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DORI
DORI
Any one of several species of nudibranchiate mollusks of the genus Doris and allied genera, having a smooth, thick, convex yellow body.
DORI
a.
Pertaining to Doris, in ancient Greece, or to the Dorians; as, the Doric dialect.
n.
A Doric phrase or idiom.
n.
A projecting block worked under the corona of the Doric corice, in the same situation as the modillion of the Corinthian and Composite orders. See Illust. of Gutta.
n.
A celebrated marble temple of Athene, on the Acropolis at Athens. It was of the pure Doric order, and has had an important influence on art.
n.
One of a series of ornaments, in the form of a frustum of a cone, attached to the lower part of the triglyphs, and also to the lower faces of the mutules, in the Doric order; -- called also campana, and drop.
a.
Pertaining to, or designating, architecture, in which the beginnings of the Doric style are supposed to be found.
a.
Same as Doric, 3.
n.
The space between two triglyphs of the Doric frieze, which, among the ancients, was often adorned with carved work. See Illust. of Entablature.
n.
A native or inhabitant of Doris in Greece.
v.
The space between two channels of the Doric triglyph.
n. pl.
A division of opisthobranchiate mollusks having the branchiae in a wreath or group around the anal opening, as in the genus Doris.
n.
The half channel or groove in the edge of the triglyph in the Doric order.
n.
A Doric phrase or idiom.
a.
Of or pertaining to the ancient Greeks of Doris; Doric; as, a Dorian fashion.
n.
The putting of one order above another; also, an architectural work produced by this method; as, the putting of the Doric order in the ground story, Ionic above it, and Corinthian or Composite above this.
n.
The scale as affected by the various positions in it of the minor intervals; as, the Dorian mode, the Ionic mode, etc., of ancient Greek music.
n.
The Doric dialect.
n.
The fillet, or band, at the bottom of a Doric frieze, separating it from the architrave.
n.
An ornament in the frieze of the Doric order, repeated at equal intervals. Each triglyph consists of a rectangular tablet, slightly projecting, and divided nearly to the top by two parallel and perpendicular gutters, or channels, called glyphs, into three parts, or spaces, called femora. A half channel, or glyph, is also cut upon each of the perpendicular edges of the tablet. See Illust. of Entablature.
DORI
DORI