 'of 5'). Its ascending and descending scale (ārohaṇa-avarohaṇa structure) is as follows: ārohaṇa : S R₁ G₂ P D₁ Ṡ avarohaṇa : Ṡ D₁ P G₂ R₁ S The notes
Bhupalam
Janya raga of Carnatic music
(five notes in the ascending scale and six notes in the descending scale). ārohaṇa: S R₁ G₃ P D₁ Ṡ avarohaṇa: Ṡ N₃ D₁ P G₃ R₁ S The notes in this scale are
Bowli
Hindustani raga
The Carnatic music equivalent of this raga is Madhyamavati. Arohana & Avarohana Arohana: S M R M P Ṉ Ṡ Avarohana: Ṡ Ṉ P M R M Ṉ̣ R S Pakad R R S Ṉ̣ S M R P M R Ṉ̣ S
Megh_(raga)
Seventeenth raga in the Melakarta
mnemonic name is Agni-Ma. The mnemonic phrase is sa ra gu ma pa dhi nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Suryakantam
Raga created by Mahesh Mahadev
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows. ārohaṇa: S G₃ M₂ P N₃ Ṡ avarohaṇa: Ṡ N₃ D₂ P M₂ G₃ R₂ S
Amritha_Kalyani
Musical phrase in Hindustani music
about gayaki or chalan. The pakad is formed from short convolutions of the arohana and avarohana. The pakad for a particular raga need not be unique, but
Pakad
Janya raga of Carnatic music
Carnatic adaptation of the Hindustani raga: Yaman Kalyan. Its arohana-avarohana is as follows: Arohana: S R₂ G₃ P M₂ G₃ P D₂ N₃ D₂ Ṡ Avarohana: Ṡ N₃ D₂ P M₂ G₃ M₁ R₂ S
Yamunakalyani
Janya raga of Carnatic music
pentatonic descending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₃ G₃ M₁ P D₃ N₃ Ṡ avarohaṇa :
Nata_(raga)
Raga in Hindustani classical music
Raga Tilang for its base which itself is derived from Khamaj thaat. The Arohana is: Sa Ga Ma Pa ni(komal) Sa' The Avarohana is: Sa' ni(komal) Pa Ma Ga(shuddha)
Jog_(raga)
Hindustani raga
raga is of audav-shadav nature, i.e., it has five swaras (notes) in the arohana (ascent) and six in the avarohana (descent). All the swaras are used are
Shankara_(raga)
56th raga in the Melakarta
mnemonic name is Disi-Sri. The mnemonic phrase is sa ri gi mi pa dha ni. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Shanmukhapriya
Fifth raga in the Melakarta
mnemonic name is Indu-Ma. The mnemonic phrase is sa ra ga ma pa dhi nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Manavati
Janya raga of Carnatic music
(see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S G₃ M₁ D₂ N₃ Ṡ avarohaṇa : Ṡ N₃ D₂ M₁ G₃ R₁ S This scale uses the notes
Vasantha_(raga)
Janya raga of Carnatic music
terms): ārohaṇa : S R₂ M₁ P D₂ Ṡ avarohaṇa : Ṡ N₃ D₂ P M₁ G₃ R₂ S Arabhi raga is an Owdava-sampoorna raga meaning, 5 swaras occur in the arohana (so it
Arabhi
Indian raga
sparingly is shuddha nishad which enhances the Saranga mood of the raga. Arohana: S R M P Ṉ P M P Ṉ Ṡ S R G̱ M P Ṉ P Ṡ Avarohana: Ṡ Ḏ Ṉ P G̱ M R S Vadi :
Adana_(raga)
Raga in Hindustani classical music
performances nowadays. Arohana: Ṇ Ṟ G M̄ P Ḏ N Ṡ Thus: C D-flat E F-sharp G A-flat B C+ In German: C Des E Fis G Aes H C+ In Arohana, S and P are often avoided
Purvi
sampoorna) have all seven swaras in their scale. In general, the swaras in the Arohana and Avarohana strictly follow the ascending and descending scale as well
Sampurna_raga
Janya raga of Carnatic music
(audava-audava ragam in Carnatic music classification – audava meaning 'of 5'). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Revati_(raga)
Janya raga of Carnatic music
meaning 'of 5'). Its ascending and descending scale (ārohaṇa-avarohaṇa structure) is as follows: ārohaṇa : S R₁ G₃ P D₁ Ṡ avarohaṇa : Ṡ D₁ P G₃ R₁ S The notes
Revagupti
Janya raga of Carnatic music
also classified as a rakti raga (raga with high melodic content). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Sahana_(raga)
30th raga in the Melakarta
mnemonic name is Bana-Sha. The mnemonic phrase is sa ri gu ma pa dhu nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Naganandini
Hindustani raga
the sringara rasa - romantic love. Arohana: N S R M P N S' Avarohana: S' n P M R S N S Ni svara is Shuddha in Arohana and Komal in Avarohana. Vadi: Rishabha
Brindavani_Sarang
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S R₂ G₃ P D₂ Ṡ avarohaṇa : Ṡ N₃ D₂ P M₂ G₃ R₂ S
Mohanakalyani
Concept in Hindustani classical music
विवादि meaning "dissonant") refers to pitches that are not part of the arohana or avrohana of a given raga. In general, vivadi are not to be played during
Vivadi
Musical scale (raga) in Carnatic music
'di') nu. Its arohana-avarohana structure is as follows (see swaras in Carnatic music for details on below notation and terms): arohana: S R₂ G₃ M₂ P D₂ N₃ Ṡ
Kalyani_(raga)
45th raga in the Melakarta
mnemonic name is Vasu-Go. The mnemonic phrase is sa ra gi mi pa dha nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Shubhapantuvarali
Gaud Sarang is assigned to the Kalyan thaat rather than the usual Kafi. Arohana: S G R M G P M̄ D P Ṡ N Ṙ Ṡ S G R M G P M̄ D P N D Ṡ Avarohana:
Gaud_Sarang
Third raga in the Melakarta
mnemonic name is Indu-Go. The mnemonic phrase is sa ra ga ma pa dha nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Ganamurti
Hindustani raga
Gokul was mesmerized. The raga is of shadaav-sampurna nature, i.e., in its arohana (ascent), only six notes are used, and in avarohana (descent), all seven
Kedar_(raga)
Janya raga of Carnatic music
pentatonic ascending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S G₂ M₁ P N₂ Ṡ avarohaṇa : Ṡ N₂ D₁ P M₁ G₂ R₁ S
Dhanyasi
First raga in the Melakarta
mnemonic name is Indu-Pa. The mnemonic phrase is sa ra ga ma pa dha na. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) has all shuddha swaras
Kanakangi
Janya raga of Carnatic music, also used in Hindustani classical music
"m P n d P, m P g, R m P" It is usually performed in morning (9-12pm). ārohaṇa : S R₂ M₁ P D₁ N₂ Ṡ avarohaṇa : Ṡ N₂ D₁ P M₁ G₂ R₂ S (the notes used in
Jaunpuri_(raga)
Janya raga of Carnatic music
scales). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S R₁ G₃ M₂ D₂ N₃ Ṡ
Hamsanandi
scale of Bhupal Todi uses only komal swaras. It is a symmetric scale. Arohana : S r g P d S Avarohana : S d P g r S Vadi : Dha Samavadi : Ga Thaat: Bhairavi
Bhupal_Todi
Janya raga of Carnatic music
descending scale. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S M₁ G₃ M₁ P N₃ Ṡ
Kedaram
Janya raga of Carnatic music
ragas such as Sindhi Bhairavi, Sindh, Sindhura and Sindhura Bhairavi. Arohana: S Ṟ G̱ M P Ḏ Ṉ Ṡ Avarohana: Ṡ Ṉ Ḏ P M G̱ Ṟ S Vadi: Ḏ Samavadi: G̱ Popular
Sindhu_Bhairavi_(raga)
Hindustani classical raga
Bairagi (raga) Thaat Bhairav Time of day 6 AM – 9 AM Arohana Sa re ma Pa ni Sa‘ Avarohana Sa‘ni Pa ma re Sa Pakad m-P-n-P-m-r;‘n r S Vadi Madhyam (ma)
Bairagi_(raga)
Janya raga of Carnatic music
'of 5'). Its ascending and descending scale structure (ārohaṇa-avarohaṇa) is as follows: ārohaṇa : S G₃ M₁ P N₃ Ṡ avarohaṇa : Ṡ N₃ P M₁ G₃ S The notes
Gambhiranata
Fourteenth raga in the Melakarta
mnemonic name is Agni-Sri. The mnemonic phrase is sa ri ga ma pa dha ni. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Vakulabharanam
32nd raga in the Melakarta; major part of the alapana of a raga
pa dha ni. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa: S R₃ G₃ M₁ P D₁ N₂ Ṡ
Ragavardhini
Puriya Thaat Marwa Time of day Just after sunset Arohana N Ṟ G M̄ D N Ṟ Ṡ Avarohana S N D M̄ G Ṟ S Ṇ Ṟ N D M̄ G,M̄ G Ṟ S Vadi G Samavadi N
Puriya
48th raga in the Melakarta
mnemonic name is Vasu-Sha. The mnemonic phrase is sa ra gi mi pa dhu nu. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see
Divyamani
28th raga in the Melakarta
dha ni sa. Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): ārohaṇa : S R₂ G₃ M₁ P D₂ N₂ Ṡ
Harikambhoji
Janya raga of Carnatic music
and descending of the scale. Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows. ārohaṇa: S G₃ P N₂ Ṡ avarohaṇa: Ṡ N₂ P G₃ S
Mahati
Janya raga of Carnatic music
and 6 in descending scale). Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows: ārohaṇa : S G₃ M₁ P Ṡ avarohaṇa : Ṡ N₂ D₂ M₁ G₃ R₂ S
Navarasa_kannada
AROHANA
AROHANA
AROHANA
AROHANA
AROHANA
AROHANA
AROHANA
AROHANA
AROHANA