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  • CODE
  • CODE

    Consumer-Driven re-engineering of the Distribution network in the apparel industry

    CODE

  • SEO
  • SEO

    Secrects on the One

    SEO

  • LSC
  • LSC

    laboratory safety committee

    LSC

  • ECCAR
  • ECCAR

    Elizabethton Carter County Animal Rescue

    ECCAR

  • USAMSAA
  • USAMSAA

    United States Army Materiel System Analysis Activity

    USAMSAA

  • DFI
  • DFI

    daily fluid intake

    DFI

  • SVFC
  • SVFC

    Saxonburg Volunteer Fire Company

    SVFC

  • mCG
  • mCG

    Melanie Chisholm Gallery

    mCG

  • BCI
  • BCI

    Basketball Congress International

    BCI

  • TMBCS
  • TMBCS

    Theater Battle Management Core Systems

    TMBCS

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  • Timbre
  • n.

    The quality or tone distinguishing voices or instruments; tone color; clang tint; as, the timbre of the voice; the timbre of a violin. See Tone, and Partial tones, under Partial.

  • Madrigal
  • n.

    An unaccompanied polyphonic song, in four, five, or more parts, set to secular words, but full of counterpoint and imitation, and adhering to the old church modes. Unlike the freer glee, it is best sung with several voices on a part. See Glee.

  • Vocal
  • a.

    Of or pertaining to the voice or speech; having voice; endowed with utterance; full of voice, or voices.

  • Septette
  • n.

    A musical composition for seven instruments or seven voices; -- called also septuor.

  • Submiss
  • a.

    Gentle; soft; calm; as, submiss voices.

  • Tumult
  • n.

    The commotion or agitation of a multitude, usually accompanied with great noise, uproar, and confusion of voices; hurly-burly; noisy confusion.

  • Voiceful
  • a.

    Having a voice or vocal quality; having a loud voice or many voices; vocal; sounding.

  • Hubbub
  • v. i.

    A loud noise of many confused voices; a tumult; uproar.

  • Sestet
  • n.

    A piece of music composed for six voices or six instruments; a sextet; -- called also sestuor.

  • Score
  • n.

    The original and entire draught, or its transcript, of a composition, with the parts for all the different instruments or voices written on staves one above another, so that they can be read at a glance; -- so called from the bar, which, in its early use, was drawn through all the parts.

  • Shout
  • n.

    A loud burst of voice or voices; a vehement and sudden outcry, especially of a multitudes expressing joy, triumph, exultation, or animated courage.

  • Round
  • n.

    A short vocal piece, resembling a catch in which three or four voices follow each other round in a species of canon in the unison.

  • Ring
  • n.

    Any loud sound; the sound of numerous voices; a sound continued, repeated, or reverberated.

  • Semichorus
  • n.

    A half chorus; a passage to be sung by a selected portion of the voices, as the female voices only, in contrast with the full choir.

  • Silvery
  • a.

    Having the clear, musical tone of silver; soft and clear in sound; as, silvery voices; a silvery laugh.

  • Soprano
  • n.

    The treble; the highest vocal register; the highest kind of female or boy's voice; the upper part in harmony for mixed voices.

  • Nonetto
  • n.

    A composition for nine instruments, rarely for nine voices.

  • Tune
  • n.

    A rhythmical, melodious, symmetrical series of tones for one voice or instrument, or for any number of voices or instruments in unison, or two or more such series forming parts in harmony; a melody; an air; as, a merry tune; a mournful tune; a slow tune; a psalm tune. See Air.

  • Octet
  • n.

    A composition for eight parts, usually for eight solo instruments or voices.

  • Tenor
  • n.

    The higher of the two kinds of voices usually belonging to adult males; hence, the part in the harmony adapted to this voice; the second of the four parts in the scale of sounds, reckoning from the base, and originally the air, to which the other parts were auxillary.

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