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French movie equipment manufacturer
Aaton Digital (formerly known as Aaton) was a French motion picture equipment manufacturer, based in Grenoble, France. Aaton was founded by Eclair engineer
Aaton_Digital
35mm motion picture camera
Aaton Penelope is a 35mm motion picture camera introduced by Aaton in October 2008. It is the first camera in the world designed as a switchable Techniscope
Aaton_Penelope
Computer format for digital audio
sounddevices.com. "Zaxcom". zaxcom.com. "- HHB". www.hhb.co.uk. "Aaton Digital". aaton.com. "The Digital Speech Standard (DSS & DSS Pro)". ReviverSoft. August 11
Audio_file_format
American digital cinematography company
year in which Panavision, Arri, and Aaton announced that they would no longer be producing analog cameras. Red Digital Cinema and the Red One were widely
Red_Digital_Cinema
2026 film by Emerald Fennell
Sandgren framed the film in the 1.85:1 aspect ratio, using 3-perf 35mm Aaton Penelopes as the main cameras, plus a pair of Beaumont 8-perf VistaVision
Wuthering_Heights_(2026_film)
Historically popular gauge of film
offers Digital 16 mm in 4K and with a global shutter. The professional industry tends to use 16 mm cameras from Aaton and Arri, most notably the Aaton Xtera
16_mm_film
Camera that typically uses a mirror and prism system
Retrieved 2007-08-28. "ARRI, Panavision, and Aaton Cease Production of Film Cameras; Will Focus Exclusively on Digital". Collider. 12 October 2011. Spira, S
Single-lens_reflex_camera
(PDF). August 11, 1984. p. 121. Retrieved May 26, 2016. Arri official site Aaton official site Arri. Arri: A Picture Chronicle, 2001 Burum, Stephen (editor)
Comparison_of_movie_cameras
Series of audio recorders produced by Kudelski SA
use competing digital multi-track machines from manufacturers such as Aaton's Cantar, Fostex, Sound Devices and Zaxcom. Nagra VI – Released in 2008,
Nagra
Motion picture camera film format
Arriflex BL1 and Arriflex IIC 35 mm cameras for the Techniscope 2-perf format. Aaton, Panavision, and Arriflex have modern 2-perf cameras. Aranda in Australia
Techniscope
American independent film from 2022
Kemp Muhl as Heather Cuddly Toys was shot on Super 16 mm film using an Aaton LTR camera. It was filmed in various cities across the United States and
Cuddly_Toys_(2022_film)
Data storage format
gradually been replaced by solid-state and hard drive-based units like the Aaton Cantar, the Zaxcom Deva, and similar units from Fostex and Sound Devices
Hi-MD
2012 American film by Wes Anderson
Anderson's usual 35mm anamorphic format, using Aaton Xterà and A-Minima cameras. Anderson said the Aaton cameras were ideal for photographing child actors
Moonrise_Kingdom
1998 thriller film by Darren Aronofsky
accumulated about $60,000 for their production budget. The film was shot on an Aaton XTR Prod Camera, which shoots with 16mm film, with a Bolex H16 Camera used
Pi_(film)
Standard theatrical motion picture film gauge
Four". Image Technology. 69 (3). "3 perf: The future of 35mm filmmaking". Aaton. Archived from the original on July 13, 2006. Retrieved August 10, 2006
35_mm_movie_film
negative films to aid in identifying and counting of film frames. Evertz, Aaton and ARRI are three types of readers for telecine use. The suite may or may
Color_suite
2016 film by Todd and Jedd Wider
shot scenes where Bishop discusses food in her diary in Super 16mm with an Aaton XTR in order to convey a sense of nostalgia but also a dreamlike quality
God_Knows_Where_I_Am
2003 film directed by Vincent Gallo
a typical "old-school grain". Gallo reportedly shot the film using two Aaton 16mm cameras, Super Baltar lenses, a Nagra IV-STC recorder, and an Angénieux
The_Brown_Bunny
Former film production company
declined in the late-1970s and early-1980s until it was eventually sold to Aaton S.A. in 1986 who ceased all camera production, offering only a license for
Eclair_(company)
American film school
equipment includes Arriflex and Aaton 16mm and Super16mm, and Super8 cameras; RED, Sony, Canon and Panasonic Digital HD cameras, editing stations with
Seattle_Film_Institute
2003 film by Bryan Singer
filming included two Panaflex Millenniums and a Millennium XL, as well as an Aaton 35mm. Singer also used zoom lenses more often than he did in his previous
X2_(film)
Australian comedy television series
Kodak 16mm on an Aaton Xtera Super 16 using ARRI/Zeiss Ultra Prime lenses. Although he and director Tony Rogers considered using digital cameras, they were
Wilfred (Australian TV series)
Wilfred_(Australian_TV_series)
Manner of exposing motion picture film that determines aspect ratio
their Arricam and Arriflex 235 cameras available for rental in March 2007. Aaton's Penelope camera, released in October 2008, was the first camera specifically
Negative_pulldown
American medical sitcom
Inwood, the cinematographer of the series, shot the series with his own Aaton XTR prod Super16 film camera. While some broadcasters, such as the BBC,
Scrubs_(TV_series)
2003 film by Sofia Coppola
daylight. Most of the film was shot with an Aaton 35-III camera. For some confined locations where the Aaton would have been too noisy, a Moviecam Compact
Lost_in_Translation_(film)
2009 film by Gaspar Noé
super 35 format with Arricam LT cameras, and the rest in super 16 with an Aaton XTR Prod. The cinematographer was Benoît Debie, who also shot Irréversible
Enter_the_Void
Sound metadata standard for Broadcast Wave Format
Mark Gilbert of Gallery, John Ellwood of SynchroArts and J.P Beauviala of Aaton at the IBS meeting, the iXML 1.0 Specification was developed, drawn up and
IXML
Interface between a camera body and lens
professional digital cinematography cameras are Arri's PL-mount and Panavision's PV-mount. The PL-Mount is used both on Arri and RED digital cinematography
Lens_mount
2000 Argentine film
Montes-Bradley. A number of interviews were filmed in Super 16mm, and digital DV using cameras Aaton, and Sony VX1000. Interviews were conducted by Montes-Bradley
Harto_the_Borges
JSTOR 27931137. Åhlfeldt, Johan (2014-11-01). "Malatha, Tell el Milh/Malhatha". Digital Atlas of the Roman Empire. Lund University, Department of Archaeology and
Cities_in_the_Book_of_Joshua
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